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The Living House is a pioneering work by respected anthropologist Roxana Waterson that has become a classic in its field. It is first book of its kind to present a detailed picture of houses within the complex social and symbolic fabric of indigenous South-East Asian peoples. The main focus of the book is on Indonesia, but in tracing historical links between architectural forms across the region, it reveals a much wider field of inquiry--covering all of the Austronesian peoples and cultures extending as far afield as Madagascar, Japan and the Pacific islands to New Zealand and Hawaii. As it probes the centrally significant role of houses within South-East Asian social systems, The Living Hou...
Fieldwork extending over a thirty-year period provided materials for this book. Paths and Rivers offers an unusually deep and broad picture of the Sa’dan Toraja as a society in dynamic transition over the course of the past century. The Toraja inhabit the mountainous highlands of South Sulawesi, Indonesia, and are well known for their dramatic architecture, their unusual cliff burials, and their flamboyant ceremonial life, which places extraordinary economic demands on individuals and families. The analysis is informed, firstly, by a comparative perspective which sets Toraja social structure in the context of the Austronesian world. Secondly, the author delves deeply into Toraja social mem...
Contestations of Memory in Southeast Asia applies a new theoretical literature on social memory to remembered events in Burma, Laos, Vietnam, Malaysia, Singapore, the Philippines and Indonesia. Highlighting connections between theorizing based on European examples and unresolved memory issues in East and Southeast Asia, the authors show how comparative study of the interpenetration of politics and lived bodily experience, of communal and personal memories, and of dominant and suppressed narratives, can yield insights into the human potential to become either perpetrators, victims or bystanders. The memories found within different groups in any society are open to negotiation, suppression, co...
The Living House is a pioneering work by respected anthropologist Roxana Waterson that has become a classic in its field. It is first book of its kind to present a detailed picture of houses within the complex social and symbolic fabric of indigenous South-East Asian peoples. The main focus of the book is on Indonesia, but in tracing historical links between architectural forms across the region, it reveals a much wider field of inquiry—covering all of the Austronesian peoples and cultures extending as far afield as Madagascar, Japan and the Pacific islands to New Zealand and Hawaii. As it probes the centrally significant role of houses within South-East Asian social systems, The Living Ho...
Featuring an unmatched collection of topographic prints and glorious full-colour paintings this delightful volume takes readers on an intimate and revealing tour of Singapore through its first century of being. Often published diversely in Europe and America in the accounts of scientific voyages, travel books, and in bound folios, these works portray the experiences of 19th century travellers, reflecting their impressions, prejudices, and insights of life in the new colony. Distinguished by exceptional detail, Singapore Through 19th Century Prints & Paintings is an intriguing and insightful visual record of Singapore¿s past.
From the sixteenth century onwards, but particularly from the nineteenth and early twentieth centuries, comes a wealth of accounts written by foreigners of their experiences in South-East Asia. They were seafarers, businessmen, ambassadors, or travellers for sheer pleasure or curiosity. All vividly recorded their impressions of many aspects of South-East Asian life. Not least of these concerned the enormous diversity of indigenous and colonial architectural forms they encountered, and the style of living of the people who created them. From the sublime ruins of Angkor Wat, the elegance of life in the colonial residences in Malaya, to the bustle of burgeoning cities like Singapore, the travellers of these eras evoke for us the many amazing architectural styles of the region. Their often sensitive and lively observations are as fascinating to readers today as they were to their contemporaries.
Made to be Seen brings together leading scholars of visual anthropology to examine the historical development of this multifaceted and growing field. Expanding the definition of visual anthropology beyond more limited notions, the contributors to Made to be Seen reflect on the role of the visual in all areas of life. Different essays critically examine a range of topics: art, dress and body adornment, photography, the built environment, digital forms of visual anthropology, indigenous media, the body as a cultural phenomenon, the relationship between experimental and ethnographic film, and more. The first attempt to present a comprehensive overview of the many aspects of an anthropological approach to the study of visual and pictorial culture, Made to be Seen will be the standard reference on the subject for years to come. Students and scholars in anthropology, sociology, visual studies, and cultural studies will greatly benefit from this pioneering look at the way the visual is inextricably threaded through most, if not all, areas of human activity.
Beyond Kinship brings together ethnohistorians, archaeologists, and cultural anthropologists for the first time in a common discussion of the social model of house societies proposed by Claude Levi-Strauss. While kinship theory has been central to the study of social organization, an alternative approach has emerged—that of seeing the "house" both as a physical and symbolic structure and a principle of social organization. The house stands as a model social formation that is distinguished by its attention to a number of material domains (land, the dwelling, ritual and nonritual objects). As the essays in this volume make clear, the focus on material culture and on place contributes to the ...
The Neolithic period is noted primarily for the change from hunter-gatherer societies to agriculture, domestication and sedentism. This change has been studied in the past by archaeologists observing the movements of plants, animals and people. But has not been examined by looking at the domestic architecture of the time. Along with tracking the movement of sedentism, Neolithic houses are also able to show researchers the beginnings of cultural identity, group representation through the construction and decoration of these structures. Additionally as agriculture moved west and north in this era, the architecture and material culture shows this change and its significance. Chapters are arranged chronologically so that authors can address differences and similarities of their region to neighboring ones. To ensure continuity, authors have framed the chapters around the following considerations: construction materials and architectural characteristics; how houses facilitated or perpetua
Explores the concept of 'house' in the context of Levi-Strauss' idea of the house as a link between kinship-based societies and class societies, developing this further into an examination of a conjuncture of architecture, people and symbolism.