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The second edition of this highly informative book retains much original material covering the principles of structural mechanics and the strength of materials, together with the underlying concepts requisite to the theory of structure and structural design. Some of the material involving lengthy hand-drawing or hand-calculation has been replaced with more up-to-date relevant material and frequent reference is made to computer-aided learning techniques.
Ten Golden Fields is a deliberate attempt to allow readers of fiction tales a more relaxing and fresh venue when they think they have some time to read. We hear tales about reading books falling off various cliffs. I think one reason is because people genuinely are in a nearly permanent hurry mode in their lives. In this book, anyone can read for thirty minutes and take in enough of a story to feel they have consumed something very entertaining and interesting for their soul-psyche. Its unlikely they will forget the characters and the next time they pick up the story to read; it can be a natural continuum. Also, I want these characters to say and do things that make them almost leap out of the pages and into the lives of my readers. To that end, I feel confident in saying that you will remember something about Ten Golden Fields in five years. And thats a very good thing for both of us.
Exploring the ideas and sources of relevant knowledge and experience which underpin the elements of competence and performance criteria which apply to a variety of teacher and trainer qualifications, this text takes account of recent developments and matters featured in the DfES White Paper 'Learning to Succeed'.
Jan & Dean were among the most successful artists of the late 1950s through the mid-1960s, with hits including "Baby Talk," "Surf City," "Dead Man's Curve" and "The Little Old Lady (From Pasadena)." Slapstick humor and offbeat personas were a big part of their shtick, but Jan Berry was serious when it came to the studio. This book chronicles Jan's career as a songwriter and arranger--and his tenure as producer for Jan & Dean and other acts--with day-by-day entries detailing recording sessions, single and album releases, concerts and appearances, film and television projects, behind-the-scenes business and legal matters, chart positions and more. Extensive commentary from Berry's family, friends and colleagues is included. Studio invoices, contract details, tape box notes, copyright information and other particulars shed light on how music was made in the Hollywood studio system of the 1960s.
Jan Berry, leader of the music duo Jan & Dean from the late 1950s to mid-1960s, was an intense character who experienced more in his first 25 years than many do in a lifetime. As an architect of the West Coast sound, he was one of rock 'n' roll's original rebels--brilliant, charismatic, reckless, and flawed. As a songwriter, music arranger, and record producer for Nevin-Kirshner Associates and Screen Gems-Columbia Music, Berry was one of the pioneering self-produced artists of his era in Hollywood. He lived a dual life, reaching the top of the charts with Jan & Dean while transitioning from college student to medical student, until an automobile accident in 1966 changed his trajectory forever. Suffering from brain damage and partial paralysis, Jan spent the rest of his life trying to come back from Dead Man's Curve. His story is told here in-depth for the first time, based on extensive primary source documentation and supplemented by the stories and memories of Jan's family members, friends, music industry colleagues, and contemporaries. From the birth of rock to the bitter end, Berry's life story is thrilling, humorous, unsettling, and disturbing, yet ultimately uplifting.