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Bermuda
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The Ceylon Blue Book
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The Cambridge Book of Magic
The Cambridge Book of Magic is an edition of a hitherto unpublished sixteenth-century manuscript of necromancy (ritual magic), now in Cambridge University Library. Written in England between 1532 and 1558, the manuscript consists of 91 'experiments', most of them involving the conjuration of angels and demons, for purposes as diverse as knowing the future, inflicting bodily harm, and recovering stolen property. However, the author's interests went beyond spirit conjuration to include a variety of forms of natural magic. The treatise drew on astrological image magic and magico-medical texts, and the author had a particular fascination with the properties of plants and herbs. The Cambridge Book of Magic gives an insight into the practice and thought of one sixteenth-century magician, who may have been acting on behalf of clients as well as working for his own benefit.
A Medieval Book of Magical Stones: The Peterborough Lapidary
A Medieval Book of Magical Stones is the first translation of the longest and most comprehensive medieval English treatise on the occult powers of stones and gems, the Peterborough Lapidary. Lapidaries (encyclopaedias of the 'virtues' of stones and minerals) were an essential resource for practitioners of natural and ritual magic as well as medicine. This late fifteenth-century manuscript from the library of Peterborough Cathedral describes 145 stones, portraying them as living beings whose properties range from giving the bearer the power to command spirits and foretell the future to healing numerous illnesses and communicating with spirits and the dead, along with instructions on how to release latent occult power from within stones. Many of the proposed uses of stones resemble the concerns of medieval necromancers, such as invisibility, love magic, power over animals and the creation of magical mirrors. pp. xliii+106; 2 column text; introduction; bibliography; analytical index; 8 b/w illustrations
Cambridge University Library
Extensively illustrated with over 200 photographs, this book is a celebration of the treasures of Cambridge University Library by a group of eminent scholars.
The Renaissance Reform of the Book and Britain
What has fifteenth-century England to do with the Renaissance? By challenging accepted notions of 'medieval' and 'early modern' David Rundle proposes a new understanding of English engagement with the Renaissance. He does so by focussing on one central element of the humanist agenda - the reform of the script and of the book more generally - to demonstrate a tradition of engagement from the 1430s into the early sixteenth century. Introducing a cast-list of scribes and collectors who are not only English and Italian but also Scottish, Dutch and German, this study sheds light on the cosmopolitanism central to the success of the humanist agenda. Questioning accepted narratives of the slow spread of the Renaissance from Italy to other parts of Europe, Rundle suggests new possibilities for the fields of manuscript studies and the study of Renaissance humanism.
