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Film music, how it is used and how it is created.
Alfred Hitchcock's Psycho: A Casebook 'brings together critical essays on this influential and teachable film. The essays not only elaborate on the complexities of the film, but represent the spectrum of film criticism, including an analysis of its music and close readings illustrated by many stills from the film.
WITH AN EXCLUSIVE NEW CHAPTER FOR THE PAPERBACK EDITION The Amazon No.1 Bestseller The Sunday Times Bestseller THE ROYAL BOOK OF THE YEAR _________________________________ 'Eye-poppingly revealing. . . impeccable sources, historical heft and canny insights served up with a zingy wit. There are many royal biographers, but few as good as this. She turns gossip into the first draft of history.' TELEGRAPH From the Queen's stoic resolve to the crisis of Meghan and Harry. From the ascendance of Camilla and Kate to the downfall of Andrew. Full of remarkable inside access, The Palace Papers by Sunday Times bestselling author Tina Brown will change how you understand the Royal Family. 'Clever, well-i...
A GUARDIAN BOOK OF THE YEAR * A TIMES BOOK OF THE YEAR * A SUNDAY TIMES BOOK OF THE YEAR * A DAILY MAIL BOOK OF THE YEAR 'An original, memorable and substantial achievement' TLS'A masterpiece' Mail on Sunday'I honked so loudly the man sitting next to me dropped his sandwich' ObserverShe made John Lennon blush and Marlon Brando clam up. She cold-shouldered Princess Diana and humiliated Elizabeth Taylor. Andy Warhol photographed her. Jack Nicholson offered her cocaine. Gore Vidal revered her. John Fowles hoped to keep her as his sex-slave. Dudley Moore propositioned her. Francis Bacon heckled her. Peter Sellers was in love with her. For Pablo Picasso, she was the object of sexual fantasy. "If ...
This book provides a comprehensive and lively introduction to the major trends in film scoring from the silent era to the present day, focussing not only on dominant Hollywood practices but also offering an international perspective by including case studies of the national cinemas of the UK, France, India, Italy, Japan and the early Soviet Union. The book balances wide-ranging overviews of film genres, modes of production and critical reception with detailed non-technical descriptions of the interaction between image track and soundtrack in representative individual films. In addition to the central focus on narrative cinema, separate sections are also devoted to music in documentary and animated films, film musicals and the uses of popular and classical music in the cinema. The author analyses the varying technological and aesthetic issues that have shaped the history of film music, and concludes with an account of the modern film composer's working practices.
Robert Langdon diundang menghadiri acara pengungkapan penemuan Edmond Kirsch, seorang miliarder sekaligus ilmuwan komputer, di Museum Guggenheim, Spanyol. Kirsch yang ateis, sesumbar temuannya akan mengubah wajah dunia selamanya. Temuan yang diklaim akan menjawab dua pertanyaan fundamental eksistensi manusia itu digelar secara langsung melalui Internet dan disiarkan ke seluruh dunia. Namun, terjadi kekacauan. Kirsch terbunuh, sementara Langdon malah dituduh terlibat dalam pembunuhan dan menculik tunangan calon raja Spanyol. Langdon harus berkejaran dengan waktu untuk membuktikan bahwa dia tak bersalah, sekaligus mengungkap apa sebenarnya temuan Kirsch yang membuat pria itu harus kehilangan n...
Sounding Like a No-No traces a rebellious spirit in post–civil rights black music by focusing on a range of offbeat, eccentric, queer, or slippery performances by leading musicians influenced by the cultural changes brought about by the civil rights, black nationalist, feminist, and LGBTQ movements, who through reinvention created a repertoire of performances that have left a lasting mark on popular music. The book's innovative readings of performers including Michael Jackson, Grace Jones, Stevie Wonder, Eartha Kitt, and Meshell Ndegeocello demonstrate how embodied sound and performance became a means for creativity, transgression, and social critique, a way to reclaim imaginative and corp...
For all his young life Albert Brown had known that he was to join the Navy, and the beginning of the First World War finds him a Leading Seaman. Alone on the barren island of Resolution in the South Pacific, he fights against the might of a German battleship. This is the first of C.S.Forester's novels about the sea.
Opera can reveal something fundamental about a film, and film can do the same for an opera, argues Marcia J. Citron. Structured by the categories of Style, Subjectivity, and Desire, this volume advances our understanding of the aesthetics of the opera/film encounter. Case studies of a diverse array of important repertoire including mainstream film, opera-film, and postmodernist pastiche are presented. Citron uses Werner Wolf's theory of intermediality to probe the roles of opera and film when they combine. The book also refines and expands film-music functions, and details the impact of an opera's musical style on the meaning of a film. Drawing on cinematic traditions of Hollywood, France, and Britain, the study explores Coppola's Godfather trilogy, Jewison's Moonstruck, Nichols's Closer, Chabrol's La Cérémonie, Schlesinger's Sunday, Bloody Sunday, Boyd's Aria, and Ponnelle's opera-films.