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Esta obra reúne um conjunto de textos que perfaz o debate sobre fenômenos contemporâneos a partir de diferentes expressões artísticas, da estética, da cultura popular, das questões sobre gênero(s) e corpo(s), da Teoria do Imaginário, das sensibilidades e da educação. Assumindo o caráter transdisciplinar das discussões, os textos ressaltam importantes diálogos entre diferentes áreas do saber, teorias, métodos e abordagens que têm sido exploradas n’O IMAGINÁRIO – Grupo de Pesquisas Transdisciplinares sobre Estética, Educação e Cultura e na Linha de Pesquisa ‘Educação e Diversidade’ do Programa de Pós-graduação em Educação Contemporânea, ambos vinculados à Universidade Federal de Pernambuco, Centro Acadêmico do Agreste.
A previously untranslated classic of Portuguese feminist literature originally published in 1978, Carvalho's Empty Wardrobes introduces English-speaking readers to a forgotten and underappreciated woman writer a la recent publishing sensations Lucia Berlin, Natalia Ginzburg, Ingeborg Bachmann, Silvina Ocampo, and Armonia Somers. Empty Wardrobes is a tightly plotted, highly entertaining read, that, thanks to an ingenious detached narrative technique (one that makes the plot all the more fun to revisit and rethink), is both darkly humorous and devastatingly true.
Constructive critique. This book provides a critical, evidence-based analysis of REDD+ implementation so far, without losing sight of the urgent need to reduce forest-based emissions to prevent catastrophic climate change. REDD+ as envisioned
'NDiaye is a hypnotic storyteller with an unflinching understanding of the rock-bottom reality of most people's life.' New York Times ' One of France's most exciting prose stylists.' The Guardian. Obsessed by her encounters with the mysterious green women, and haunted by the Garonne River, a nameless narrator seeks them out in La Roele, Paris, Marseille, and Ouagadougou. Each encounter reveals different aspects of the women; real or imagined, dead or alive, seductive or suicidal, driving the narrator deeper into her obsession, in this unsettling exploration of identity, memory and paranoia. Self Portrait in Green is the multi-prize winning, Marie NDiaye's brilliant subversion of the memoir. Written in diary entries, with lyrical prose and dreamlike imagery, we start with and return to the river, which mirrors the narrative by posing more questions than it answers.
Laws, decrees, and administrative acts of government.