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The Arts and Indigenous Knowledge Systems in a Modernized Africa
This collection derives from a conference held in Pretoria, South Africa, and discusses issues of indigenous knowledge systems (IKS) and the arts. It presents ideas about how to promote a deeper understanding of IKS within the arts, the development of IKS-arts research methodologies, and the protection and promotion of IKS in the arts. Knowledge, embedded in song, dance, folklore, design, architecture, theatre, and attire, and the visual arts can promote innovation and entrepreneurship, and it can improve communication. IKS, however, exists in a post-millennium, modernizing Africa. It is then the concept of post-Africanism that would induce one to think along the lines of a globalized, cosmopolitan and essentially modernized Africa. The book captures leading trends and ideas that could help to protect, promote, develop and affirm indigenous knowledge and systems, whilst also making room for ideas that do not necessarily oppose IKS, but encourage the modernization (not Westernization) of Africa.
Colonial Aspects of Finnish-Namibian Relations, 1870–1990
This edited collection re-examines the long history of Finnish-Namibian relations through the lens of colonialism without colonies as well as anti-colonialism. The book argues that although Finland never acquired colonies, Namibia was once treated in the areas of culture and knowledge formation in a manner now recognised as colonial. Namibian people’s ways of being in the world was transformed when the Finnish Missionary Society started its work in Owambo in 1870 and introduced Christianity and European modes of education, medicine, material culture and social practices. In time, cultural colonialism faded and during the Namibian struggle for independence from South African rule in 1966–1990 Finns took an actively anti-colonial approach. The book was written as a collaborative effort of Namibian, Finnish and South African scholars.
Decolonizing African Knowledge
Addressing the consequences of European slavery, colonialism, and neo-colonialism on African history, knowledge and its institutions, this innovative book applies autoethnography to the understanding of African knowledge systems. Considering the 'Self' and Yoruba Being (the individual and the collective) in the context of the African decolonial project, Falola strips away Eurocentric influences and interruptions from African epistemology. Avoiding colonial archival sources, it grounds itself in alternative archives created by memory, spoken words, images and photographs to look at the themes of politics, culture, nation, ethnicity, satire, poetics, magic, myth, metaphor, sculpture, textiles, hair and gender. Vividly illustrated in colour, it uses diverse and novel methods to access an African way of knowing. Exploring the different ways that a society understands and presents itself, this book highlights convergence, enmeshing private and public data to provide a comprehensive understanding of society, public consciousness, and cultural identity.
Balaam in Text and Tradition
The figure Balaam has interested exegetes and scribes for millennia. Jonathan Miles Robker examines the different versions of the literary character Balaam as attested in biblical and epigraphic literature. By contrasting the distinct information about Balaam presented in the various sources (the plaster inscription from Della, Numbers 22-24; 31; Deuteronomy 23; Joshua 13; 24; Judges 11; Micah 6; and Nehemiah 13), the author seeks to trace the development of characterizations of Balaam from the oldest available material to the youngest in the Hebrew Bible. In this way, Jonathan Miles Robker advances discourse about the literary and tradition-historical development of the texts that became the Hebrew Bible. Beyond the text of the Hebrew Bible, he also traces the continued development of Balaam's characterization through the texts of Qumran and the New Testament. To this end, the author contributes discussions of the history of religion in Antiquity.
The Great Agony & Pure Laughter of the Gods
Risto Mahuno’s agony is what happens to his sweetheart Néné, to his cousin, and to himself. In the east of the Congo, where the border with Rwanda is also the border between life and death, the boys are abducted and forced to become soldiers, the girls raped. Far too much happens for 15-year-old children. Néné is claimed by the warlord, Risto’s cousin killed, and Risto, his eyes already dead, is beaten to the brink. His fate flings him south, on a fraught journey by foot or whatever ride he can get, to Mozambique, where he arrives with even less of himself left. And yet the gods are laughing, for Risto’s journey back holds promise of love, peace and family.
The Brightest Mirror of God’s Works
John Calvin's perspectives on the nature, calling, and destiny of the human being is scattered all over his extensive corpus of writings. This book attempts to provide an accurate account of the main theological motifs that governed Calvin's doctrine on the human being, while keeping in mind variable factors such as the historical development of Calvin's thought, the pastoral and often unsystematic orientation of his theology, and the formative impact doctrinal controversies had on his thoughts. The contribution focuses specifically on Calvin's understanding of the created structure of the human being, her sinful nature, the human being's union with Christ, the limits of human reason, the an...
Africa and Beyond
“Africa and Beyond: Arts and Sustainable Development is a massive undertaking by thoughtful theorists and practitioners in the creative/cultural industry. The combined effect of the volume is to disabuse the fixed, prevailing conception of the role of culture in society; a view that consigns the arts to the periphery of social life, devoid of any meaningful contribution to the alleviation of poverty and general development. Contrary to this view, the volume presents a more comprehensive, meaningful, insightful set of perspectives and paradigms that ascribe agency to creative/cultural products in all facets of human development. The usefulness of the volume extends beyond the industry itself. It is meant for a broader readership and is therefore highly recommended for specialists and the public at large.” – Professor Mokubung Nkomo, Deputy Vice-Chancellor, Tshwane University of Technology, South Africa
Conrad in Africa
A multidisciplinary and international collection of essays, this volume contains contributions by writers from the United States, the United Kingdom, Canada, Sweden, and South Africa. They employ a variety of methodological approaches, from detailed archival schoarship to theoretical perspectives on textuality and discursivity. Topics include the development of narrative voice in "Heart of Darkness"; the relationship between fictionality and missionary discourse; the notion of race in Conrad's work; and "Heart of Darkness" in contemporary classroom practice in European and South African contexts.
Doing Research
This book is written by authors with a passion for research development, with the purpose of giving novice researchers a holistic view of what they will encounter when doing research. The interplay between scientific theory, academic research and professional practice is highlighted, as these are considered the cornerstones to be mastered as early as possible in a young researcher’s career.
