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The Toxic Museum
The Toxic Museum examines the use of pesticides in German museum collections at the end of the 19th and early 20th centuries. It reconstructs the research of substances against harmful insects in museum collections within the historical context of the formation of nation-states, colonialism, a strengthening chemical industry, the First World War, and the resulting broad-based hygiene movement through the lens of the Ethnologisches Museum (Ethnological Museum) in Berlin. Because of their persistence, the consequences of the use of pesticides in museum collections are now unmistakable and well documented in many places. Numerous objects are highly contaminated and are only accessible under dif...
Beyond the Bauhaus
Reclaims the essential role that the city of Breslau played in the origins of aesthetic modernism in the Weimar era
History of Photography
The fourth volume in a history of photography, this is a bibliography of books on the subject.
The Dams Raid Through The Lens
The story of the attack on the Möhne and Eder dams in the Ruhr has been recounted many times before, but not until now has it been told from the German side. Helmuth Euler has spent over a third of a century studying the raid and its consequences, collecting an unrivaled archive of documents and photographs, and producing documentary films on the attack. His book Wasserkrieg (literally ‘Water-war’), published in Germany in 1992, has now been translated and adapted for this special After the Battle edition.
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Facts
"Facts are marvelous replacements for suppositions." Gustave Flaubert Since the spectacular purchase of the Agfa Foto-Historama collections, the Museum Ludwig in Cologne can lay claim to the earliest daguerreotypes from Berlin, albums which once belonged to Alexander von Humboldt, photographs by Desire Charnay of Mexico and Maxime Du Camp of Egypt, Auguste Salzmann of Jerusalem, Charles Clifford of Spain, August F. Oppenheim of Greece, photographic incunabula by David Octavius Hill and Robert Adamson, as well as prints by Julia Margaret Cameron, Nadar and Franz Hanfstaengl. The inventory also includes 200 caricatures and illustrations on the behavior of people in front of and behind the came...
