Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
The Psychology of Music
On interpreting musical phenomena in terms of mental function
Bach, Handel, Scarlatti 1685-1985
1985 celebrated the 300th anniversary of the births of Bach, Handel and Scarlatti. This volume covers all three composers and contains essays from an international team of scholars. Some essays make a contribution towards a better understanding of one or other composer, but at least half of them are concerned with ideas connecting two or even all three of them. The essays are concerned with many aspects of the music - technical, chronological, critical, speculative, theoretical and (importantly) practical - and the distinguished contributors have often endeavoured to ask questions rather than jump to conclusions. Every essay makes fresh points and can open up new avenues for players and (in the broadest sense) students, especially in the present climate of wishing to return to 'authentic conditions of performance'.
The Cambridge Companion to the Harpsichord
Covers every aspect of the harpsichord and its music, including composers, genres, national styles, tuning, and the art of harpsichord building.
International Exchange in the Early Modern Book World
International Exchange in the Early Modern Book World presents new research on several aspects of the movement and exchange of books between countries, languages and confessions. It considers elements of the international book trade, the circulation and collection of texts, the practice of translation and the diffusion and exchange of technical and cultural knowledge. Commercial and logistical aspects of the early modern book trade are considered, as are the relationships between local markets and the internationally-minded firms which sought to meet their expectations. The barriers to the movement of books across borders – political, linguistic, confessional, cultural – are explored, as are the means by which these barriers were surmounted.
Traces of Tollius
Joannes Tollius (c. 1550-c. 1620) was born in Amersfoort and began his career as music director of the Amersfoort Chapel of Our Lady. He flourished in Italy as maestro di capella of the cathedrals of Rieti (1583-84) and Assisi (1584-86), and as cantor tenorista in Rome (1586-88) and Padua (1588-1601). He ended his career as an exceptionally well-paid singer in the court chapel of Christian IV in Copenhagen (1601-03). In 1590, a collection of three-part motets appeared under the surprising title Motecta de dignitate et moribus sacerdotum (motets about the dignity and morals of priests), presumably intended as a denunciation of the priests who had had him imprisoned in Assisi on charge of here...
Bach Perspectives, Volume 14
Today, the names Bach and Mozart are mostly associated with Johann Sebastian Bach and Wolfgang Amadeus Mozart. But this volume of Bach Perspectives offers essays on the lesser-known musical figures who share those illustrious names alongside new research on the legendary composers themselves. Topics include the keyboard transcriptions of J. S. Bach and Johann Gottfried Walther; J. S. Bach and W. A. Mozart's freelance work; the sonatas of C. P. E. Bach and Leopold Mozart; the early musical training given J. C. Bach by his father and half-brother; the surprising musical similarities between J. C. Bach and W. A. Mozart; and the latest documentary research on Mozart’s 1789 visit to the Thomasschule in Leipzig. An official publication of the American Bach Society, Bach Perspectives, Volume 14 draws on a variety of approaches and a broad range of subject matter in presenting a new wave of innovative classical musical scholarship. Contributors: Eleanor Selfridge-Field, Yoel Greenberg, Noelle M. Heber, Michael Maul, Stephen Roe, and David Schulenberg
Consuming Music
This collection of nine essays investigates the consumption of music during the long eighteenth century, providing insights into the activities of composers, performers, patrons, publishers, theorists, impresarios, and critics. The successful sale and distribution of music has always depended on a physical and social infrastructure. Though the existence of that infrastructure may be clear, its organization and participants are among the least preserved and thus least understood elements of historical musical culture. Who bought music and how did those consumers know what music was available? Where was it sold and by whom? How did the consumption of music affect its composition? How was consu...
Sonatas a 3
Pagination: xv + 210 pp.Performance parts available item: B144P at $50.00 per set
