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Original essays on reference and referring by leading scholars that combine breadth of coverage with thematic unity. These fifteen original essays address the core semantic concepts of reference and referring from both philosophical and linguistic perspectives. After an introductory essay that casts current trends in reference and referring in terms of an ongoing dialogue between Fregean and Russellian approaches, the book addresses specific topics, balancing breadth of coverage with thematic unity. The contributors, all leading or emerging scholars, address trenchant neo-Fregean challenges to the direct reference position; consider what positive claims can be made about the mechanism of ref...
This absorbing narrative history brings into sharp and lively focus a period of immense energy, creativity, and turmoil. The book opens in 1886, as the Empire is poised to celebrate Victoria's golden jubilee, and ends in 1918 at the close of the 'war to end all wars', with England knowing that an era has conclusively ended. It vividly portrays every aspect of the nation's life - political, social, and cultural - carrying the reader from the wretched city slums to the bustling docks and factories, from the grand portals of Westminster to Blackpool's new holiday beach, from the world of the leisured aristocracy to the trenches of the Western Front and the violent politics of the militant suffrage movement.
This Handbook stands as the premier scholarly resource for Language and Social Interaction (LSI) subject matter and research, giving visibility and definition to this area of study and establishing a benchmark for the current state of scholarship. The Handbook identifies the five main subdisciplinary areas that make up LSI--language pragmatics, conversation analysis, language and social psychology, discourse analysis, and the ethnography of communication. One section of the volume is devoted to each area, providing a forum for a variety of authoritative voices to provide their respective views on the central concerns, research programs, and main findings of each area, and to articulate the p...
The creations of female animation filmmakers are recognized all over the world while being, paradoxically, unknown to the general public. Women and Film Animation: A Feminist Corpus at the National Film Board of Canada 1939-1989 brings out of the shadows the work of true pioneers by presenting and analyzing, from a resolutely feminist perspective, the works they have conceived within the National Film Board of Canada (NFB). This institution has played an essential role in the emergence of animated cinema in Canada, but it is forgotten or ignored that a good part of this vast corpus is the work of women who have worked there not only as assistants but also as directors. These artists have con...