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For the past 40 years, Russell Edson has been producing a body of work unique in its perspective and singular in its approach. He is, arguably, America's most distinguished writer of prose poems. Here are contorted Darwinian narratives of apes and monkeys exhibiting absurdly human behavior, along with his usual menagerie of elephants, horses, chickens, roosters, dogs, mermaids and mice. Along with his trademark humor, The Rooster's Wife finds Edson contemplating age, mortality and immortality as well. Of Memory and Distance It's a scientific fact that anyone entering the distance will grow smaller as he proceeds. Eventually becoming so small he might only be found with a microscope, if indee...
This prized collection of Russell Edson's prose poems, featuring his own favorites from seven prior collections, constitutes some of the most original American art of this century. This is the book of choice for both new and committed fans of this imaginative poet.
This is the first book in the Pitt Poetry Series by this popular and enigmatic poet, considered the foremost writer of prose poetry in America. In eleven collections over thirty years, Edson has created his own poetic genre, a surreal philosophical fable, easy to enter, but difficult to leave behind. In The Tormented Mirror, Edson continues and refines his form in seventy-three new poems.
“An artist who moonlights as a dentist. A worm who's eternal. A farmer who milks his cow to death. Not to mention the guy with a belly button for an eye. Russell Edson, self-named Little Mr. Prose Poem, returns with See Jack, a book of fractured fairy tales, whose impeccable logic undermines logic itself, a book that champions what he has called elsewhere 'the dark uncomfortable metaphor.' 'What better way to die,' he writes in the final prose poem, 'than waiting for the fat lady to sing in the make-believe of theater, where nothing's real, not the fat lady, not even death . . . ' See Jack may be Edson's best book yet—proof that his imaginative powers keep growing. What a deliciously scary thought!” —Peter Johnson
The Muse of Abandonment examines personal and cultural forms of abandonment in the poetry of Charles Wright, Russell Edson, Jean Valentine, James Tate, and Louise Gluck. These poets register the tremors of the post-modern exhaustion of universals and a conflicted desire for authenticating presences. The first book to study these poets as members of a generation, The Muse of Abandonment analyses the poets' recasting of confessional and surrealistic legacies and discusses their reflections on coercion of thought and behavior, and an atmosphere in contemporary culture that would trivialize private sensibility.
Poems deal with the brain, the future art, friendship, exploitation, love, tradition, freedom, marriage, death, nature, and fiction
"In this playfully complex novel of banter between master and servants, Russell Edson creates an allegorical narrative in which forbidden sexual desire meets rigid law and order"--From back cover.
"In his ... surreal prose poems, Russell Edson moves quickly into an amazing landscape that somehow looks a great deal like home. These ... funny and whimsical poems take on a sort of nightmarish significance, and, like the best fairy stories, they contain many mysteries ... "--From back cover.
"The Falling Sickness, Russell Edson’s first collection of short plays ... reveals a new dimension in his work, a vein of dramatic satire that makes all the more vivid the nightmarish absurdities which underscore so much in our lives. As in his earlier books ... the scale of events is small, though the decibel level is shatteringly high: in each of the four plays, the bewildering wail of a nuclear family giving vent to its pain. If Edson’s microcosm seems unredeemable, it does after all exist in response to the greater world at large, and like the canvases of an Hieronymus Bosch, reveals the secret madnesses at its heart"--From publisher's description.