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This book addresses for the first time in a comprehensive way the place of Native American studies in the university curriculum.--Provided by publisher.
Demographic overview of North American history describing in detail the holocaust that occurred to the Indians.
Distinguished by its lyricism, depth of emotion, its metaphysical bent and the colour and wide range of reference in its imagery, The Fifth Window, opens up new vistas of language and experience. The landscape and climate of Vancouver and the BC coast imbue this collection with a spiritual and physical immediacy and energy. The area’s trees, mountains, rivers, creeks and rain inform an ecstatic vision in which the psyche and natural world meet and become one.
In The Hundred Lives Russell Thornton illuminates the intricate imaginative orders of love at work within an individual life.
A masterful new collection by award-winning poet Russell Thornton. In “Greek Fire,” one of the poems in Russell Thornton’s astonishing new collection, the central image is of fire burning through water: “water is a bridge / for a fire to come into the world.” This image also illuminates the driving force that animates the poems in Answer to Blue. The stillness and quiet depth characteristic of Thornton’s poetry are here shot through with an irresistible vitality, a flame of mythic resonance. The past, both ancient and recent, exerts a gravitational pull throughout the collection, with Greek myths, family histories and biblical passages unearthed and examined, forgotten and return...
The Cherokees: A Population History is the first full-length demographic study of an American Indian group from the protohistorical period to the present. Thornton shows the effects of disease, warfare, genocide, miscegenation, removal and relocation, and destruction of traditional lifeways on the Cherokees. He discusses their mysterious origins, their first contact with Europeans (prob-ably in 1540), and their fluctuation in population during the eighteenth century, when the Old World brought them smallpox. The toll taken by massive relocations in the following century, most notably the removal of the Cherokees from the Southeast to In-dian Territory, and by warfare, predating the American Revolution and including the Civil War, also enters into Thornton's calculations. He goes on to measure the resurgence of the Cherokees in the twentieth century, focusing on such population centers as North Carolina, Oklahoma, and California.
The poems in The Broken Face explore a sacramental, imaginative vision within contexts of crime, perception, memory and love. In this collection, Russell Thornton returns to the vital themes of intimacy and family, loss, fear and hope, bringing to each poem the essential quality of a myth or incantation. Reverent and revealing, within those familiar relationships he ushers in a connection with something transcendent: “A man has come floundering late in the night / to stand alone at the shore of a sleeping infant’s face.” The poems capture life at the periphery, whether describing homelessness or incarceration, or even the universal experiences of aging and mortality, love and fear of l...
Russell Thornton has the rare ability to be both keenly observant of the minute details of his environment and intensely introspective. His poetry is full of startling images that will stay with you long after turning the final page. In House Built of Rain, Thornton takes his readers on a dizzying journey of human experience - from the yearning of a young child to the sorrow of an adult losing a loved one to Alzheimer's. He covers a lot of ground along the way, witnessing prostitutes "counting out their smiles,/ and hiding in their pupils" or hiking to the mouth of the Capilano River where "the gulls know how the waters of this place can run two ways at once." Thornton writes about extremes: the moment of conception and the moment of death, tranquil forests and smoky urban bars, abuse and tenderness. Concerned but never pessimistic, fierce but compassionate, narrative but lyrical, House Built of Rain is a balanced collection of work that reveals Thornton's considerable talents as a wordsmith. Though his poems are often dark and edgy, he shows us beauty in a scream, ecstasy in violence and, in a dying breath, the universe.
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‘Walker is my name and I am the same. Riddley Walker. Walking my riddels where ever theyve took me and walking them now on this paper the same. There aint that many sir prizes in life if you take noatis of every thing. Every time will have its happenings out and every place the same. Thats why I finely come to writing all this down. Thinking on what the idear of us myt be. Thinking on that thing whats in us lorn and loan and oansome.’ Composed in an English which has never been spoken and laced with a storytelling tradition that predates the written word, RIDDLEY WALKER is the world waiting for us at the bitter end of the nuclear road. It is desolate, dangerous and harrowing, and a modern masterpiece.