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New Drama in Russian
The birth of a post-Maidan fringe -- 'Ukrainian New Drama' -- Conclusion -- Acknowledgements -- Notes -- Bibliography -- 10 The playwright overlooked -- Olena Apchel and 'decolonizing the actor' -- Teatr Lesi -- Bad Roads -- Moscow's Teatr.doc tour to PostPlay Theatre, November 2018 -- Ukrainian independent theatre -- 'Zaporizhzhian New Drama' -- 11 A new 'dawn' in Ukrainian theatre -- Note -- 12 Stages of change -- Notes -- Bibliography -- 13 'Ne skvernoslov', otets moy' ['Curse not, my son'] -- Anna Iablonskaia and transnational contexts.
Russian Drama of the Revolutionary Period
The period between the Revolution of 1917 and Stalin's coming to power in the early 1930s was one of the most exciting for all branches of the arts in Russia. This study tries to show how the diversity of the Soviet arts of the 1920s continued the major trends of the pre-Revolutionary years.
Russian Drama of the Revolutionary Period
Contents: Russian Drama before the Revolution; Soviet Drama 1917-1921; The Civil War in Soviet Drama; Bulgakov's^R The White Guard and Flight; Satirical Comedy and Melodrama; The Plays of Nikolay Erdman; Mayakovsky's The Bedbug and The Bathhouse; Indirect Social Comment; Towards Socialist Realism
Russian Television Today
Examining the role of dramatized narratives in Russian television, this book stresses the ways in which the Russian government under Putin uses primetime television to express a new understanding of what it means to be Russian. It relates the critical issues in contemporary Russian television to broader social and political developments in Russian society.
The Contemporary Drama of Russia
CONTENTS Preface Origins A. N. Ostrovsky From Ostrovsky to Chekhov F. A. Korsh and the Drama The Slavophils and the Meiningen Players Chekhov before the Art Theatre The Moscow Art Theatre Chekhov and the Art Theatre Gorky as a Dramatist Meyerhold and the Theatre of Moods and Symbols The Kommissarshevskaya Theatre and Andreyev The Stylized Theatre Evreinov The Moscow Art Theatre after Chekhov The Peasant Theatre The Theatre under the Bolsheviks Biographical Appendix I. Authors and Plays II. Book List III. English Translations Index At the time of the original publication in 1924, Leo Wiener was Professor of Slavic Languages at Harvard University.
New Drama in Russian
The birth of a post-Maidan fringe -- 'Ukrainian New Drama' -- Conclusion -- Acknowledgements -- Notes -- Bibliography -- 10 The playwright overlooked -- Olena Apchel and 'decolonizing the actor' -- Teatr Lesi -- Bad Roads -- Moscow's Teatr.doc tour to PostPlay Theatre, November 2018 -- Ukrainian independent theatre -- 'Zaporizhzhian New Drama' -- 11 A new 'dawn' in Ukrainian theatre -- Note -- 12 Stages of change -- Notes -- Bibliography -- 13 'Ne skvernoslov', otets moy' ['Curse not, my son'] -- Anna Iablonskaia and transnational contexts.
Russian drama
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