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Ruth Thompson
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St. Nicholas and Mary Mapes Dodge
St. Nicholas has been called the best children's magazine ever published, particularly during the tenure of its founding editor, Mary Mapes Dodge. From 1873 to 1905, Dodge worked to create what she called a "pleasure ground" for children--a magazine that would have great impact on several generations of children. The list of authors who wrote for her includes Louisa May Alcott, Frances Hodgson Burnett, Henry Wadsworth Longfellow, Rudyard Kipling, Theodore Roosevelt, and Mark Twain. The quality of the magazine's illustration was equally high. The magazine was also the launching pad for a new generation of authors and artists, such as F. Scott Fitzgerald, E.B. White, Jack London, and Eudora We...
Mary Mapes Dodge
As both a writer and an editor, Mary Mapes Dodge (1831-1905) did more than anyone else to shape American children's literature. Best known for her classic Hans Brinker; or, The Silver Skates, Dodge was also the founder and editor of St. Nicholas Magazine, the contents of which were a major influence on the development of children's literature during the period now known as a "golden age". Dodge persuaded well-known authors and poets to contribute to St. Nick, among them Louisa May Alcott, Sarah Orne Jewett, Rudyard Kipling, Mark Twain, and Henry Wadsworth Longfellow, and she taught many of them how to address an audience of children. In this, the first complete study of Dodge as author, jour...
Ruth Thompson Brown to Mary A. Brown Regarding Family Matters, 19 July 1853
Regarding activities at family home in NY, missing her parents, and the possibility of John Brown joining the Congregational church: father is just such a man as we want in our church.
Ethics and Children's Literature
Exploring the ethical questions posed by, in, and about children’s literature, this collection examines the way texts intended for children raise questions of value, depict the moral development of their characters, and call into attention shared moral presuppositions. The essays in Part I look at various past attempts at conveying moral messages to children and interrogate their underlying assumptions. What visions of childhood were conveyed by explicit attempts to cultivate specific virtues in children? What unstated cultural assumptions were expressed by growing resistance to didacticism? How should we prepare children to respond to racism in their books and in their society? Part II ta...
The Girl's Own
The eleven contributors to The Girl's Own explore British and American Victorian representations of the adolescent girl by drawing on such contemporary sources as conduct books, housekeeping manuals, periodicals, biographies, photographs, paintings, and educational treatises. The institutions, practices, and literatures discussed reveal the ways in which the Girl expressed her independence, as well as the ways in which she was presented and controlled. As the contributors note, nineteenth-century visions of girlhood were extremely ambiguous. The adolescent girl was a fascinating and troubling figure to Victorian commentators, especially in debates surrounding female sexuality and behavior. T...
The Story of Charlotte's Web
While composing what would become his most enduring and popular book, Charlotte's Web, E. B. White was obeying that oft-repeated maxim: 'Write what you know.' Helpless pigs, silly geese,clever spiders, greedy rats - White knew all of these characters in the barns and stables where he spent his favourite hours as child and adult. Painfully shy, White once wrote of himself 'this boy felt for animals a kinship he never felt for people'. Nonetheless, that tens of millions have been so moved by Charlotte's Web, and by White's other classics, testifies to his deep understanding of the human condition. Bringing readers into intimate contact with E. B. White's world, Michael Sims chronicles his anim...
Modernity and the Periodical Press
This book explores the role of periodicals in the negotiation of modernity during the late 19th and early 20th centuries and considers diverse materials from both sides of the Atlantic, including modernist magazines, advertising campaigns, comics, and scrapbooks.
Winifred Black/Annie Laurie and the Making of Modern Nonfiction
Winifred Black worked in journalism from 1888 to 1936, often writing under the pseudonym Annie Laurie. Her work appeared in the Hearst papers--especially the San Francisco Examiner--and in fifty additional newspapers weekly through syndication. Black wrote 10,000 short pieces, as well as three books, a nonfiction oeuvre that combined quasi-autobiographical details with characters and scenes to provide cultural analysis for a nationwide audience. She wrote about the realities facing modern women--their work, their marriages and divorces, the violence they endured, their need for independence. Contemporary praise for Black named her "the world's most famous feature writer" and "one of the world's most successful reporters," while her critics affixed the pejorative labels "stunt girl" and "sob sister." This study covers her influential career and gives the first serious attention to her journalism and nonfiction.
