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The Tongue-Tied Imagination
Winner, 2021 African Literature Association First Book Award Should a writer work in a former colonial language or in a vernacular? The language question was one of the great, intractable problems that haunted postcolonial literatures in the twentieth century, but it has since acquired a reputation as a dead end for narrow nationalism. This book returns to the language question from a fresh perspective. Instead of asking whether language matters, The Tongue-Tied Imagination explores how the language question itself came to matter. Focusing on the case of Senegal, Warner investigates the intersection of French and Wolof. Drawing on extensive archival research and an under-studied corpus of no...
Decolonisations of Literature
An Open Access edition of this book is available on the Liverpool University Press website and the OAPEN library. This book sets out to understand how the meaning of ‘literature’ was transformed in the Global South in the post-1945 era. It looks at institutional contexts in South Africa (mainly Johannesburg), Brazil (São Paulo), Senegal (Dakar) and Kenya (Nairobi), and engages with critical writing in English, Portuguese and French. Critics studied in the book include Antonio Candido, Tim Couzens, Isabel Hofmeyr, Es’kia Mphahlele, Léopold Senghor, Taban Lo Liyong and Ngugi wa Thiong’o. By reading these intellectuals of the Global South as producers of theory and practice in their o...
Judaic Religion in the Second Temple Period
The developments in Judaism during the Second Temple period remain important to contemporary Jewish religion. This volume provides a much needed encyclopedic study of the period. Includes bibliographies, cross-references and summaries.
Make the Old Testament Live
Written by educators from five continents, this book offers fresh perspectives on teaching the old Testament today, and addresses problems of Curruculum, context, and communication.
Be My Guest
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One of the Greatest Generation
I grew up in Collinsville, Connecticut during the Great Depression, was sworn into the Navy on my seventeenth birthday, and spent three years on the destroyer, USS Ringgold. There is nothing unique about that. Millions of people all over the world survived the Depression. Millions more lived through World War II. Nowhere near as many faced the end of the war as a twenty-year old high school drop out, emotionally hurting, not knowing what to do about it, or that I needed help. This is the story of that struggle; at the age of twenty-five becoming a follower of Jesus through the guidance of a Presbyterian minister, three years later entering college, and then seminary. This is what it was like to be redeemed from the scrap heap of life.
The Edinburgh Companion to Women in Publishing, 1900–2020
Women's creative labour in publishing has often been overlooked. This book draws on dynamic new work in feminist book history and publishing studies to offer the first comparative collection exploring women's diverse, deeply embedded work in modern publishing. Highlighting the value of networks, collaboration, and archives, the companion sets out new ways of reading women's contributions to the production and circulation of global print cultures. With an international, intergenerational set of contributors using diverse methodologies, essays explore women working in publishing transatlantically, on the continent, and beyond the Anglosphere. The book combines new work on high-profile women publishers and editors alongside analysis of women's work as translators, illustrators, booksellers, advertisers, patrons, and publisher's readers; complemented by new oral histories and interviews with leading women in publishing today. The first collection of its kind, the companion helps establish and shape a thriving new research field.
