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Virtually Jewish
More than half a century after the Holocaust, in countries where Jews make up just a tiny fraction of the population, products of Jewish culture (or what is perceived as Jewish culture) have become very viable components of the popular public domain. But how can there be a visible and growing Jewish presence in Europe, without the significant presence of Jews? Ruth Ellen Gruber explores this phenomenon, traveling through Germany, Poland, the Czech Republic, Austria, Italy, and elsewhere to observe firsthand the many facets of a remarkable trend. Across the continent, Jewish festivals, performances, publications, and study programs abound. Jewish museums have opened by the dozen, and synagogu...
Jewish Heritage Travel
This expanded and updated edition includes new coverage of Austria, Ukraine, and Lithuania in addition to Poland, the Czech Republic and Slovakia, Hungary, Romania, Bulgaria, and all of the ancestral homes to the great majority of North American Jews.
Live at the Fillmore East
From 1968 to 1971 Bill Graham's Fillmore East in New York City was the East coast Mecca for the music that shaped a generation. Not only that: thanks to a visionary technical staff and unsurpassed psychedelic light shows, the Fillmore East stage was the place where rock music became rock theater. Now available in paperback, the highly acclaimed Live at the Fillmore East tells the story of its heyday with more than 200 black and white behind-the-scenes photographs and exclusive interviews. Included here are photos of the Who's premiere of Tommy in 1969; John and Yoko's surprise encore to a Frank Zappa concert; the jam between the Allman Brothers, the Grateful Dead, and Mick Fleetwood in 1970; Janis Joplin's first performance after singing with CBS records; Jimi Hendrix's New Year's Eve concerts; Van Morrison during the first-ever television taping of a rock concert in 1970; and many other defining moments of rock history "Amalie R. Rothschild's pictures bring back the entire Fillmore East experience in vivid detail. Rock and Roll was a baby back then and Bill Graham was it's midwife - he birthed the modern version of a rock and roll concert." -- Mickey Hart
Bondage to the Dead
Polish-Jewish relations, rather good in pre-partition Poland, deteriorated in the mid-19th century, and even more in the Second Republic (1919-39) with its exclusivist nationalism. The wartime period was marked by strong anti-Jewish moods in Poland; antisemitism was a "legitimate" stance within the resistance movement. However, many Poles helped Jews. Between 1944-48 Polish rulers conducted politics favorable toward Jews, but they used the Jewish issue as a tool in their struggle against the old elite, which whipped up anti-Jewish sentiments. In the 1950s-60s the Holocaust was increasingly de-Judaized in Polish discourse; after 1968, when Poland engaged in the anti-Zionist campaign, Jews ceased to be mentioned at all. The genocide of the Jews began to be discussed in Poland only after 1978; the Solidarity movement used its memory in its struggle against the government. At the same time, popular antisemitism re-emerged. Now, many Poles object to what they see as over-emphasis of Jewish suffering and neglect of non-Jewish suffering under the Nazis.
Philosemitism in History
A broad and ambitious overview of the significance of philosemitism in European and world history, from antiquity to the present.
Return of the Jew
"This book is the result of research carried out over a period of ten years. Most of the fieldwork was performed as part of my doctoral program at the Melton Centre for Jewish Education at the Hebrew University of Jerusalem"--Page 9.
Shtetl Routes
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Historical Atlas of Hasidism
The first cartographic reference book on one of today’s most important religious movements Historical Atlas of Hasidism is the very first cartographic reference book on one of the modern era's most vibrant and important mystical movements. Featuring seventy-four large-format maps and a wealth of illustrations, charts, and tables, this one-of-a-kind atlas charts Hasidism's emergence and expansion; its dynasties, courts, and prayer houses; its spread to the New World; the crisis of the two world wars and the Holocaust; and Hasidism's remarkable postwar rebirth. Historical Atlas of Hasidism demonstrates how geography has influenced not only the social organization of Hasidism but also its spi...
Memory Unearthed
From 1941 to 1944, the Polish Jewish photographer Henryk Ross (1910-1991) was a member of an official team documenting the implementation of Nazi policies in the Lodz Ghetto. Covertly, he captured on film scores of both quotidian and intimate moments of Jewish life. In 1944, he buried thousands of negatives in an attempt to save this secret record. After the war, Ross returned to Poland to retrieve them. Although some were destroyed by nature and time, many negatives survived. Memory Unearthed presents a selection of the nearly 3,000 surviving images--along with original prints and other archival material including curfew notices and newspapers--from the permanent collection at the Art Gallery of Ontario. Ross's images offer a startling and moving new representation of one of humanity's greatest tragedies. Striking for both their historical content and artistic quality, his photographs have a raw intimacy and emotional power that remain undiminished. Distributed for the Art Gallery of Ontario Exhibition Schedule: Art Gallery of Ontario (01/31/15-06/14/15)
Space and Spatiality in Modern German-Jewish History
What makes a space Jewish? This wide-ranging volume revisits literal as well as metaphorical spaces in modern German history to examine the ways in which Jewishness has been attributed to them both within and outside of Jewish communities, and what the implications have been across different eras and social contexts. Working from an expansive concept of “the spatial,” these contributions look not only at physical sites but at professional, political, institutional, and imaginative realms, as well as historical Jewish experiences of spacelessness. Together, they encompass spaces as varied as early modern print shops and Weimar cinema, always pointing to the complex intertwining of German and Jewish identity.
