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In this book, Conrad Rudolph studies and reconstructs Hugh of St. Victor's forty-two-page written work, The Mystic Ark, which describes the medieval painting of the same name. In medieval written sources, works of art are not often referred to, let alone described in any detail. Almost completely ignored by art historians because of the immense difficulty of its text, Hugh of Saint Victor's Mystic Ark (c. 1125-1130) is among the most unusual sources we have for an understanding of medieval artistic culture. Depicting all time, all space, all matter, all human history, and all spiritual striving, this highly polemical painting deals with a series of cultural issues crucial in the education of society's elite during one of the great periods of intellectual change in Western history.
The study takes the received view among scholars that women in the Middle Ages were faced with sustained misogyny and that their voices were seldom heard in public and subjects it to a critical analysis. The ten chapters deal with various aspects of the question, and the voices of a variety of authors - both female and male - are heard. The study opens with an enquiry into violence against women, including in texts by male writers (Hartmann von Aue, Gottfried von Straßburg, Wolfram von Eschenbach) which indeed describe instances of violence, but adopt an extremely critical stance towards them. It then proceeds to show how women were able to develop an independent identity in various genres ...
Zäh hält sich die mittlerweile widerlegte Ansicht, die stereotypische Verknüpfung von Jüdinnen*Juden mit Gier, Reichtum und Wucher ginge auf ihre vermeintliche Rolle im vormodernen Geldhandel zurück. Diese Studie fragt nach den tatsächlichen Entstehungsgründen und konzentriert sich auf das deutsche Reich zwischen dem 12. Jahrhundert und der Großen Pest. Dabei werden christliche Vorstellungen von sündhafter Gier, jüdischem Materialismus und der Rolle des Judaslohns für den „Gottesmord“ in den Blick genommen, die sich während der sozioökonomischen Umbrüche des Hochmittelalters zum Bild des „Geldjuden“ verdichteten. Nicht antijüdische Hetze stand anfangs im Zentrum, sonde...
This collectoion brings together an outstanding group of historical, cultural, and literary scholars to investigate the complicated, nuanced, and often surprising union and desire and dread associated with the figure of the foreign Other in the Middle Ages--represented variously by Muslims, Jews, heretics, pagans, homosexuals, lepers, monsters, and witches. Exploring the diverse manifestations of the foreign in medieval literature, historical documents, religous treatises, and art, these essays mine the traces of unprecedented encounters in which fascination and fear meet.
The study of pre-modern anthropology requires the close examination of the relationship between nature and human society, which has been both precarious and threatening as well as productive, soothing, inviting, and pleasurable. Much depends on the specific circumstances, as the works by philosophers, theologians, poets, artists, and medical practitioners have regularly demonstrated. It would not be good enough, as previous scholarship has commonly done, to examine simply what the various writers or artists had to say about nature. While modern scientists consider just the hard-core data of the objective world, cultural historians and literary scholars endeavor to comprehend the deeper meani...
Die neue englischsprachige Reihe zur Mediävistik strebt eine methodisch reflektierte, anspruchsvolle Verbindung von Text- und Kulturwissenschaft an. Sie widmet sich den kulturellen Grundthemen der mittelalterlichen Welt aus der Perspektive der Literatur- und Geschichtswissenschaft. ‚Grundthemen' sind die kulturprägenden Denkbilder, Weltanschauungen, Sozialstrukturen und Alltagsbedingungen des mittelalterlichen Lebens, also z. B. Kindheit und Alter, Sexualität, Religion, Medizin, Rituale, Arbeit, Armut und Reichtum, Aberglauben, Erde und Kosmos, Stadt und Land, Krieg, Emotionen, Kommunikation, Reisen usw. Die Reihe greift wichtige aktuelle Fachdiskussionen auf und stellt ein Forum der in...
Divided into four small treatises: In treatise I, the author enumerates the four sources of knowledge In treatise II, the author discusses psychological and physiological matters. The last two treatises of 'The Microcosm' includes an informative introduction by the editor as well as an appendic of Saddiq's original Hebrew text.
InhaltFrederik Kortlandt: The Origin of the Vestjysk St(c)dHarry Perridon: How old is the Vestjysk St(c)dWolfgang Beck: Neues zur Runeninschrift auf dem Goldbrakteaten Schonen II CDietrich Schrr: Zu Z. 50 des HiltibrantliedesValentine A. Pakis: The Literary Status of Muspilli in the History of Scholarship: Two Peculiar TrendsKenny Louwen: Zur Lesart und Hybriditnt der altniederlnndischen FederprobeJeremy Bergerson: Observations on a, o in unstressed Syllables in Middle DutchLudo Jongen: The Emperor, the Saint and the Poet. For whom did Heinrich von Veldeke write the Sint-Servaaslegende?Martin Baisch: Gahmuret und Belakane. Textkritik und InterpretationAndreas Wutz: Der doppelte Loys - ein Ve...