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An autobiography which not only documents Ruth Hegarty's life, but also gives a firsthand account of Aboriginal history and government practice in Australia. Winner of the 1998 David Unaipon Award for previously unpublished Aboriginal and Torres Strait Isl.
A sequel to the award-winning memoir Is That You Ruthie?, which chronicled Ruth Hegarty's childhood story, this book begins with Ruth's courtship while she was an inmate of Cherbourg Aboriginal Mission, followed by her marriage and family life outside the mission and eventually in Brisbane.
"Is that you ...?" Matron's voice would ring out across the dormitory. In that pause sixty little girls would stop in their tracks, waiting to hear who was in trouble. All too often the name called out would be that of the high spirited dormitory girl Ruthie. In the Depression years Queensland's notorious Cherbourg Aboriginal Mission become home to four-year-old Ruth until her late teens when she was sent out to serve as a domestic on a station homestead. Ruthie is the central character in this lively and candid memoir of institutional life. Her milestones and memories reflect the experiences of many dormitory girls. The strong and lasting bonds that developed between them helped to compensate for family love and support denied them by the disruptive removal policy of the day. An inspiring life story, this remarkable memoir won the prestigious David Unaipon Award in 1998. In her recently released sequel "Bittersweet Journey" Ruth recounts, with characteristic humour and honesty, a dormitory girl's life after the Mission.
A tale of wonder is about to unfold... Find out where Bee's miraculous journey through woods and meadows will end in this delightful peek-through picture book. The story is magically brought to life by Britta Teckentrup's beautiful illustrations.
Cherbourg settlement was a home to many. But it was never the haven the Queensland government intended. By the end of the 19th century, at the height of Queensland's Aboriginal protectionist-policy practice, the idea of establishing two government-controlled Aboriginal reserves at either end of the state was nearing realisation. The reserve established in Queensland's south began as Barambah in 1901 and was later renamed Cherbourg. Variously described as bold, well meaning and misguided, it was a social experiment in institutional control that was to impact on the lives of thousands of Aboriginal families in ways that continue to this day.In this revealing, first-ever publication on Cherbourg Settlement's history 1900-1940, Thom Blake adds the vital dimension of interviews with former residents. Supported by maps, archival documents and letters, this book illustrates an Aboriginal reserve's evolution under government practice. It also explores the dynamics of cultural resilience through the generations.
A twentieth-anniversary edition of this tour de force in feminism and Indigenous studies, now with a new preface The twentieth anniversary of the original publication of this influential and prescient work is commemorated with a new edition of Talkin’ Up to the White Woman by Aileen Moreton-Robinson. In this bold book, of its time and ahead of its time, whiteness is made visible in power relations, presenting a dialogic of how white feminists represent Indigenous women in discourse and how Indigenous women self-present. Moreton-Robinson argues that white feminists benefit from colonization: they are overwhelmingly represented and disproportionately predominant, play the key roles, and cons...
This extraordinary story of courage and faith is based on the actual experiences of three girls who fled from the repressive life of Moore River Native Settlement, following along the rabbit-proof fence back to their homelands. Assimilationist policy dictated that these girls be taken from their kin and their homes in order to be made white. Settlement life was unbearable with its chains and padlocks, barred windows, hard cold beds, and horrible food. Solitary confinement was doled out as regular punishment. The girls were not even allowed to speak their language. Of all the journeys made since white people set foot on Australian soil, the journey made by these girls born of Aboriginal mothers and white fathers speaks something to everyone.
The first-ever anthology of Aboriginal and Torres Strait Islander speculative fiction – written, curated, edited and designed by blackfellas, for blackfellas and about blackfellas. In these stories, 'this all come back': all those things that have been taken from us, that we collectively mourn the loss of, or attempt to recover and revive, as well as those that we thought we'd gotten rid of, that are always returning to haunt and hound us. Some writers summon ancestral spirits from the past, while others look straight down the barrel of potential futures, which always end up curving back around to hold us from behind. Dazzling, imaginative and unsettling, This All Come Back Now centres and celebrates communities and culture. It's a love letter to kin and country, to memory and future-thinking.
'This book will make you love her as much as I do' FORMER PRESIDENT BILL CLINTON 'Breath-taking courage and compassion [...]a beautiful book' THE SUNDAY TIMES 'A renegade Florence Nightingale cares for the ill in a remarkable tale of compassion and combating prejudice' GUARDIAN 'An extraordinary tale' EVENING STANDARD 'If I have one message with this book it's that we all have to care for one another. Today, not just in 1986. Life is about caring for each other, and I learned more about life from the dying than I ever learned from the living. It's in an elephant ride, it's in those wildflowers dancing on their way to the shared grave of two men in love, and it's in caring for that young man ...