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Shadow Valley
UNTIL I HOLD YOU AGAIN depicts the true story of a cancer victim, Albert Young, as told by his wife, L. Jean Young, who has a wrenching encounter as she comes face-to-face with god after being told by doctors that her husband has but a few minutes to live. Jean allows you to meet her side of the family and to learn some background information about her early years on the farm in North Carolina. Witness a life-altering experience brought on by the family's migration from southern to northern United States, settling in Buffalo, New York. The story's main figure, Albert, comes to the forefront, and also on the scene is his family, setting the stage for love in the air. Two people meet, and it i...
Scott
Since its inception, Scott has grown from a small farming community to the second-largest city in Lafayette Parish. Early settlers provided land to the Louisiana Western Railroad Company for a new route to Texas that passed through Scott Station, named after a Mr. Scott associated with the railroad. The town's slogan, "Where the West Begins," is based on the different train fare charged to passengers headed beyond Scott to the West. The murder of merchant Martin Begnaud by the Blanc brothers was news that traveled from Scott to New Orleans to France. The railroad enabled the community to transport cotton, corn, sweet potatoes, and other produce across the country and to Canada. Today, several renowned musicians and artists call Scott home. The city, which is located on Interstate 10, combines small-town hospitality with a growing center of commerce.
Fascist Modernities
This cultural history of Mussolini's dictatorship discusses the meanings of modernity in interwar Italy. The work argues that fascism appealed to many Italian intellectuals as a new model of modernity that would resolve the European crisis as well as long-standing problems of the national past.
Italian Fascism's Empire Cinema
Ruth Ben-Ghiat provides the first in-depth study of feature and documentary films produced under the auspices of Mussolini’s government that took as their subjects or settings Italy’s African and Balkan colonies. These "empire films" were Italy's entry into an international market for the exotic. The films engaged its most experienced and cosmopolitan directors (Augusto Genina, Mario Camerini) as well as new filmmakers (Roberto Rossellini) who would make their marks in the postwar years. Ben-Ghiat sees these films as part of the aesthetic development that would lead to neo-realism. Shot in Libya, Somalia, and Ethiopia, these movies reinforced Fascist racial and labor policies and were largely forgotten after the war. Ben-Ghiat restores them to Italian and international film history in this gripping account of empire, war, and the cinema of dictatorship.
Congressional Record
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Information Wars
From former Time editor and Under Secretary for Public Diplomacy and Public Affairs Richard Stengel, Information Wars is the first and only insider account exploring how the U.S. tried -- and failed -- to combat the global rise of disinformation that eventually spilled into the 2016 election.
The GAO Review
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The GAO Review
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The Flenniken Family
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