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Works of Art
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A Companion to the Works of Franz Kafka
Kafka's novels and stories fascinate readers and critics of each generation. Although all theories attempt to appropriate Kafka, there is no one key to his work. This work aims to present a point of view while taking account of previous Kafka research.
Inferno
Robert Ferguson diagnoses all parts of a massive, out-of-control punishment regime. Turning the spotlight on the plight of prisoners, he asks the American people, Do we want our prisons to be this way? Acknowledging the suffering of prisoners and understanding what punishers do when they punish are the first steps toward a better, more just system.
Kafka's Zoopoetics
Nonhuman figures are ubiquitous in the work of Franz Kafka, from his early stories down to his very last one. Despite their prominence throughout his oeuvre, Kafka’s animal representations have been considered first and foremost as mere allegories of intrahuman matters. In recent years, the allegorization of Kafka’s animals has been poetically dismissed by Kafka’s commentators and politically rejected by posthumanist scholars. Such critique, however, has yet to inspire either an overarching or an interdiscursive account. This book aims to fill this lacuna. Positing animal stories as a distinct and significant corpus within Kafka’s entire poetics, and closely examining them in dialogu...
Kafka: A Guide for the Perplexed
Student guide to Franz Kafka, focusing on giving guidance through the difficulties readers can encounter in studying his work.
Rimbaud's Impressionist Poetics
In the mid-nineteenth century, Arthur Rimbaud, the volatile genius of French poetry, invented a language that captured the energy and visual complexity of the modern world. This book explores some of the technical aspects of this language in relation to the new techniques brought forth by the Impressionist painters such as Monet, Morisot, and Pissarro.
Kafka’s Cognitive Realism
This book uses insights from the cognitive sciences to illuminate Kafka’s poetics, exemplifying a paradigm for literary studies in which cognitive-scientific insights are brought to bear directly on literary texts. The volume shows that the concept of "cognitive realism" can be a critically productive framework for exploring how textual evocations of cognition correspond to or diverge from cognitive realities, and how this may affect real readers. In particular, it argues that Kafka’s evocations of visual perception (including narrative perspective) and emotion can be understood as fundamentally enactive, and that in this sense they are "cognitively realistic". These cognitively realistic qualities are likely to establish a compellingly direct connection with the reader’s imagination, but because they contradict folk-psychological assumptions about how our minds work, they may also leave the reader unsettled. This is the first time a fully interdisciplinary research paradigm has been used to explore a single author’s fictional works in depth, opening up avenues for future research in cognitive literary science.
Kafka’s Italian Progeny
This book explores Kafka's sometimes surprising connections with key Italian writers, from Italo Calvino to Elena Ferrante, who shaped Italy's modern literary landscape.
The Man who Disappeared
Young immigrant Karl Rossmann has a series of adventures in a vision of an ultra-modern America that is both fantasy and social satire. Full of incident, and blackly humorous, Kafka's first novel is newly translated by Ritchie Robertson in an edition that includes a full introduction and notes.
