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After Green Gables brings to life a distinctly Canadian literary and intellectual association of writers.
A leading poet and a theologian reflect on the Old Testament story of Ruth, a tale that resonates deeply in today's world with its themes of migration, the stranger, mixed cultures and religions, law and leadership, women in public life, kindness, generosity and fear. Ruth's story speaks directly to many of the issues and deep differences that Brexit has exposed and to the polarisation taking place in many societies. Pádraig Ó Tuama and Glenn Jordan bring the redemptive power of Ruth to bear on today's seemingly intractable social and political divisions, reflecting on its challenges and how it can help us be effective in the public square, amplify voices which are silenced, and be communities of faith in our present day. Over the last year, the material that inspired this book has been used with over 6000 people as a public theology initiative from Corrymeela, Ireland's longest-established peace and reconciliation centre. It has been met with an overwhelming response because of its immediacy and relevance, enabling people with opposing views to come together and be heard.
Consumers have long been encouraged to reduce, reuse, and recycle, but environmental awareness has come a long way since the first Earth Day in 1970. Blue trash bins are everywhere the eye can see, and consumers know they have places to put certain materials to make a helpful impact on waste management. People are reminded in stores, restaurants, and other places that they can reuse items, or reduce waste by using items sparingly. This book examines what effect, if any, practicing the "three R's" has had on the planet, giving readers both sides of the topic.
Includes Part 1, Number 1 & 2: Books and Pamphlets, Including Serials and Contributions to Periodicals (January - December)
"To the Latest Posterity is filled with examples of family registers from museum and private collections, many of them never before published, including early handmade work as well as printed registers that were filled in by hand in the nineteenth century. Bringing the art into the twentieth century and beyond, the Earnests discuss the adoption of the art by the Amish, who continue the practice of illuminated family record keeping today."--Jacket.
“Cultural Graphology” could be the name of a new human science: this was Derrida’s speculation when, in the late 1960s, he imagined a discipline that combined psychoanalysis, deconstruction, and a commitment to the topic of writing. He never undertook the project himself but did leave two brief sketches of how he thought cultural graphology might proceed. In this book, Juliet Fleming picks up where Derrida left off. Using both his early and later thought, and the psychoanalytic texts to which it is addressed, to examine the print culture of early modern England, she drastically unsettles some key assumptions of book history. Fleming shows that the single most important lesson to surviv...