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The New Witches
After Charmed ended in 2006, witches were relegated to sidekicks of televisual vampires or children's programs. But during the mid-2010s they began to resurface as leading characters in shows like the immensely popular The Chilling Adventures of Sabrina, the Charmed reboot, Salem, American Horror Story: Coven, and the British program, A Discovery of Witches. No longer sweet, feminine, domestic, and white, these witches are powerful, diverse, and transgressive, representing an intersectional third-wave feminist vision of the witch. Featuring original essays from noted scholars, this is the first critical collection to examine witches on television from the late 2010s. Situated in the aftermath of the #MeToo movement, essays examine the reemergence and shifting identities of TV witches through the perspectives of intersectional gender studies, hauntology, politics, morality, monstrosity, violence, queerness, disabilities, rape, ecofeminism, linguistics, family, and digital humanities.
Staging a Comeback
In the early 1980s, Walt Disney Productions was struggling, largely bolstered by the success of its theme parks. Within fifteen years, however, it had become one of the most powerful entertainment conglomerates in the world. Staging a Comeback: Broadway, Hollywood, and the Disney Renaissance argues that far from an executive feat, this impressive turnaround was accomplished in no small part by the storytellers recruited during this period. Drawing from archival research, interviews, and textual analysis, Peter C. Kunze examines how the hiring of theatrically trained talent into managerial and production positions reorganized the lagging animation division and revitalized its output. By Aladdin, it was clear that animation—not live action—was the center of a veritable “renaissance” at Disney, and the animated musicals driving this revival laid the groundwork for the company’s growth into Broadway theatrical production. The Disney Renaissance not only reinvigorated the Walt Disney Company but both reflects and influenced changes in Broadway and Hollywood more broadly.
The Shuberts and Their Passing Shows
The Shubert name has been synonymous with Broadway for almost as long as Broadway entertainment itself. In The Shuberts and Their Passing Shows: The Untold Tale of Ziegfeld's Rivals, author Jonas Westover investigates beyond the Shuberts' business empire into their early revues and the centrifugal role they played in developing American theatre as an art form.
Broadway in the Box
It was as if American television audiences discovered the musical in the early 21st century. In 2009 Glee took the Fox Network and American television by storm with the unexpected unification of primetime programming, awkward teens, and powerful voices spontaneously bursting into song. After raking in the highest rating for a new show in the 2009-2010 season, Glee would continue to cultivate rabid fans, tie-in soundtracks and merchandising, and a spinoff reality competition show until its conclusion in 2015. Alongside Glee, NBC and Fox would crank up musical visibility with the nighttime drama Smash and a string of live musical productions. Then came ABC's comedic fantasy musical series Gala...
The Oxford Handbook of Children's Film
Offers a comprehensive and wide-ranging study of children's film, Takes an interdisciplinary approach that encompasses contributions from scholars in the fields of film studies, children's education, children's media studies, children's literature studies, animation studies, and fandom studies, Features an international scope, covering iconic films from Hollywood (including Disney), as well as from Britain France, Germany, Sweden, Norway, Hungary, Australia, China, Japan, South Korea, India, Iran, and Kenya, Includes chapters written from a range of critical approaches to children's film, including genre, ideology, narrative, stardom, music, industry studies, and primary research on audiences and reception Book jacket.
Storm Breakers
PLUNGE FROM GRACE In post-apocalyptic Deathlands, America the beautiful has been ravaged by two centuries of nuclear fallout. Here, the American dream boils down to one thing: survival. Ryan Cawdor and his fellow warriors seize each day, armed and ready to hold on to the only life they've got. Despite the odds, they believe in something better, someplace they can call home…where peace isn't just a dream. LEGACY OF MADNESS On the coast of what used to be Maine, the group's armourer, J. B.Dix, lies dying from a gunshot wound. Having no other choice, Ryan makes a deal with a local baron and his strangely beautiful wife. J.B. will get the surgery he needs when Ryan and crew rescue the couple's daughter, abducted by slavers. But the cold, deep Atlantic waters harbor predark secrets, including the terrifying specter of a U.S.S.R. nuclear submarine…and its descendants. In Deathlands, no one is ever free from the past.
SPIN
From the concert stage to the dressing room, from the recording studio to the digital realm, SPIN surveys the modern musical landscape and the culture around it with authoritative reporting, provocative interviews, and a discerning critical ear. With dynamic photography, bold graphic design, and informed irreverence, the pages of SPIN pulsate with the energy of today's most innovative sounds. Whether covering what's new or what's next, SPIN is your monthly VIP pass to all that rocks.
Adapting The Wizard of Oz
One of the most beloved film musicals of all time, The Wizard of Oz represents an enduring family favorite and cultural classic. Yet there is much more to the story than meets the eye, and the MGM movie is just one of many ways in which it has been represented. In this lively and wide-ranging book, editors Danielle Birkett and Dominic McHugh bring together insights from eleven experts into the varied musical forms this great American myth has taken in the past century. Starting with the early adaptations of L. Frank Baum's story, the book also explores the writing, composition and reception of the MGM film, its importance in queer culture, stage adaptations of the movie, cult classic The Wiz, Stephen Schwartz's Broadway blockbuster Wicked, and the cultural afterlife of the iconic Arlen-Harburg songs. What emerges is a vivid overview of how music - on stage and screen - has been an essential part of the story's journey to become a centerpiece of American culture.
Ryan's Recovery
Ryan's Recovery: The Darkest Before the Dawn takes you on a journey of almost twenty years in time, starting in 2000 and ending in 2019. It is a story of heartache to triumph and everything in between, raising an autistic child. Ryan Ward went from being diagnosed as severely autistic with only echolalic speech, no need for human affection, and no understanding of the world around him, to becoming an artist and a working adult with high-functioning autism. The time line starts in the midst of recovery protocols and goes back in time to reveal the entire story. It is a story of climbing out of complete despair, confusion, and depression, to standing up and making a difference. It truly shows ...
