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"Between Images proposes a unique theory of montage a technique of relation: a means of fundamentally rethinking and reshaping how humans relate-to ourselves and each other, to the material world, to the planet and its nonhuman inhabitants. Historically, film criticism has cast montage in one of several roles: as narrative's invisible executor of spatiotemporal continuity to maintain the viewer's investment in the story-world; as an agent of disorder that confounds conventions of storytelling and realism and prompts the viewer's intellectual engagement; and as an expressionistic device for augmenting the duration and combination of shots to affect viewers at a sensory level. While not exactl...
Alivia once led a House full of immortal vampires, but now everything has been stripped away. Her friends have turned their backs on her, convinced she betrayed them and their Born kind. Taken prisoner to the King’s Court, she awaits her trial. But the sins of her father threaten to blacken her chances of clearing her name. Alivia toyed with King Cyrus’ heart—and now, he’s going to make her pay. Perhaps with her life. Hidden in the belly of the castle, truths will come to light, and the surface of the King’s brutality and the horrors of the castle have barely been scratched. Prepare to be judged…
Alivia’s father left her a letter before he died, begging her to stay away from the King and the Royals. But it was a plea made in vain. She never could have run from this life, not when she might be Cyrus’ resurrected queen. The King has arrived in Silent Bend and with him, he brought the end to Alivia’s mortal life. Uncontrollable bloodlust and an ever-shifting world rule her nights now. These twisted politics are deadly enough, but now her heart is the newest battleground. There’s no hiding from the one who hates everything she was born to, a spy who embraces everything she’s become, and a King who vies for someone she may soon remember. The games have begun. The House of Conrath is growing. Blood will be shed, the bodies will fall. Alliances will be tested and old enemies look like harmless children compared to the new ones rising from the shadows.
Years of bad luck have made Logan Pierce a little bitter, but it all goes from bad to worse the night she witnesses two immortal beings rip a man’s head off with their bare hands. Her life is wrecked overnight by a single man—Cyrus, who seems to think she’s someone important in his bloody world. But they won’t know the truth until she’s dead, and he’s very anxious to help her get there. But Logan isn’t going down without a fight. She makes him a deal. She will die, but first he must spend a month getting to know her, a month to change his mind. What she doesn’t expect is a month filled with displays of incredible wealth, spontaneous trips across the country, and unbelievable acts of immortal power. And as Logan spends her last days with Cyrus, she stops seeing the monster and begins to see a lonely, broken man she can’t walk away from. If she isn’t careful, it won’t just be her life she loses at the end of the month, but her heart as well... Crown of Death is a new standalone series set in the House of Royals world. It is not necessary to have read the House of Royals Saga to start this series.
"Life 24x a Second: cinema, selfhood, and society is about the life-sustaining and life-affirming power of cinema. As we confront the devastating reality of the Covid-19 pandemic, our obligation to explain the value of all artistic expression and pedagogical practice has surely never been greater. Life 24x a Second: cinema, selfhood, and society adopts multiple perspectives on why films matter, with special attention to hearing the soundtracks that move through our bodies and which we can carry with us into the world at large. Drawing on work by authors across disparate fields of literature, business, psychology, biological science, cinema, autobiographical, and cultural studies, this book m...
"This engaging intellectual biography traces Berger’s creative evolution, analyzes highlights from his vast output ... and situates them within his empathetic Marxism." –The New Yorker The first intellectual biography of the life and work of John Berger John Berger was one of the most influential thinkers and writers of postwar Europe. As a novelist, he won the Booker prize in 1972, donating half his prize money to the Black Panthers. As a TV presenter, he changed the way we looked at art with Ways of Seeing. As a storyteller and political activist, he defended the rights and dignity of workers, migrants, and the oppressed around the world. “Far from dragging politics into art,” he w...
Shadow Philosophy: Plato’s Cave and Cinema is an accessible and exciting new contribution to film-philosophy, which shows that to take film seriously is also to engage with the fundamental questions of philosophy. Nathan Andersen brings Stanley Kubrick’s film A Clockwork Orange into philosophical conversation with Plato’s Republic, comparing their contributions to themes such as the nature of experience and meaning, the character of justice, the contrast between appearance and reality, the importance of art, and the impact of images. At the heart of the book is a novel account of the analogy between Plato’s allegory of the cave and cinema, developed in conjunction with a provocative ...
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An engaging consideration of what experimental music can tell us about being human. In Experimenting the Human, G Douglas Barrett argues that experimental music speaks to the contemporary posthuman, a condition in which science and technology have challenged the centrality of the human amid the uneven temporality of postwar capitalism. Experimental music addresses this condition, Barrett contends, not by adhering to the formal strictures of musical modernism but by producing extra-formal meaning through its immanent transdisciplinary involvements with postwar science, technology, and art movements. Hear Alvin Lucier use his brain waves to play percussion. Picture Pamela Z sculpting the sound...
The time for blood has returned. Logan’s biological father has been building an army to rise against the Crown, to challenge Cyrus and Sevan for control over the vampires, and their voices will be heard: every one of them is a rightful Royal. He is not the only one who is tired of hiding in the shadows. Other family members lost their lives trying to bring all vampires into the spotlight, to show the world what they are capable of. With this many descendants, with this much bad blood, this will be a war fought with enemies new and old. This is the same war the King and Queen fought over a thousand years ago. It will be a battle to the death to keep the vampires’ secret. But time has always been Sevan’s greatest enemy, and now it is running out in every way. The Crown, the safety of the humans and the world, Logan’s time with Cyrus… It all comes to an end in the finale of the Blood Descendants Universe.