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Tomorrow They Won't Dare to Murder Us
Lyrical and radical, a debut novel that created a sensation in France Winner of the Prix Goncourt for first novel, one of the most prestigious literary awards in France A young revolutionary plants a bomb in a factory on the outskirts of Algiers during the Algerian War. The bomb is timed to explode after work hours, so no one will be hurt. But the authorities have been watching. He is caught, the bomb is defused, and he is tortured, tried in a day, condemned to death, and thrown into a cell to await the guillotine. A routine event, perhaps, in a brutal conflict that ended the lives of more than a million Muslim Algerians. But what if the militant is a “pied-noir”? What if his lover was a member of the French Resistance? What happens to a “European” who chooses the side of anti-colonialism? By turns lyrical, meditative, and heart-stoppingly suspenseful, this novel by Joseph Andras, based on a true story, was a literary and political sensation in France, winning the Prix Goncourt for First Novel and being acclaimed by Le Monde as “vibrantly lyrical and somber” and by the journal La Croix as a “masterpiece”.
Dancing Shakespeare
Dancing Shakespeare is the first history of ballets based on William Shakespeare’s works from the birth of the dramatic story ballet in the eighteenth century to the present. It focuses on two main questions: "How can Shakespeare be danced?" and "How can dance shed new light on Shakespeare?" The book explores how librettists and choreographers have transposed Shakespeare’s complex storylines, multifaceted protagonists, rhetoric and humour into non-verbal means of expression, often going beyond the texts in order to comment on them or use them as raw material for their own creative purposes. One aim of the monograph is to demonstrate that the study of wordless performances allows us to ga...
Gigantic
"e;I wasn't sure you would get this far, so thanks a million already. You opened the mystery bag... Inside the bag, along with this letter, is a dossier that describes the whole story."e;Kevin Stubbs is a Knower. He knows life hasn't always treated him fairly. He knows he wants to be allowed access to his son again. But most of all, he knows that the London Borough of Sutton is being stalked by a nine-foot-tall, red-eyed, hairy relict hominid - the North Surrey Gigantopithecus.Armed with a thermal imaging camera (aka the Heat Ray) and a Trifield 100XE electromagnetic field reader (aka the Tractor Beam), Kevin and his trusty comrades in the GIT (aka the Gigantopithecus Intelligence Team) set out to investigate a new sighting on the outskirts of Sutton. If real, it will finally prove to the world that the infamous Gartree-Hogg footage was genuine, and a British Bigfoot is living in suburban London: FACT. But what he discovers undermines everything he believes in - and forces Kevin to face up to his own failures, and the very real, very scary prospect that he might have got it all terribly wrong.
Dark River
Doggerland, 6200 BC. As rivers rise, young mother Shaye follows her family to a sacred oak grove, hoping that an ancient ritual will save their way of life.London, AD 2156. In a city ravaged by the rising Thames, Shante hopes for a visa that will allow her to flee with her four-year-old son to the more prosperous north.Two mothers, more than 8,000 years apart, struggle to save their children from a bleak future as the odds stack against them.At the sacred oak grove, Shaye faces a revelation that cuts to the core of who she is; in the wilderness of the edgelands, Shante finds herself unprepared for the challenges and dangers that surround them at every turn.As Shaye and Shante desperately try to hold their families together in the face of disaster, these two young mothers uncover a terrifying truth: that it is impossible to protect the ones they love.
Women on Nature
What would happen, I wondered, if I simply missed out the fifty per cent of the population whose voices have been credited with shaping this particular ‘cultural form’. If I coppiced the woodland, so to speak, and allowed the light to shine down to the forest floor and illuminate countless saplings now that a gap has opened in the canopy. . . There has, in recent years, been an explosion of writing about place, landscape and the natural world. But within this blossoming of interest, women’s voices have remained very much in the minority. For the very first time, this landmark anthology collects together the work of women, over the centuries and up to the present day, who have written a...
England: A Class of Its Own
A wry, affectionate and amusing take on English class and customs from an outsider's perspective. For years German lawyer and author Detlev Piltz has been observing England, its life, customs and above all its classes. He argues that whenever an English person meets another, they will immediately try and place the individual they are talking to in a class by their speech, deportment, clothing, address and general aura. Why might this be, and does the English class system still exist in the twenty-first century? This book argues that it is very much still alive. Piltz examines the 'hard' and 'soft' class markers that permeate English society, from where Britons go on holiday to what they wear...
The Everyday Dancer
The Everyday Dancer is a new and honest account of the business of dancing from a writer with first hand experience of the profession. Structured around the daily schedule, The Everyday Dancer goes behind the velvet curtain, the gilt and the glamour to uncover the everyday realities of a career in dance. Starting out with the obligatory daily 'class', the book progresses through the repetition of rehearsals, the excitement of creating new work, the nervous tension of the half hour call, the pressures of performance and the anti-climax of curtain down. Through this vivid portrait of a dancer's every day, Deborah Bull reveals the arc of a dancer's life: from the seven-year-old's very first ballet class, through training, to company life, up through the ranks from corps de ballet to principal and then, not thirty years after it all began, to retirement and the inevitable sense of loss that comes with saying goodbye to your childhood dreams.
Out of the Darkness
Out of the Darkness, in collaboration with mental health charity Together for Mental Wellbeing, challenges some of the most exciting voices in horror and dark fantasy to bring their worst fears out into the light. From the black dog of depression to acute anxiety and schizophrenia, these stories prove what fans of horror fiction have long known – that we must understand our demons to overcome them. In the wake of the Covid-19 pandemic, what began as a mental health crisis has rapidly become an unprecedented tsunami. The Centre for Mental Health has estimated that 10 million people will need mental health support in the UK as a direct consequence of Covid-19, with a staggering 1.5 million of those being under eighteen. Edited by Dan Coxon (This Dreaming Isle) and featuring exclusive stories by Alison Moore, Jenn Ashworth, Tim Major and Aliya Whiteley, this collection harnesses the power of fiction to explore and explain the darkest moments in our lives. Horror isn’t just about the chills – it’s also about the healing that comes after. All royalties and editor’s fees from this collection are being donated to the mental health charity Together for Mental Wellbeing.
Pearl
Marianne is eight years old when her mother goes missing. Left behind with her baby brother and grieving father in a ramshackle house on the edge of a small village, she clings to the fragmented memories of her mother' s love; the smell of fresh herbs, the games they played, and the songs and stories of her childhood. As time passes, Marianne struggles to adjust, fixated on her mother' s disappearance and the secrets she' s sure her father is keeping from her. Discovering a medieval poem called Pearl and trusting in its promise of consolation, Marianne sets out to make a visual illustration of it, a task that she returns to over and over but somehow never manages to complete. Tormented by an unmarked gravestone in an abandoned chapel and the tidal pull of the river, her childhood home begins to crumble as the past leads her down a path of self-destruction. But can art heal Marianne? And will her own future as a mother help her find peace?
Know Your Place
"In 21st century Britain, what does it mean to be working class? This book asks 24 working class writers to examine the issue as it relates to them. Examining representation, literature, sexuality, gender, art, employment, poverty, childhood, culture and politics, this book is a broad and firsthand account of what it means to be drawn from the bottom of Britain's archaic, but persistent, class structure."--Provided by publisher.
