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Women in the Plays of George Bernard Shaw
The book presents a detailed study as well as a critical analysis of George Bernard Shaw and the women characters in his plays. These female characters are from Man and Superman, Major Barbara, Candida, Arms and the Man, Pygmalion, Mrs. Warren s Profession, Saint Joan, Misalliance, The Philanderer. The Study of Shavian Plays forms an integral part of the curriculum of various universities. Hence an attempt has been made to familiarize scholars and researchers of Shaw with some rare and valuable critical material.
Selected Short Plays
This selection comprises: "THE ADMIRABLE BASHVILLE" "HOW HE LIED TO HER HUSBAND" "PASSION, POISON AND PETRIFACTION" "THE GLIMPSE OF REALITY" "THE DARK LADY OF THE SONNETS" "OVERRULED" "THE MUSIC-CURE" "GREAT CATHERINE" "THE INCA OF PERUSALEM" "O'FLAHERTY V.C." "AUGUSTUS DOES HIS BIT" "ANNAJANSKA, THE BOLSHEVIK EMPRESS" "VILLAGE WOOING" "THE SIX OF CALAIS" and "CYMBELINE REFINISHED".
Bernard Shaw's Preface to Major Barbara
George Bernard Shaw was born in Dublin in 1856. Before becoming a playwright he wrote music and literary criticism. Shaw used his writing to attack social problems such as education, marriage, religion, government, health care, and class privilege. Shaw was particularly conscious of the exploitation of the working class. Major Barbara has been called the most controversial of Shaw's works. His seeming criticism of Christianity and The Salvation Army caused some to accuse him of blasphemy, while others defended what they saw as his realistic presentation of religion. In Major Barbara a woman who has committed herself to work with the Salvation Army faces the dilemma that its support must come from the corrupt rich, a realization which shatters her faith. She finally finds a code by which she can live. Shaw wrote this preface in part to explain his reasons for writing Major Barbara and in part to answer his critics.
The Genius of George Bernard Shaw
The Genius of George Bernard Shaw is a criticism of George Bernard Shaw’s work that explores his art, aesthetics, philosophy, and revolutionary ideas. Shaw wrote his plays raising and dealing with the problems of individuals, families, society, nations, and the world. It is occasionally stated that Shaw’s support for totalitarianism grew out of his frustration with nineteenth-century liberalism, which ineffectually culminated in a disastrous world war. Yet, close analysis to two of Shaw’s Major Critical Essays from the 1890s shows that even then Shaw expressed a desire for a ruthless man of action unencumbered by the burden of conscience to come on the scene and establish a new world o...
The Philanderer
The second of Shaw’s “unpleasant” plays, written in 1893, published in 1898, but not performed until 1905, The Philanderer is subtitled “A Topical Comedy.” The eclectic range of topical subjects addressed in the play includes the influence of Norwegian playwright Henrik Ibsen on British middle-class social mores (the second act of The Philanderer is set in the fictional Ibsen Club), medical follies, the rise of the “New Woman,” and, in particular, the destructive impact of Victorian marriage and divorce laws. Just as Shaw’s other “unpleasant” plays, Widowers’ Houses and Mrs Warren’s Profession, call, respectively, for reform of laws that allow corrupt property owners ...
Cashel Byron`s Profession
After poleaxing his mathematics master with a perfect right, Cashel Byron, the unloved son of a successful actress, runs away to Australia. He returns to England and becomes the most famous prizefighter of his age, only to be floored himself by the lovely and impossible Lydia Carew. Can Lydia, with her reputation for vast learning and exquisite culture, be wooed by the ruffian Cashel? Can Cashel successfully hide his illegal professional? And so follows, with Shaw's inimitable wit and sparkle, a tale of miscommunication, drawing-room comedy and love.
Pygmalion
This Prestwick House Literary Touchstone Edition? includes a glossary and reader?s notes to help the modern reader appreciate Shaw?s wit and cynicism.In this delightful romance about the man too self-centered to fall in love and the woman too unsure of herself to want more out of life than the little she already has, George Bernard Shaw shakes the dust off the Cinderella story and tells it as only he can. Eliza Doolittle, the Cockney flower girl who wants to work in a flower shop, and Henry Higgins, the phoneticist who turns her into a "princess," are no mythological knight and maiden. Instead, even today, they resound with sharp humor and cutting dialogue. Originally published in 1914, Pygmalion invites readers and audience members to examine the roots of social prejudice and the true value of a human being, while also involving them in the improbable lives of Shaw?s one-dimensional, yet endearing characters.
Collected Works of George Bernard Shaw
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
