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The Prestige
Two 19th century stage illusionists, the aristocratic Rupert Angier and the working-class Alfred Borden, engage in a bitter and deadly feud; the effects are still being felt by their respective families a hundred years later. Working in the gaslight-and-velvet world of Victorian music halls, they prowl edgily in the background of each other's shadowy life, driven to the extremes by a deadly combination of obsessive secrecy and insatiable curiosity. At the heart of the row is an amazing illusion they both perform during their stage acts. The secret of the magic is simple, and the reader is in on it almost from the start, but to the antagonists the real mystery lies deeper. Both have something more to hide than the mere workings of a trick. Winner of the World Fantasy Award for best novel, 1996 Christopher Priest is a genre-leading author of SFF fiction. THE PRESTIGE was adapted into a critically acclaimed, Oscar-nominated film directed by Christopher Nolan (TENET, INCEPTION) starring Hugh Jackman (THE GREATEST SHOWMAN, X-MEN), Christian Bale (THE BIG SHORT, BATMAN BEGINS), Michael Caine (THE ITALIAN JOB) and Scarlett Johansson (MARRIAGE STORY, THE AVENGERS).
The Spy Who Came in from the Bin: A Jonathon Fairfax Novel
He only knows three things about himself: he's polite, he likes tea, and everyone wants to kill him. Berlin: a man wakes up in a bin* with no idea who he is. He's taken to hospital for treatment. Then people start trying to assassinate him. The man has to find out why, how to get them to stop, and what the CIA has to do with all this. There's also the little problem of working out who he used to be, and why that changed. Meanwhile, his girlfriend Piper and best friend Lance are trying to find him... Jonathon Fairfax - still the world's most socially awkward hero - is back. If only he knew. *That's a trashcan, for American readers.
The Cartoonist's Big Book of Drawing Animals
All of Chris Hart’s how-to-draw titles are best-sellers. And the best-sellers among all of his best-sellers are the ones about animals. How to Draw Cartoon Animals, just one example, appears regularly on the BookScan Top 50 Art Books list, with more than 190,000 copies sold. Now The Cartoonist’s Big Book of Drawing Animals is ready to roar onto the market! All the most popular animals are here, including dogs, cats, horses, penguins, lions, tigers, bears, and elephants, as well as the favorite sidekick animals—pigs, kangaroos, giraffes, turtles. Simple step-by-step drawings show how to capture every cartoon emotion, from cutesy-sweet to begging to scheming, and how to create every box-office type, from baby animals to villain animals to clueless animals and much more. Faces, bodies, paws, feet, wings, tails—every part of dozens of animals is explained in this bumper book by the world’s leading author of instructional art books. It’s a mega-menagerie for cartoonists!
Christopher Meredith
The first book-length study of the work of Christopher Meredith, a leading bilingual Welsh writer Unique in offering close analyses which read across Meredith’s poetry and prose Draws on new material from interviews with Meredith to provide new biographical contexts Unusual as a study of a writer who is equally a poet and a novelist Argues that Meredith’s writing forms a history of the Anglicised Welsh of south-east Wales which has wider international implications in relation to the experience of living in a bilingual ‘small country’.
The Shores of the Adriatic
Reproduction of the original: The Shores of the Adriatic by F. Hamilton Jackson
The Art, History and Architecture of Florentine Churches
Churches and palaces in Florence have been the subject matter of book-length, often multi-volume studies over the centuries. This book is a compendium of the main churches in Florence and has been written with two distinct audiences in mind: English-speaking students of Renaissance art, architecture, literature and history and the well-read traveller to Florence who wishes to place the works of art and architecture into the wider context of Italian culture. The choice of churches discussed here was influenced by the author’s experience as teacher for several university programmes on site in Florence. The buildings described and analysed are those which students will most likely encounter in the course of their study-abroad stay in Florence, whether they wish to specialise in art, architecture or the history of the Florentine Renaissance. This book represents a textbook that offers concise information on the history, art, and architecture of 25 of the main Florentine churches, provides plans and photos of the façades, and introduces the student to some of the most important vocabulary and the main textual sources of the thirteenth to the seventeenth centuries.
