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EIGHT ASTRONAUTS. ONE KILLER. NO WAY HOME. A blend of classic mystery, Orange is the New Black and Andy Weir's The Martian, One Way is a science-fiction thriller like no other. 'A rip-roaring thriller of a book that hits the ground running and doesn't stop until the final chapter' John Marrs, author of the bestselling/Radio 2 Book Club choice THE ONE 'S.J. Morden's Agatha-Christie-in-space thriller accelerates to warp speed and becomes an engrossing whodunnit' Financial Times * * * * * There's a murderer amongst them, and everyone's a suspect . . . Frank Kittridge is serving life for murdering his son's drug dealer, so when he's offered a deal by Xenosystems Operations - the corporation that...
'Afonso Cuarón's GRAVITY . . . Ridley Scott's THE MARTIAN . . . Few novels measure up to these gripping cinematic visions, but Simon Morden's GALLOWGLASS knocks them out of the park' The Times The Times Best New Science Fiction! JACK VAN DER VEERDEN IS ON THE RUN. From his billionaire parents' chilling plans, from his brutal bodyguard, from a planet on the brink of climate chaos. Seeking freedom out in space, he gets a job on a mining ship chasing down an asteroid. Crewed by mercenaries and misfits, they all want a cut of the biggest payday in history. A single mistake could cost Jack his life - and that's before they reach their destination. The bounty from the asteroid could change lives and save nations - and corrupt any one of them. Because in space, it's all or nothing: riches beyond measure, or dying alone in the dark. Praise for ONE WAY: 'A blend of classic mystery, ORANGE IS THE NEW BLACK and Andy Weir's THE MARTIAN, ONE WAY is a science fiction thriller like no other' Waterstones 'A claustrophobic, high-tension, survival-against-the-odds thriller' Guardian
In the sequel to the terrifying science fiction thriller, One Way, returning home from Mars may mean striking a deal with the very people who abandoned him. They were sent to build a utopia, but all they found on Mars was death. Frank Kitteridge has been abandoned. But XO, the greedy -- and ultimately murderous -- corporate architects of humanity's first Mars base made a costly mistake when they left him there: they left him alive. Using his skills and his wits, he's going to find a way back home even if it kills him. Little does he know that Mars isn't completely empty. Just over the mountain, there's another XO base where things are going terribly, catastrophically wrong. And when the survivors of that mission find Frank, they're going to want to take even the little he has away from him. If there's anything in Frank's favor, it's this: he's always been prepared to go to the extremes to get the job done. That's how he ended up on Mars in the first place. It just might be his ticket back. For more from S. J. Morden, check out: One Way
A millennium after the formidable war machines of the User cultures devoured entire civilisations and rewrote planetary geography, Earth is in the grip of a perpetual Dark Age. Scientific endeavour is strongly discouraged, while remnant technology is locked away - hidden by a Church determined to prevent a new Armageddon. This is the world to which Benzamir Michael Mahmood must return. A descendant of the tribes who fled the planet during those ages-old wars, he comes in pursuit of enemies from the far reaches of space. The technology he brings is wondrous beyond the imaginings of those he will meet, but can its potency match that of the Church's most closely guarded treasure? For centuries it has lain dormant, buried in a lead-lined tomb deep beneath the flagstones of a remote Siberian monastery. But it is about to be unearthed, and the powers that will be unleashed may be beyond anyone's capacity to control. Even a man as extraordinary as Benzamir . . .
Winner of the 2012 Philip K. Dick Award Samuil Petrovitch is a survivor. He survived the nuclear fallout in St. Petersburg and hid in the London Metrozone -- the last city in England. He's lived this long because he's a man of rules and logic. For example, getting involved = a bad idea. But when he stumbles into a kidnapping in progress, he acts without even thinking. Before he can stop himself, he's saved the daughter of the most dangerous man in London. And clearly saving the girl = getting involved. Now, the equation of Petrovitch's life is looking increasingly complex. Russian mobsters + Yakuza + something called the New Machine Jihad = one dead Petrovitch. But Petrovitch has a plan -- he always has a plan -- he's just not sure it's a good one.
A thrilling standalone science fiction space adventure from Philip K. Dick award-winning author S.J. Morden Strange radio signals are coming from Jupiter's largest moons. A natural phenomenon, or something else? Commander Mariucci and his hand-picked research team know they will have to muster all of their expertise, creativity and teamwork to survive the very harshest of conditions in orbit around the king of planets. But when they intercept a peculiar radio transmission, they have to investigate. Nothing should work in these impossible conditions, so what is sending the signal . . . and why? With a degrading ship and crew at breaking point, there's every chance they will tear themselves apart before they ever find the answer to the ultimate question - are we alone in the universe? And more importantly - what do we do if we aren't?
Award-winning author Simon Morden joins Gollancz with a stunning SF quest across a vast world that mirrors every London ever built. Instead of fire, there was water. A wave slapped through the open doorway, and a gust of wind blew into the smoke-filled corridor, dragging a spiral of soot outwards and away. MARY. One slip away from prison, fighting to build herself a future from nothing. DALIP. The gentle son of a warrior tradition. A young man who must fight for independence from his family. STANISLAV. A fierce and capable man carrying the wounds of a brutal war. They left London in flames for a place where everything was different. A place that can uncover your secrets. A place haunted by a man called Crows . . .
THEOREM: Petrovitch has a lot of secrets. PROOF: Secrets like how to make anti-gravity for one. For another, he's keeping a sentient computer program on a secret server farm - the same program that nearly destroyed the Metrozone a few months back. THEOREM: The city is broken. PROOF: The people of the OutZone want what citizens of the Metrozone have. And then burn it to the ground. Now, with the heart of the city destroyed by the New Machine Jihad, the Outies finally see their chance. THEOREM: These events are not unconnected. PROOF: Someone is trying to kill Petrovitch and they're willing to sink the whole city to do it.
BOOKER PRIZE WINNER • NATIONAL BESTSELLER • An “extraordinary meditation on mortality, grief, death, childhood and memory" (USA Today) about a middle-aged Irishman who has gone back to the seaside to grieve the loss of his wife. In this luminous novel, John Banville introduces us to Max Morden, a middle-aged Irishman who has gone back to the seaside town where he spent his summer holidays as a child to cope with the recent loss of his wife. It is also a return to the place where he met the Graces, the well-heeled family with whom he experienced the strange suddenness of both love and death for the first time. What Max comes to understand about the past, and about its indelible effects on him, is at the center of this elegiac, gorgeously written novel—among the finest we have had from this masterful writer.
WELCOME TO THE METROZONE Post-apocalyptic London, full of street gangs and homeless refugees. A dangerous city needs an equally dangerous saviour. Step forward Samuil Petrovitch, a genius with extensive cybernetic replacements, a built-in AI with god-like capabilities and a full armoury of Russian swear words. He's dragged the city back from the brink more than once - and made a few enemies on the way. So when his adopted daughter Lucy goes missing in Alaska, he has some clue who's responsible and why. It never occurs to him that guessing wrong could tip the delicate balance of nuclear-armed nations. This time it's not just a city that needs saving: it's the whole world.