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A beautifully written exploration of religion’s role in a secular, modern politics, by an accomplished scholar of critical theory Migrants in the Profane takes its title from an intriguing remark by Theodor W. Adorno, in which he summarized the meaning of Walter Benjamin’s image of a celebrated mechanical chess-playing Turk and its hidden religious animus: “Nothing of theological content will persist without being transformed; every content will have to put itself to the test of migrating in the realm of the secular, the profane.” In this masterful book, Peter Gordon reflects on Adorno’s statement and asks an urgent question: Can religion offer any normative resources for modern political life, or does the appeal to religious concepts stand in conflict with the idea of modern politics as a domain free from religion’s influence? In answering this question, he explores the work of three of the Frankfurt School’s most esteemed thinkers: Walter Benjamin, Max Horkheimer, and Theodor W. Adorno. His illuminating analysis offers a highly original account of the intertwined histories of religion and secular modernity.
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Without recourse to mythology or hyperbole, Gordon demonstrates that the historical and philosophical ramifications of Davos '29 are even more profound than previously understood. The publication of Continental Divide signals a major event in the fields of modern history and Continental philosophy.---John P. McCormick, University of Chicago --
One of the most storied and influential rulers in modern history, Queen Victoria's long reign defined the character of the nineteenth century throughout much of Europe. This insightful and comprehensive biography from E. Gordon Browne presents a first-hand account of the queen and the myriad social, political, and cultural changes wrought by the so-called Grandmother of Europe.
L.E.T. has changed countless corporations and private businesses-including many Fortune 500 companies-with its down-to-earth communication and conflict resolution skills. Now, this indispensable source has been newly revised with updated research and timely case studies.
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Edward Gordon Craig's ideas regarding set and lighting have had an enormous impact on the development of the theatre we know today. In this new and updated edition of his well-known study of Edward Gordon Craig, Professor Christopher Innes shows how Craig's stage work and theoretical writings were crucial to the development of modern theatre. This book contains extensive documentation and re-evaluates his significance as an artist, actor, director and writer. Craig is placed in historical context, and his productions are reconstituted from unpublished prompt-books, sketches, journals and correspondence. Most of the designs and photographs, and many of Craig's writings cited, are not available elsewhere in print. Readers will gain insight into a key period of theatrical history, the life of one of its most fascinating individuals, the nature of stage performance, and into revolutionary ideas that are still challenging today.
'The Pop artists were among the first to understand the desire of consumers to change their lives through the purchase of clean, manufactured commodities. YBA, on the other hand, was more interested in the dirt that accrues beneath the laminate surface of shiny things. Their special perception was that cheap language and cheap materials didn't have to equal cheap thinking. The trick was to tell it in a jaunty, unportentous, off-hand, unliterary - anti-literary - way. And then there were the drugs.' Spanning nearly 35 years, Sex & Violence, Death & Silence is a collection of the best of Gordon Burn's writing on art. Focusing on two principle generations - the Royal College pop art of Hockney ...