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On the Northwest
On the Northwest is the first complete history of commercial whaling in the Pacific Northwest from its shadowy origins in the late 1700s to its demise in western Canada in 1967. Whaling in the eastern North Pacific represented a century and a half of exploration and exploitation which involved the entrepreneurs, merchants, politicians, and seamen of a dozen nations.
A New Westminster Album
From prospectors to politicians, promoters to profiteers, New Westminster’s known them all. It is Western Canada’s oldest city, aptly named by Queen Victoria as the first capital of the new colony of British Columbia. On the mighty Fraser River, it has survived gold rushes, loss of capital status, fire, flood, the Depression, and two world wars. This collection of illuminating black and white photographs, artwork, and text shows how its tenacious citizens have thrived. It follows the city’s festivals, traditions, organizations, people, and neighbourhoods. The city has both witnessed and been the centre of the fascinating events that shaped B.C. This multifaceted photographic history album depicts almost 150 years of the City of New Westminster.
Head On!
In a province where mountain ranges are at odds with road and rail builders, and its capital city and a large portion of its population are on an island, it's no surprise that provision of an effective transportation system has been a challenging undertaking—or that mistakes have been made. In many cases, BC's political leaders not only didn't solve problems, they added to them. And many of the mistakes made resulted from premiers exploiting their time in office to further their own political preferences, theories and agendas. This insider's examination looks at premiers' errors and exploitations, along with their triumphs and achievements, from the first days of the provincial government. Whether it be trouble with bridges (premiers Prior and Pattulo), railways (McBride and Bennett) or ferries (Clark), R.G. Harvey calls it like he sees it.
The Chief Factor's Daughter
Colonial Victoria in 1858 is an unruly mix of rowdy gold seekers and hustling immigrants caught in the upheaval of the fur trade giving way to the gold rush. Chief Factor John Work, an elite of the Hudson's Bay Company fur trade and husband to a country-born wife, forbids his daughters to go into the formerly quiet Fort Victoria, to protect them from its burgeoning transient population. Margaret, the eldest daughter, chafes at her father's restrictions and worries that, at 23, she is fated to be a spinster. Born of a British father and Metis mother, Margaret and her sisters belong to the upper class of the fur-trade community, though they become targets of snobbery and racism from the new settlers. But dashing naval officers and Royal Engineers still host parties and balls, and Margaret and her sisters attend, dressed in the fashionable gowns they order from England. As happens the world over, these cultural tensions lead to love and romance.
Colonization and Community
In Colonization and Community John Belshaw takes a new look at British Columbia's first working class, the men, women, and children beneath and beyond the pit-head. Beginning with an exploration of emigrant expectations and ambitions, he investigates working conditions, household wages, racism, industrial organization, gender, schooling, leisure, community building, and the fluid identity of the British mining colony, the archetypal west coast proletariat. By connecting the story of Vancouver Island to the larger story of Victorian industrialization, he delineates what was distinctive and what was common about the lot of the settler society. Belshaw breaks new ground, challenging the easy assumptions of transferred British political traditions, analyzing the colonial at the household level, and revealing the emergent communities of Vancouver Island as the cradle of British Columbian working-class culture.
Rock Art Studies - News of the World
This is the third in the five-yearly series of surveys of what is happening in rock art studies around the world. As always, the texts reflect something of the great differences in approach and emphasis that exist in different regions. The volume presents examples from Europe, Asia, Africa, and the New World. During the period in question, 1999 to 2004, there have been few major events, although in the field of Pleistocene art many new discoveries have been made, and a new country added to the select list of those with Ice Age cave art. Some regions such as North Africa and the former USSR have seen a tremendous amount of activity, focusing not only on recording but also on chronology, and the conservation of sites. With the global increase of tourism, the management of rock art sites that are accessible to the public is a theme of ever-growing importance.
Artist Emily Carr and the Spirit of the Land
Emily Carr, often called Canada’s Van Gogh, was a post-impressionist explorer, artist and writer. In Artist Emily Carr and the Spirit of the Land Phyllis Marie Jensen draws on analytical psychology and the theories of feminism and social constructionism for insights into Carr’s life in the late Victorian period and early twentieth century. Presented in two parts, the book introduces Carr’s émigré English family and childhood on the "edge of nowhere" and her art education in San Francisco, London and Paris. Travels in the wilderness introduced her to the totem art of the Pacific Northwest coast at a time Aboriginal art was undervalued and believed to be disappearing. Carr vowed to doc...
Jack Shadbolt and the Coastal Indian Image
Jack Shadbolt was inspired in his formative years by his contact with Emily Carr and with her brooding works portraying the remnants of Indian villages against the overwhelming wilderness. He made sketches of Indian artefacts and the Cowichan Reserve in the 1930s, but it was only after World War II that elements of Indian art began to show up in his style. Marjorie Halpin finds in the changes in the way Indian forms occur in Shadbolt's paintings an appropriate expression of the changing attitudes of British Columbians to Native society and the political will the Native people now manifest. The place of Indian motifs in Shadbolt's painting can be broadly correlated with the cultural quickening of Indian society in recent years. They reveal his emotional sympathy with Kwagiutl, Haida, and Tlingit forms and his deep response to the Indians' spiritual and historic presence in the British Columbia environment.
British Columbia and Yukon Gold Hunters
A look at the 19th century gold rushes in British Columbia and the Yukon. Includes archival photographs and hand-drawn maps.
