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The Waiting Water
The Waiting Water addresses one of the most recurrent and troubling motifs in German Realist literature—death by drowning. Characters find themselves before bodies of water, presented with the familiar realm above the surface and the unobservable, uncanny domain beneath it. With somber regularity, they then disappear into the depths. Alexander Sorenson explores the role that these hidden deaths in water play within a literary movement that set out precisely to reveal universal truths about human life. The poetics of submergence, he argues, revolve around two concepts fundamental to Poetic Realism—order and sacrifice. Focusing on texts by Adalbert Stifter, Gottfried Keller, Marie von Ebner-Eschenbach, and Theodor Storm, along with material from earlier and later epochs, The Waiting Water shows that the pervasive symbolism of drowning scenes in German Realism, which typically occur in zones of narrative invisibility on the social periphery, reveals the extent to which realist narrative uses the natural environment to work through deeply embedded and hidden tensions that troubled the social and moral life of the age.
At the Limit of the Obscene
As German-language literature turned in the mid-nineteenth century to the depiction of the profane, sensual world, a corresponding anxiety emerged about the terms of that depiction—with consequences not only for realist poetics but also for the conception of the material world itself. At the Limit of the Obscene examines the roots and repercussions of this anxiety in German realist and postrealist literature. Through analyses of works by Adalbert Stifter, Gustav Freytag, Theodor Fontane, Arno Holz, Gottfried Benn, and Franz Kafka, Erica Weitzman shows how German realism’s conflicted representations of the material world lead to an idea of the obscene as an excess of sensual appearance beyond human meaning: the obverse of the anthropocentric worldview that German realism both propagates and pushes to its crisis. At the Limit of the Obscene thus brings to light the troubled and troubling ontology underlying German realism, at the same time demonstrating how its works continue to shape our ideas about representability, alterity, and the relationship of human beings to the non-human well into the present day.
Die (k)alte Sachlichkeit
Die Beantwortung der Frage: Wieviel Sachlichkeit braucht der Mensch? gehört zu den vornehmsten Aufgaben von Theorien und Verhaltenslehren seit dem 19. Jahrhundert. Gibt es Konzepte und Verfahren von Sachlichkeit auf der Höhe der Zeit, jenseits eines naiven Entsprechungsverhältnisses zur Welt? Erhält die alte Sachlichkeit mit ihren Topoi der Kälte womöglich nach den Epochen des Terrors, in die sie mündete, einerseits, und in der Medienwelt des 20./21. Jahrhunderts andererseits ganz neue Bedeutungen? M. Baßler, E. van der Knaap: Einleitung - R. Safranski: Der erkaltete Eros - J. von der Thüsen: Im Dickicht der Bilder. Zur Rhetorik der Städteliteratur - E. van der Knaap: Verletze alle...
Jews in Business and Their Representation in German Literature, 1827-1934
The emancipation of Jews that commenced in Germany in the early 19th century pushed many Jews into urban commerce, industries, and intellectual professions. The ongoing modernization and the Jewish prominence in business brought about an anti-Jewish reaction. Jews were seen as the incarnation of the new materialistic "Zeitgeist", dishonest merchants pursuing non-German business practices, and usurpers of economic power. The Jews represented an alien, unwanted economic system. The backlash against the Jewish businessman was reflected in contemporary literature, from Wilhelm Hauff's "Jud Süß" (1827) to the Nazi novel "Shylock unter Bauern" by Felix Nabor (1934). Examines the representation o...
Networks of Refugees from Nazi Germany
This volume focuses on coalitions and collaborations formed by refugees from Nazi Germany in their host countries. Exile from Nazi Germany was a global phenomenon involving the expulsion and displacement of entire families, organizations, and communities. While forced emigration inevitable meant loss of familiar structures and surroundings, successful integration into often very foreign cultures was possible due to the exiles’ ability to access and/or establish networks. By focusing on such networks rather than on individual experiences, the contributions in this volume provide a complex and nuanced analysis of the multifaceted, interacting factors of the exile experience. This approach connects the NS-exile to other forms of displacement and persecution and locates it within the ruptures of civilization dominating the twentieth and twenty-first centuries. Contributors are: Dieter Adolph, Jacob Boas, Margit Franz, Katherine Holland, Birgit Maier-Katkin Leonie Marx, Wolfgang Mieder, Thomas Schneider, Helga Schreckenberger, Swen Steinberg, Karina von Tippelskirch, Jörg Thunecke, Jacqueline Vansant, and Veronika Zwerger
Exile and Otherness
In recent years Culture Studies, Anthropology, German Studies, History, Political Psychology, and other fields have used the concept of 'exile' in close connection with terms like migration, border crossing, identity, and transnationality. Views of a homogeneous culture and of centricity collide with ideas like multiculturalism, pluralism, creolization, and the globalization of differences. A transit-culture, inhabited by the flaneur and the nomad, is supposed to have replaced citizenship in a nation. At the same time, there can be no doubt that the experience of those writers, artists and intellectuals who were driven out of Germany and Europe by the Nazis was in many ways unique. This book...
Women Against Napoleon
Although Prussia's beloved Queen Luise and the Swiss-born aristocrat and writer Germaine de Staël were Napoleon Bonaparte's best-known female opponents, women's discontent with Napoleon and the Napoleonic wars was more widespread--and vocal--than once assumed. Women against Napoleon expands our awareness of the range of women's responses to the despot by presenting an international spectrum of female opposition, including contemporary letters, diaries, and published writings, as well as historical fiction of the twentieth century. By setting these materials together, this volume forges new links between literary, historical, and gender scholarship.
How to Do Things with Narrative
This volume combines narratological analyses with an investigation of the ideological ramifications of the use of narrative strategies. The collected essays do not posit any intrinsic or stable connection between narrative techniques and world views. Rather, they demonstrate that world views are inevitably expressed through highly specific formal strategies. This insight leads the contributors to investigate why and how particular narrative techniques are employed and under what conditions.
Everyday Life as Alternative Space in Exile Writing
This book is the first comparative study of the novels written by five German-speaking women - Anna Gmeyner, Selma Kahn, Hilde Spiel, Martina Wied and Hermynia Zur Mühlen - who had to flee National Socialist Central Europe. Gmeyner, Spiel, Wied and Zur Mühlen found refuge in Britain and thus added - together with male colleagues such as Stefan Zweig and Robert Neumann - an important but rarely investigated new dimension to the British literary landscape. The aim of this study is to reassess the women refugee writers' narrative strategies and integrate their work within feminist literary studies. The author investigates the five writers' narrativisation of everyday life, used to subvert the dominant discourse, and their portrayal of the intersection between class, racial and gender oppression. She also shows their innovative ways of picturing the gendered tension between the experiences of exile and exile as a modernist metaphor as well as their search for ways to refute the Nationalist Socialist rewriting of history. The book situates the novels within the theoretical discussions surrounding exile studies, social history and women's writing.
The Proletarian Dream
The proletariat never existed—but it had a profound effect on modern German culture and society. As the most radicalized part of the industrial working class, the proletariat embodied the critique of capitalism and the promise of socialism. But as a collective imaginary, the proletariat also inspired the fantasies, desires, and attachments necessary for transforming the working class into a historical subject and an emotional community. This book reconstructs this complicated and contradictory process through the countless treatises, essays, memoirs, novels, poems, songs, plays, paintings, photographs, and films produced in the name of the proletariat. The Proletarian Dream reads these for...
