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An authoritative yet highly readable monograph on one of Britain's rarest yet most spectacular breeding birds, the Golden Oriole. One of Britain's rarest breeding birds, the Golden Oriole is also one of its most charismatic. Females are a vivid green, while the males of this species are a stunning yellow and black, with an extraordinary and unforgettable song. A long-distance migrant, the orioles return to breed in early May at just a few sites, almost all of which are in Suffolk. Jake Allsop and Paul Mason's The Golden Oriole looks in detail at the biology of this spectacular species, with sections on breeding biology, feeding ecology, evolution, population dynamics, mimicry, migration and ...
All the World’s a Stage: Theorizing and Producing Blended Identities in a Cybercultural World explores the extent to which cyber and “real” selves increasingly overlap, intersect, and entwine. As the quotation from Shakespeare indicates, the question of the roles we play in society and their relation to our self is not new; however, the rise of cyberculture has further complicated the relationship between our sense of self and our social roles, because it provides more opportunities to adopt new or changed identities. Some contributors to this volume welcome the complexities of the self that cyberculture has engendered, and explore changes in morality, community, and identity. Others acknowledge the negative effects of such performative identities, questioning what we lose by constructing ourselves so constantly in response to a virtual audience. Nevertheless, cyberculture is now “real” culture, and coming to terms with who we are online increasingly determines who we are altogether.
This second edition of The Routledge Companion to Digital Journalism Studies offers a truly global and groundbreaking collection of essays addressing the key issues and debates shaping the field of digital journalism studies today. Journalism has arguably faced unprecedented disruption and reconceptualization since the first edition of this Companion was published. Questions over what role journalism and journalists play in society are pervasive, and changes to platforms, products, practices, and audiences are among the forces driving a new research agenda in the field. This newly reorganized second edition addresses developments in technologies, data infrastructures, algorithms, and the bus...
This interdisciplinary collection of papers explores the question of identity and its interaction with digital technologies, online platforms and, primarily, new media.
This volume was first published by Inter-Disciplinary Press in 2014. Cyberculture and cyberspace have become part of our realities. This is an inescapable fact. Their digital technologies have come to underpin many aspects of our lives, our history, and our future. Already, these technologies exert considerable influence upon the institutions and structure of our societies, including those that define our concepts of art and aesthetics, our social interactions, societal and individual remembrance, even how we govern and are governed. Cyberculture’s ubiquity raises questions of our concepts of being and aloneness. Can we experience solitude if we are all connected? Will the natural state of being soon be ‘always on, always connected?’ To remember everything, is it a blessing or a curse? Is the promise of digital ‘immortality’ possible or even desirable? When do we cease mourning, if the dead are memorialized in digital perpetuity? Within this volume is a collection of essays from an international group of scholars, artists, and practitioners who address these and other questions about our future, looking at where we have come in our past.
This comprehensive handbook critically addresses current issues and achievements in the field of media branding. By discussing media branding from different viewpoints, disciplines and research traditions, this book offers fresh perspectives and identifies areas of interest for further research. The authors highlight the peculiarities of this field and reveal links and commonalities with other areas of study within communication science. The chapters address different research areas, such as society-, content-, management-, audience- as well as advertising aspects of media brands. This handbook thus brings together contributions from different areas making it a valuable resource for researchers and experts from industry interested in media branding.
This book makes an important contribution to cultural analysis by opening up the work of two canonical authors to issues of exile and migration. Barbara Straumann's close reading of selected films and literary texts focuses on Speak, Memory, Lolita, The Real Life of Sebastian Knight, Suspicion, North by Northwest and Shadow of a Doubt and explores the connections between language, imagination and exile. Invoking psychoanalysis as the principal discourse of dislocation, the book not only uses concepts such as 'screen memory', 'family romance', 'fantasy' and 'the uncanny' as hermeneutic foils, it also argues that, in their own ways, the arch-parodists Hitchcock and Nabokov are remarkably in tune with the images and tropes developed by Freud.
This volume was first published by Inter-Disciplinary Press in 2011. Cultural Cyborgs: Life at the Interface is a collection of essays arising from the 6th Global Conference on Cybercultures: Exploring Critical Issues, held as a part of Cyber Hub activity in Prague, Czech Republic in March 2011. The papers explore the augmented lives of people, communities and society at the interface between cyberspace and ‘real space.’ This edge between realms allows for cultural hybridisation, which can enhance the lives, relationships and understanding of those who actively engage. However, this augmentation has far reaching implications not only for the lives of the cultural cyborgs, but also for th...
This volume was first published by Inter-Disciplinary Press in 2013. At present cyberculture is a dominating cultural paradigm and nothing seems to be able to replace it. We globally share the same cyberspace but there is a question whether we all together–the whole humankind–are really living in the same cyberculture? This book proves that we rather tend to define the contemporary state of culture as cybercultures. The process of spreading technologies, trends and ideas is not the same in all parts of the world. The varying speeds of this process and cultural diversity of its forms are created by different social, political, economic and cultural contexts. By representing different perspectives the authors depict a wide spectrum of the most important current problems connected with networked life, global sharing of data, loss of privacy, new meanings of community and developments in narrative structures and social behaviours arising from new communication possibilities, instantaneity of information and global viral sensitivity.