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Representing the "good German" in Literature and Culture After 1945
Essays analyzing postwar literary, cultural, and historical representations of "good Germans" during the Second World War and the Nazi period. In the aftermath of the Second World War, both the allied occupying powers and the nascent German authorities sought Germans whose record during the war and the Nazi period could serve as a counterpoint to the notion of Germans asevil. That search has never really stopped. In the past few years, we have witnessed a burgeoning of cultural representations of this "other" kind of Third Reich citizen - the "good German" - as opposed to the committed Nazi or genocidal maniac. Such representations have highlighted individuals' choices in favor of dissenting...
Sisters
Harlot, pious martyr, marriage breaker, obedient sister, prophetess, literate woman, agent of the devil, hypocrite. These are some qualifications of the image of Anabaptist/Mennonite women, from a wide array of perspectives. Over the ages they became both negative and positive stereotypes, created by either opponents or sympathizers, as a means of demonizing or promoting the dissident, radical free church movement. This volume explores the characteristics, backgrounds and effects of the collective perceptions of Anabaptist/Mennonite women, as well as their self-understanding, from the sixteenth into the nineteenth centuries, in a variety of case studies. This is not a gender study in the traditional sense. The theory of imagology sets the stage for the interpretation of the image of the European Mennonite sisters, acting within their religious, moral, cultural and social landscapes of Austria, Belgium, Germany, the Netherlands, Poland, Switzerland, and the Ukraine (tsarist Russia).
Ireland's Helping Hand to Europe
Post-war Marshall Plan aid to Europe and indeed Ireland is well documented, but practically nothing is known about simultaneous Irish aid to Europe. This book provides a full record of the aid – mainly food but also clothes, blankets, medicines, etc. – that Ireland donated to continental Europe, including France, the Netherlands, Hungary, the Balkans, Italy, and zones of occupied Germany. Starting with Ireland’s neutral wartime record, often wrongly presented as pro-German when Ireland in fact unofficially favoured the western Allies, Jerome aan de Wiel explains why Éamon de Valera’s government sent humanitarian aid to the devastated continent. His book analyses the logistics of col...
Tracing German Visions of Eastern Europe in the Twentieth Century
Reconsidering the German tendency to define itself vis-à-vis an eastern "Other" in light of fresh debate regarding the Second World War, this volume and the cultural products it considers expose and question Germany''s relationship with its imagined East.Germany has long defined itself in opposition to its eastern neighbors: its ideas around cultural prestige and its expressions of xenophobia seem inevitably to return to an imagined eastern "Other." Central to the consideration of such projections is the legacy of the Second World War, the subject of fresh debate since 1989: after four decades of political antagonism and cultural disjuncture, the events of the war on the Eastern Front have ...
Gestural Imaginaries
Gestural Imaginaries offers a new interpretation of European modernist dance by addressing it as guiding medium in a vibrant field of gestural culture that ranged across art and philosophy.
Irish Cultures of Travel
This book analyses travel texts aimed at the emergent Irish middle classes in the long nineteenth century. Unlike travel writing about Ireland, Irish travel writing about foreign spaces has been under-researched. Drawing on a wide range of neglected material and focusing on selected European destinations, this study draws out the distinctive features of an Irish corpus that often subverts dominant trends in Anglo-Saxon travel writing. As it charts Irish participation in a new ‘mass’ tourism, it shows how that participation led to heated ideological debates in Victorian and Edwardian Irish print culture. Those debates culminate in James Joyce’s ‘The Dead’, which is here re-read through new discursive contextualizations. This book sheds new light on middle-class culture in pre-independence Ireland, and on Ireland’s relation to Europe. The methodology used to define its Irish corpus also makes innovative contributions to the study of travel writing.
Cultural Responses to the Far Right in Contemporary Germany
Against the backdrop of an insurgent far right and numerous deadly neo-Nazi attacks, various cultural practitioners have written far-right violence into Germany’s collective memory and imagined more inclusive futures in its wake. This volume explores contemporary examples from literature, music, theatre, film, television and art that respond to this situation. They demonstrate that, alongside the ways in which art expands the public sphere in terms of what is said and who is heard, aesthetic questions of how artistic works are presented are a crucial part of how they open up new perspectives.
Performing the Local and the Global
This book explores the interplay between global and local influences in theatre festivals in the German-speaking border region around Lake Constance. Whilst opening up a fascinating yet under-researched theatre region to academic study, it also provides much-needed empirical grounding for often vague theories of place, globalisation and culture. Do we really live in a 'shrinking world' dominated by a homogenising global culture industry, or are we experiencing the revival of 'local particularism'? To what extent is an apparently place-dependent cultural form such as theatre affected by the processes of cultural globalisation? Through detailed analysis of theatrical case studies from Lake Con...
No Better Home
No Better Home? brings together a unique combination of voices to question whether or not Canada is the best home that Jews have ever had.
Border Poetics in German and Polish Literature
Examines how contemporary German and Polish novels reimagine borderlands as cosmopolitan spaces by engaging in border poetics, a narrative practice that relates political borders to figurative boundaries.Globalization notwithstanding, we live in an age of borders, as the ongoing conflict at Europe's eastern edge reminds us. Borders are meant to protect, but they more often divide and exclude. This book, however, focuses on literature that pushes back against the divisiveness of borders, advocating for transborder connections and criticizing exclusionary boundaries. It examines novels that reimagine past and present German-Polish borderlands as cosmopolitan spaces. Novels by Nobel Prize winne...
