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Combines the techniques of fiction and nonfiction in order to tell the story of the love between Susette Gontard ("Diotima") and the poet Friedrich Holderlin.
Idealism without Absolutes offers an ambitious and broad reconsideration of Idealism in relation to Romanticism and subsequent thought. Linking Idealist and Romantic philosophy to contemporary theory, the volume explores the multiplicity of different philosophical incarnations of Idealism and materialism, and shows how they mix with and invade each other in philosophy and culture. The contributors discuss a wide range of major figures in the long Romantic period, from Kant and Hegel to Nietzsche, as well as key figures defining the contemporary intellectual debate, including Freud, Heidegger, Adorno, Lyotard, Derrida, de Man, and Deleuze and Guattari. While preserving the significance of the historical period extending from Kant to the early nineteenth century, the volume gives the concept of Romantic culture a new historical and philosophical meaning that extends from its pre-Kantian past to our own culture and beyond.
Hölderlin (1770-1843) is the magnificent writer whom Nietzsche called 'my favourite poet'. His writings and poetry have been formative throughout the twentieth century, and as influential as those of Hegel, his friend. At the same time, his madness has made his poetry infinitely complex as it engages with tragedy, and irreconcilable breakdown, both political and personal, with anger and with mourning. This study gives a detailed approach to Hölderlin's writings on Greek tragedy, especially Sophocles, whom he translated into German, and gives close attention to his poetry, which is never far from an engagement with tragedy. Hölderlin's writings, always fascinating, enable a consideration o...
Exposes the core of tragic absolutes in German Romantic and Idealist philosophy.
In 1974, thirty-year-old philosopher and translator David Farrell Krell began corresponding and meeting with Martin Heidegger and Hannah Arendt. Years later, he would meet Jacques Derrida and, through many letters and visits, come to know him well. Drawing on unpublished correspondence and Krell's warmly told personal recollections, Three Encounters presents an intimate and highly insightful look at the lives and ideas of three noted philosophers at the peak of their careers. Three Encounters offers a chance for readers to encounter these three great philosophers and their ideas, not merely through the lens of their biographies, but as "people" we come to know through their personal correspondence and Krell's recollections. Three Encounters demonstrates the intertwining of thought and lived experience.
The Cudgel and the Caress explores the enduring significance of tenderness and cruelty in a range of works across philosophy, psychoanalysis, and literature. Divided into two parts, the book initially focuses on tenderness, with David Farrell Krell delivering original readings of Homer's Iliad, Sophocles's Antigone, and writings by Hölderlin, Hegel, Freud, and Derrida that deal with the importance of tenderness and the tragic consequences of its absence. Part One concludes with an extended reading of Robert Musil's Man Without Qualities, in which Krell analyzes the tender relationship between Ulrich and Agathe. In Part Two, Krell begins by examining Otto Rank's Birth Trauma, which reflects on the tenderness of gestation in the womb and the cruel necessity of birth. He then turns to an examination of cruelty in general, focusing on Derrida's challenge to contemporary psychoanalysis, his opposition between Kant and Nietzsche, and his analysis (and indictment) of the death penalty. Groundbreaking and insightful, the book provides a rare philosophical treatment of subjects vital to the world we live in.
The definitive scholarly edition and new translation of all three versions of Hölderlin’s poem, The Death of Empedocles, and his related theoretical essays.
In the winter of 1801–02, Friedrich Hölderlin traveled more than one thousand kilometers from his home near Stuttgart to Bordeaux, partly on foot, partly by post coach. It took him two months. Then, after four months serving as a tutor, he inexplicably decided to return home. Not long after he set out, his coach was held up by highwaymen, and, with no money, he had to walk the rest of the way. By the time he arrived, he was so disheveled and disoriented his friends did not recognize him. Though Hölderlin was just thirty-two years old, the trip marked the beginning of the end of his active life as one of Germany's greatest poets and thinkers. With more than sixty black-and-white photographs by the author and eighteen historical route maps, Struck by Apollo follows Hölderlin to Bordeaux and back and beyond. David Farrell Krell retraces the journeys in striking detail, reflecting on their significance for Hölderlin's life and work in ways that will interest a wide swath of fellow thinkers and travelers.
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In this entirely unique approach to the life of Friedrich Hölderlin, The Recalcitrant Art combines the techniques of fiction and nonfiction as it examines the love between the poet and Susette Gontard ("Diotima"). On the left-hand or verso pages of the book appear Susette Gontard's letters, presented here in English translation for the first time, with an introduction and afterword by Douglas F. Kenney. On the right-hand or recto pages appear Sabine Menner-Bettscheid's scholarly responses to Kenney and fictional responses to Susette. Menner-Bettscheid gives life to an entire series of voices: Hölderlin's pious mother, Susette's calculating husband, Jacob, the Gontard's oldest child, Henry, the popular novelist Sophie LaRoche, and the Greek gardener and rabbit-keeper at the Gontard's summer home in Frankfurt all come to be heard. Douglas F. Kenney, by contrast, sticks to historical documentation and literary analysis.