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A billionaire stock investor with a dragon-sized ego finds himself in an outrageous pickle when an eccentric entrepreneur approaches him to invest in his company which makes a revolutionary new product–NOTHING. While the billionaire dismisses him with 1 lakh rupees to seek psychiatric help, the entrepreneur instead uses the money to start manufacturing NOTHING, assigning him a stake in the company as a sign of gratefulness. Caught in a precarious situation, the billionaire must now debate the validity of the stake he has unintentionally picked up in the company as it becomes more and more valuable each day with everyone from politicians to filmstars to aam aadmis parading the power of Nothing. Things escalate into a circus when another company sues for what they believe is a blatant patent plagiarism of their original idea. Rambunctious, packed with tons of sarcasm, spoofs, and sketches, How to Become a Billionaire by Selling Nothing looks at the inherent madness of human nature and the ridiculous lengths people go to while doing business.
Making the case for a new kind of visual history, The Goddess and the Nation charts the pictorial life and career of Bharat Mata, “Mother India,” the Indian nation imagined as mother/goddess, embodiment of national territory, and unifying symbol for the country’s diverse communities. Soon after Mother India’s emergence in the late nineteenth century, artists, both famous and amateur, began to picture her in various media, incorporating the map of India into her visual persona. The images they produced enabled patriotic men and women in a heterogeneous population to collectively visualize India, affectively identify with it, and even become willing to surrender their lives for it. Fil...
The volume takes us through a historical excursus into the various ports and docks that crisscrossed the littoral and contributed to the augmentation of Mumbai and its trading profile.
YOJANA is a monthly journal devoted to the socio-economic issues. It started its publication in 1957 with Mr. Khuswant Singh as the Chief Editor. The magazine is now published in 13 languages viz. English, Hindi, Urdu, Punjabi, Marathi, Gujarati, Bengali, Assamese, Telugu, Tamil, Kannada, Malayalam and Odia.
This book contests the existence of "judicial independence". It maintains that civil servants, historically and up to the present day, have advanced executive mission-creep and eroded common law principles via their influence over the Judges' Rules.
From a unique and path-breaking online Fiction contest comes this very exciting and wonderful anthology of short Stories - 21 tales to tell. The Notion Press Social Short Story Contest 2014 brought together authors and readers in a wonderful amalgam of Creativity and appreciation, of talent and technology. 500 plus Authors had more than four lakh readers rate their stories on Social media. Offering a new twist to the ever evolving tale of the printed word… So, just breathe in, and let the words run through your veins Amok; let them peel your eyes a bit wider, as you sit back, relax, And enjoy a rollicking ride to places close and distant, in a way you May have never perceived them before. Expect the unexpected as you flip through these pages – and enjoy the ride.
Throughout history, societies have had to decide whom to 'sacrifice' and whom to help in times of disaster. This volume examines how elite groups attempt to maintain power through the use of particular economic, political, and ideological instruments and how both ruling elites and common people endeavor to create meaningful traditions while enduring hardship.The Political Economy of Hazards and Disasters demonstrates how vulnerability is economically constructed, primary producers adapt their production regimes, how traders and merchants adapt their practices, and how political economic objectives play out in recovery efforts.
A fundamental shift is underway that will change how we conceive of value. In an era of increasing interconnectedness, individuals, as opposed to institutions, stand at the center of value creation. To adapt to this tectonic shift, organizations can no longer unilaterally devise products and services. They must engage stakeholders—from customers and employees to suppliers, partners, and citizens at large—as co-creators. Co-creation guru Venkat Ramaswamy and Kerimcan Ozcan call for enterprises to be mindful of lived experiences, to build engagement platforms and management systems that are designed for creative collaboration, and to develop "win more-win more" strategies that enhance our wealth, welfare, and, well-being. Richly illustrated with examples of co-creation in action, The Co-Creation Paradigm provides a blueprint for the co-creative enterprise, economy, and society, while presenting a conceptual framework that will guide organizations across sectors in adopting this transformational approach. Challenging some of our most deeply held ideas about business and value, this book outlines the future of "business as usual."
India’s leading women’s English monthly magazine printed and published by Pioneer Book Co. Pvt. Ltd. New Woman covers a vast and eclectic range of issues that are close to every woman’s heart. Be it women’s changing roles in society, social issues, health and fitness, food, relationships, fashion, beauty, parenting, travel and entertainment, New Woman has all this and more. Filled with quick reads, analytic features, wholesome content, and vibrant pictures, reading New Woman is a hearty and enjoyable experience. Always reinventing itself and staying committed to maintaining its high standard, quality and consistency of magazine content, New Woman reflects the contemporary Indian woman’s dreams just the way she wants it. A practical guide for women on-the-go, New Woman seeks to inform, entertain and enrich its readers’ lives.
For more than two generations of Indians, and cricket fans from elsewhere, Sachin Tendulkar is a name that opened doors and hearts wherever you were on the planet. Even in the days before the social media revolution, Sachin was a truly global icon. It didn’t matter if you were in Sydney or South Africa, Kolkata or Kingston, Sachin’s name was a conversation starter. The teenage wonder who exploded into the global consciousness with his bloodied nose in Pakistan in 1989, before becoming the greatest batting sensation ever, transcended the boundaries of sport. As with Jesse Owens, Ali, Pele and Maradona, Sachin’s role in making Indian cricket a household phenomenon globally can never be u...