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Cobalt Blue
A paying guest seems like a win-win proposition to the Joshi family. He’s ready with the rent, he’s willing to lend a hand when he can and he’s happy to listen to Mrs Joshi on the imminent collapse of our culture. But he’s also a man of mystery. He has no last name. He has no family, no friends, no history and no plans for the future. The siblings Tanay and Anuja are smitten by him. He overturns their lives. And when he vanishes, he breaks their hearts. Elegantly wrought and exquisitely spare, Cobalt Blue is a tale of rapturous love and fierce heartbreak told with tenderness and unsparing clarity.
Cobalt Blue
A paying guest seems like a win-win proposition to the Joshi family. He's ready with the rent, he's willing to lend a hand when he can and he's happy to listen to Mrs Joshi on the imminent collapse of our culture. But he's also a man of mystery. He has no last name. He has no family, no friends, no history and no plans for the future. The siblings Tanay and Anuja are smitten by him. He overturns their lives and when he vanishes, he breaks their hearts. Elegantly wrought and exquisitely spare, Cobalt Blue is a tale of rapturous love and fierce heartbreak told with tenderness and unsparing clarity.
Cobalt Blue
Now a film from Netflix India, this memorable novel confronts issues of sexuality in a changing society through a love triangle between a brother, sister, and their family’s lodger Recently adapted into a stunning Netflix film, Cobalt Blue is a tale of rapturous love and fierce heartbreak told with tenderness and unsparing clarity. Brother and sister Tanay and Anuja both fall in love with the same man, an artist lodging in their family home in Pune, in western India. He seems like the perfect tenant, ready with the rent and happy to listen to their mother’s musings on the imminent collapse of Indian culture. But he’s also a man of mystery. He has no last name. He has no family, no frie...
Routledge Handbook of Indian Cinemas
India is the largest film producing country in the world and its output has a global reach. After years of marginalisation by academics in the Western world, Indian cinemas have moved from the periphery to the centre of the world cinema in a comparatively short space of time. Bringing together contributions from leading scholars in the field, this Handbook looks at the complex reasons for this remarkable journey. Combining a historical and thematic approach, the Handbook discusses how Indian cinemas need to be understood in their historical unfolding as well as their complex relationships to social, economic, cultural, political, ideological, aesthetic, technical and institutional discourses. The thematic section provides an up-to-date critical narrative on diverse topics such as audience, censorship, film distribution, film industry, diaspora, sexuality, film music and nationalism. The Handbook provides a comprehensive and cutting edge survey of Indian cinemas, discussing Popular, Parallel/New Wave and Regional cinemas as well as the spectacular rise of Bollywood. It is an invaluable resource for students and academics of South Asian Studies, Film Studies and Cultural Studies.
Outlook
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The Lights of Pointe-Noire
Finalist for the Man Booker International Prize 2015 Alain Mabanckou left Congo in 1989, at the age of twenty-two, not to return until a quarter of a century later. When at last he comes home to Pointe-Noire, a bustling port town on Congo's south-eastern coast, he finds a country that in some ways has changed beyond recognition: the cinema where, as a child, Mabanckou gorged on glamorous American culture has become a Pentecostal temple, and his secondary school has been re-named in honour of a previously despised colonial ruler. But many things remain unchanged, not least the swirling mythology of Congolese culture which still informs everyday life in Pointe-Noire. Mabanckou though, now a decorated French-Congolese writer and esteemed professor at UCLA, finds he can only look on as an outsider at the place where he grew up. As he delves into his childhood, into the life of his departed mother and into the strange mix of belonging and absence that informs his return to Congo, Mabanckou slowly builds a stirring exploration of the way home never leaves us, however long ago we left home.
Helen
Presents a study of the phenomenon that was Helen. Why did the refugee of French-Burmese parentage succeed so enormously in Bollywood?
Howling at the Moon
In her debut poetry collection, Darshana Suresh explores what it means to be alive, and how hurting and healing can often be overwhelmingly intertwined. She does not write about recovery. Instead, she writes about carrying on until you are ready to recover. -- CELESTIAL BODIES is the study of poetry as body; of gleaning words from stars. The series aims to entice and encompass, to invite the reader to enter their orbit, to begin anew.
The Scapegoat
An engrossing and richly panoramic novel from a major new writer, based on a true story... In 1948, the body of an American journalist is found floating in the bay off Thessaloniki. A small-time Greek journalist is tried and convicted for the murder...but when he's released twelve years later, he claims his confession was the result of torture. Flash forward to contemporary Greece, where a rebellious young high school student is given an assignment for a school project: find the truth. And as he begrudgingly takes it on, he begins to make a startling series of gripping discoveries--about history, love, and even his own family's involvement. Based on the real story of famed CBS reporter Georg...
Alms in the Name of Blind Horse
Alms in the Name of a Blind Horse (Anhe Ghore Da Daan) is a modern classic that derives its title from an ancient myth associated with the Churning of the Ocean, in which Lord Vishnu had been less than fair in his dispensation to the Asuras, supposedly the progenitors of latter-day Dalits. Through this novel, Gurdial Singh emphasizes that just as the Asuras had to depend upon the arbitrary dispensation of the Lord, in the same way the modern Dalits have to depend on the mercy and compassion of the village overlords. On the day of the lunar and solar eclipse, they still go around asking for the alms in the name of the blind horse. The events of this novel are confined to one such day of lunar eclipse in the lives of its characters. Often it is believed that poor, landless and marginalized characters such as Melu, his bapu, his Chacha Partapa, etc. lead banal and uneventful lives, which are not even worthy of a description, let alone artistic treatment. Exploding this myth, Gurdial Singh has created this 'whirlpool of a novella' around unending spate of events that enmesh hapless lives of its characters, all in course of a single day.
