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Derek Walcott Prize for Poetry Winner Julie Suk Award Winner Nigeria Prize for Literature shortlist Your Crib, My Qibla interrogates loss, the death of a child, and a father’s pursuit of language able to articulate grief. In these poems, the language of memory functions as a space of mourning, connecting the dead with the world of the living. Culminating in an imagined dialogue between the father and his deceased daughter in the intricate space of the family, Your Crib, My Qibla explores grief, the fleeting nature of healing, and the constant obsession of memory as a language to reach the dead.
“In this meditative and quietly lyrical approach, Chielozona Eze marks himself in this new African poetics not as a voice of easy protest, not as the voice of a bombast and rhetorical turn, but as the voice of an African poet in the twenty-first century trying to make sense of all the hunger, anger, war, loss, and desecration that has haunted his life and the lives of many Africans but remains always poised on that tender grace, that ease of dance, that transubstantiation that works an alchemy that is not about the outcome but always about the struggle, the engagement, and the terms thereof.” Chris Abani, Board of Trustee Professor of English, Northwestern University “This collection is a fitting memorial to a war still unatoned for and its accompanying sense of bereavement and lack of closure. In tune with a pervasive sense of loss and quiet recollection, the poems are meditative, packing a punch in their ambling profundity; Chielozona Eze does not blame; he speaks of introspection and love.” Amatoritsero Ede, Publisher & Managing Editor, Maple Tree Literary Supplement
This inspiring collection, curated by the host of the Poetry Unbound, presents fifty poems about what it means to be alive in the world today. Each poem is paired with Pádraig’s illuminating commentary that offers personal anecdotes and generous insights into the content of the poem. Engaging, accessible and inviting, Poetry Unbound is the perfect companion for everyone who loves poetry and for anyone who wants to go deeper into poetry but doesn’t necessarily know how to do so. Contributors include Hanif Abdurraqib, Patience Agbabi, Raymond Antrobus, Margaret Atwood, Ada Limón, Kei Miller, Roger Robinson, Lemn Sissay, Layli Long Soldier and more.
"Chatora gives us an honest account of the migrant's experiences in a world that seeks to silence him. Diaspora Dreams is simultaneously suffocating and isolating. Battle after battle, the reader is constantly thrown into the unforgiving world of a black man in a white man's world." - Tariro Ndoro, Author Agringada: Like a Gringa, Like a Foreigner. Diaspora Dreams is Andrew Chatora's debut novella. It details the life and struggles of Kundai Mafirakureva, a Zimbabwean immigrant living in the United Kingdom. When Kundai departs a failing Zimbabwe for the greener pastures of England, he is convinced that his luck will immediately change. Yet what he finds in the UK convinces him that all that ...
Derek Walcott Prize for Poetry Winner Julie Suk Award Winner Nigeria Prize for Literature shortlist Your Crib, My Qibla interrogates loss, the death of a child, and a father's pursuit of language able to articulate grief. In these poems, the language of memory functions as a space of mourning, connecting the dead with the world of the living. Culminating in an imagined dialogue between the father and his deceased daughter in the intricate space of the family, Your Crib, My Qibla explores grief, the fleeting nature of healing, and the constant obsession of memory as a language to reach the dead.
Having produced five volumes of poetry, with a vision conscious of nationhood, Raji has become a stable dependable and enduring voice in recent Nigerian poetry. A poet with a consummate political theme, Raji sees versification as an engagement in the socio-political discourse of his land, aimed at forging a just nation.
Obama-Mentum is a collection of poems that respond to the emergence in 2008 of Barack Hussein Obama as President of the United States. From Obama’s declaration at the Old Capitol in Springfield to contest, to his historic inauguration as President, this anthology captures people’s experiences and emotions in words, rythm and performance. Poets from around the world and a some debut poets express their aspirations and expectations in a transformational presidency. 63 poems are included.
As one of the most important Nigerian poets who continue to write the nation in verse, Yeibo, in this fifth collection of poems, has strategically fashioned a kind of poetry that does not only derive its idiom from the prosody and folk tradition of the Izon of Nigeria, it equally advances the poet’s vision through form and structure. His recourse to folklore and reliance on oral materials in the image making process gives coherence and form to the poems. However, what distinguishes this collection from the previous ones is the question of the form through which he demonstrates an intense awareness of the Nigerian experience.
Songs of Myself: Quartet is deeply rooted in the indigenous African poetic tradition. The great udje poets first composed songs paying tribute to the god of songs, followed by songs of self-exhortation,and then songs mocking themselves before satirizing others. This collection incorporates some of these aspects of the oral poetic genre in its four-part structure. It deals with self-examination and the minstrel’s alter-ego as a way of attempting to know himself. So, there is self-mockery that justifies mocking others. The four parts of the collection are: “Pulling the Thread of the Loom,” “Songs of Myself,” “Songs of the Homeland Warrior,” and “Secret Love and Other Poems.”
The digital space provides a new avenue to move literature beyond the restrictions of book publishing on the continent. Arguing that writers are putting their work on cyberspace because communities are emerging from this space, and because increasing numbers of Africans use the internet as part of their day-to-day engagement with their societies and the world, Shola Adenekan explores this transformative development in Nigeria and Kenya, both significant countries in African literature and two of the continent's largest digital technology hubs. Queer Kenyans and Nigerians find new avenues for their work online where print publishers are refusing to publish short stories and poems on same-sex ...