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A look at the cultural, or intercultural, exchange that took place in the Silk Roads and the role this has played in the shaping of cultures and civilizations.
The Study Is Organized In 10 Chapters - Introduction - Breeding Grounds Of Jihad - Double Speak - Origins Of Jihad In Kashmir - Dividing Jihad To Control It - Profiles Of Jihadis - Recruitment, Training And Spread - Casualities In Jihad - Funding - The Coming Revolution - Index.
South Asian religious art became codified during the Kuṣāṇa Period (ca. beginning of the 2nd to the mid 3rd century). Yet, to date, neither the chronology nor nature of Kuṣāṇa Art, marked by great diversity, is well understood. The Kuṣāṇa Empire was huge, stretching from Uzbekistan through northern India, and its multicultural artistic expressions became the fountainhead for much of South Asian Art. The premise of this book is that Kuṣāṇa Art achieves greater clarity through analyses of the arts and cultures of the Pre- Kuṣāṇa World, those lands becoming the Empire. Fourteen papers in this book by leading experts on regional topography and connective pathways; interregional, multicultural comparisons; art historical, archaeological, epigraphic, numismatic and textual studies represent the first coordinated effort having this focus.
DNA genealogy is a new field of science which considers patterns of mutations, which are different in different human lineages, in the DNA of present-day humans and of our ancient ancestors. Since the DNA is often preserved in ancient excavated bones, including those in archaeological burials, and can be recovered and studied, this approach allows us to compare the mutation patterns in the course of centuries and millennia. This in turn provides us with a knowledge of how often the mutations occur, that they are gradually changed over centuries and millennia, and, hence, calibrate the rate of mutations in various sites of the DNA in terms of time. In other words, it gives us a “molecular t...
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This book explores the ways in which past cultures have been used to shape colonial and postcolonial cultural identities. It provides a theoretical framework to understand these processes, and offers illustrative case studies in which the agency of ancient peoples, rather than the desires of antiquarians and archaeologists, is brought to the fore.
Volume Three offers 1643 annotated records on publications regarding the art and archaeology of South Asia, Central Asia and Tibet selected from the ABIA Index database at www.abia.net which were published between 2002 and 2007.