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The hit "one man vigilante" action-adventure series of the 1960s, "The Saint" has had a fascinating history on both the film and television screen. Based on Leslie Charteris's best-selling short stories about a "modern-day Robin Hood", "The Saint" was adapted for television in 1962 for seven years (118 episodes) in over 64 countries. Simon Templar, a.k.a. The Saint, was portrayed by Roger Moore in the television series and Val Kilmer in the 1996 major motion picture.
Simon Templar is the Saint - daring, dazzling, and just a little disreputable. On the side of the law, but standing outside it, he dispenses his own brand of justice one criminal at a time In three more classic tales, the Saint continues to push his luck in his own inimitable style. The Story of a Dead Man sees the Saint in a more mundane line of work - running an office and writing letters to the editor - until Inspector Teal comes to investigate the mysterious Mr Vanney and the Saint's real intentions come to light. In The Impossible Crime, a bored Saint tackles a most unlikely mystery: a man who has somehow been shot in a locked room. And in The National Debt Simon Templar stumbles across a remote Welsh inn where a series of strange things is happening... another job for the Saint!
The now legendary character created by Leslie Charteris has survived nearly three-quarters of a century of perilous action and narrow escapes with nary a hair out of place nor the slightest jolt to his jauntily tipped halo. From his earliest days battling "crooks, blood suckers, traders in vice and damnation" (and cracking the occasional safe on the side), the Saint has captured the imaginations of millions. Using the voluminous correspondence and writings of author Leslie Charteris and examining the many incarnations of Simon Templar, alias "The Saint," in other media, a detailed history emerges. Includes plot synopses of the radio and television programs, with air dates and production credits; descriptions of the movies and their credits; a bibliography, reviews of the books, and quotes from the principals.
In Prohibition-era New York, criminals rule the city: the gangsters do what they like, and pay the judges for the privilege; the few honest cops are helpless; and above them all the Big Fellow pulls the strings. With that many sinners, cleaning up the town will take a Saint... Simon Templar is a long way from home, and facing great danger from directions both expected and entirely unforeseen. But he promised to do the job; and a saint never goes back on his word.
Mystery.
This collection of essays examines landmark British television programs of the last forty years, from Doctor Who to The Office, and from The Demon Headmaster to Queer As Folk. Contributions from prominent academics focus on the full range of popular genres, from sitcoms to science fiction, gothic horror and children's drama, and reconsider how British television drama can be analyzed. This book will be of interest to students and researchers in many academic disciplines that study television drama.
Eccentric, ironic and fantastic series like The Avengers and Danger Man, with their professional secret agents, or The Saint and The Persuaders, featuring flamboyant crime-fighters, still inspire mainstream and cult followings. Saints and Avengers explores and celebrates this television genre for the first time. Saints and Avengers uses case studies to look, for example, at the adventure series' representations of national identity and the world of the sixties and seventies. Chapman also proves his central thesis: that this particular type of thriller was a historically and culturally defined generic type, with enduring appeal, as the current vogue for remaking them as big budget films attests.
This work indexes books, dissertations and journal articles that mention television shows. Memoirs, autobiographies, biographies, and some popular works meant for fans are also indexed. The major focus is on service to researchers in the history of television. Listings are keyed to an annotated bibliography. Appendices include a list of websites; an index of groups or classes of people on television; and a list of programs by genre. Changes from the second edition include more than 300 new shows, airing on a wider variety of networks; 2000-plus references (more than double the second edition); and a large increase in scholarly articles. The book provides access to materials on almost 2300 shows, including groundbreaking ones like All in the Family (almost 200 entries); cult favorites like Buffy: The Vampire Slayer (200-plus entries); and a classic franchise, Star Trek (more than 400 entries for all the shows). The shows covered range from the late 1940s to 2010 (The Walking Dead). References range from 1956 to 2013.
"Meet the Tiger" by Leslie Charteris: Classic mystery thriller introducing The Saint. "Meet the Tiger" marks the debut of Leslie Charteris's iconic character, Simon Templar, also known as The Saint. This gripping mystery thriller falls within the genre of detective fiction and introduces readers to the suave and resourceful anti-hero who would go on to become one of the most beloved figures in crime literature. Set against the backdrop of 1920s London, the novel follows Templar as he embarks on his first adventure, unraveling a complex web of intrigue and deception. With his sharp wit, cunning intellect, and unyielding sense of justice, The Saint navigates the seedy underbelly of the city, c...
This is the first comprehensive investigation of British television police series from 1955 to the present. It reveals how the popular genre has developed along stylistic, thematic and philosophical lines, simultaneously providing a socio-political history of British class, culture and gender.