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She wants to kill the man whom others call God. However, love unwittingly becomes an obstacle in her sworn path. With her father's death shattering her world, Mauri is torn away from everything she had once loved. Anger has replaced every emotion within her, and she seeks only one thing-to kill her father's killer. Even if the man is none other than Krishna Vaasudeva, the man whom people worship as God. Someone is standing in the way though, reining in her bitterness when she is least prepared for it-the rakshasa prince Ghatotkacha! But by the time love sprouts within her, Mauri has gone too far in her thirst for vengeance and has endangered Kamarupa, the high seat of the Supreme Goddess. Does Ghatotkacha realise the true intentions of his lover? Can Mauri fight her own monsters and defend the temple? Can she save herself and Ghatotkacha before both their worlds are destroyed? Can Mauri fight her own monsters and defend the temple? Can Mauri save herself and Ghatotkacha before both their worlds are destroyed?
Ever wondered what made Lord Krishna marry the 16,100 women held captive by a demon? Of these prisoners, one was Princess Abhaya Dhaarmaseni, and this is the story of her adventures through the Mahabharata. The princess of a little-known kingdom in western Bharatavarsha, Abhaya's idyllic life is thrown into disarray owing to the run-up to the Rajasuya announced by King Yudhishtira of Indraprastha. The only hope is her friend Krishna Vaasudeva of Dwaraka. But there is a greater danger lurking in eastern Bharatavarsha. Lord Bhauma of Kamarupa (who later is infamously known as Narakasura) plots to use religion to extend his dominion that wrecks Abhaya's kingdom and kills her father. What is Bhauma's plan? How does a lone princess stand up against this sinister zealot? Caught up in the larger hustle of the Rajasuya, can Krishna reach her on time to prevent the disaster?
Long before the times of Draupadi and Sita Immortalised in the hymns of the Rig Veda But forgotten to the memory of India Was the warrior queen with an iron leg, Vishpala. Brought up in the pristine forest school of Naimisha, Avishi reaches the republic of Ashtagani in search of her destiny. When Khela, the oppressive king of the neighbouring Vrishabhavati, begins to overwhelm and invade Ashtagani, Avishi rises to protect her settlement but at a high cost. Separated from her love, her settlement broken, with a brutal injury needing an amputation of her leg, what can Avishi do to save herself? Will her disability let her continue to be the warrior that she was? Can she fight Khela and save everything dear to her?
Menstruation across Cultures attempts to provide a detailed review of menstruation notions prevalent in India and in cultures from across the world. The world cultures covered in the book include Indic traditions like Hinduism, Buddhism, Jainism and Sikhism; ancient civilisations like Greece, Rome, Mesopotamia and Egypt; and Abrahamic religions of Judaism, Christianity, and Islam. Two themes of special focus in the book are: Impurity and Sacrality. While they are often understood as being opposed to each other, the book examines how they are treated as two sides of the same coin, when it comes to menstruation. This is especially true in Indic traditions and pre-Christian polytheistic traditi...
Sutradhar is a dramatized retelling of events, myths and legends set across the arc of Indian history. In order to be relevant to the current social climate of India and the World, the stories are written from an authentic, firmly rooted Indic perspective, exploring a wide range of worldviews, sociological schemas and philosophical approaches within the context of the narratives. The seven tales that form this collection span multiple genres, from historical fantasy to cosmic horror, and are often tinged with dark, absurdist undertones. Reviews: "Our stories are the key to the continuity of Indic civilization. By continuously retelling and reinterpreting them for a new generation, we have ke...
Misrakesi comes to the newly-formed Mauryan court with a mission-to avenge the death of her sister. However, an encounter with Chanakya, the man she had planned to kill, sets her on an unexpected path...She lands the highly-coveted job of a spy, masquerading as a dancing girl. In a kingdom fraught with intrigue, Misrakesi must always remain one step ahead. With the help of her handsome but arrogant chief Pushyamitra, she must concoct the perfect blend of sweetness and seduction to vanquish the enemies of the state. But when she is sent to subtly conquer a powerful neighboring kingdom, she might be in for more than what she bargained for. Will she succeed in her mission? Or more importantly, will she even survive to tell the tale? Meticulously researched, this historical page-turner packs in romance, political intrigue, and mystery to make for a racy read.
He was the guru of Bhishma Pitamah... He was the avatar of Vishnu but a disciple of Shiva... And He shall be the martial guru of Kalki, the last Avatar in this Yuga! When the Chandravanshi emperor Arjun began expanding his empire to the entire world, the Asuras hit back with an insidious plan. Caught in the crossfire is Raam, who comes back from his penance tofind 21 arrows piercing his father's body. Raam vows to avenge his death by killing the evil Kshatriyas 21 times starting with Arjun. Thus begins The Legend of Parshuram.
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We have all read Aesop's fables, Jataka tales, and the Panchatantra or Hitopadesha stories. But what about the fables from the Mahabharata? We know about the human characters, but do we know about the clever jackal, the hypocrite swan, the smart mouse, the evil cat, the lazy camel, the arrogant tree, the faithful parrot or the astonishing mongoose in Vyasa's great epic? Vyasa-Katha presents fifty-one fables from the Mahabharata. These fascinating and instructive fables are a treasure-trove of practical and political wisdom, moral values, universal truths and philosophy. Animals, birds, reptiles, fish, insects, trees, rivers, directions, life forces, death and time intriguingly teach ancient Indian wisdom. With vivid descriptions and colourful expressions, the fables exemplify the advanced art of storytelling in ancient India. Author Nityananda Misra contextualises the fables and presents a faithful and unabridged translation. Carrying insights from Nilakantha's commentary and numerous Indian texts, with a beautiful collection of twenty-four illustrations, this is a must-read for children and adults alike.
‘Takes the Malayalam novel to new heights and fresh possibilities’ HINDU What makes us human? Twelve people accompany an anthropologist to a deserted island, cutting off all relations with the outside world. There, an experiment begins. They are not to use any known languages and must begin anew – to explore and find out if they can achieve in twenty-five years what humanity has achieved over generations. Twenty-five years later, only three of the thirteen have survived. As these three survivors recount their tale, what emerges is a story of humanity returned to its primitive roots, bereft of attachment, and not nearly as utopian as was expected. Award-winning writer T. D. Ramakrishnan’s debut novel, translated for the first time to English, explores through a powerfully imaginative conceit the meaning of relationships, attachments, love, hate and anger. Above all, it seeks to answer the question: what does it mean to be human?