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When her husband refused to return their children, and the Australian government and Lebanese justice system couldn't help, Sally Faulkner flew across the world with a television news crew to try to bring them home herself. This is her story. This is for Lahela and Noah. All for My Children is Sally Faulkner's unforgettable true story, showing how one Australian mother's life fractured in the moment she kissed her kids goodbye. This is a book Sally had to write, because it is the only way her children Lahela and Noah will know she never stopped trying to bring them home. In May 2015, Sally hugged her children as they left Australia for a two-week holiday to Beirut with their father, Ali Elam...
Middlebrow Cinema challenges an often uninterrogated hostility to middlebrow culture that frequently dismisses it as conservative, which it often is not, and feminized or middle-class, which it often is. The volume defines the term relationally against shifting concepts of ‘high’ and ‘low’, and considers its deployment in connection with text, audience and institution. In exploring the concept of the middlebrow, this book recovers films that were widely meaningful to contemporary audiences, yet sometimes overlooked by critics interested in popular and arthouse extremes. It also addresses the question of socially-mobile audiences, who might express their aspirations through film-watch...
A History of Spanish Film explores Spanish film from the beginnings of the industry to the present day by combining some of the most exciting work taking place in film studies with some of the most urgent questions that have preoccupied twentieth-century Spain. It addresses new questions in film studies, like 'prestige film' and 'middlebrow cinema', and places these in the context of a country defined by social mobility, including the 1920s industrial boom, the 1940s post-Civil War depression, and the mass movement into the middle classes from the 1960s onwards. Close textual analysis of some 42 films from 1910-2010 provides an especially useful avenue into the study of this cinema for the s...
A key decade in world cinema, the 1960s was also a crucial era of change in Spain. A Cinema of Contradiction, the first book to focus in depth on this period in Spain, analyses six films that reflect and interpret these transformations. The coexistence of traditional and modern values and the timid acceptance of limited change by Franco's authoritarian regime are symptoms of the uneven modernity that characterises the period. Contradiction--the unavoidable effect of that unevenness--is the conceptual terrain explored by these six filmmakers. One of the most significant movements of Spanish film history, the 'New Spanish Cinema' art films explore contradictions in their subject matter, yet ar...
After 650 years justices of the peace find themselves at a crossroads. This book looks at the role of one of the UK's oldest institutions in a rapidly changing world.
Child abduction has impacted everyone from royalty to a-list movie stars. It is estimated that every year at least 500 children will be abducted from Australia, overseas. Many more will be abducted within our shores, making Australia one of the highest ranking parent-child abduction hotspots in the world. The Child Snatchers takes an investigative look at some of Australia's more notorious cases. Sally Faulkner, who found herself in a Beirut prison for trying to bring her children back to Australia; The four Vincenti sisters, brought to Australia and returned to Italy under traumatic circumstances; Dorothy Lee Barnett, wanted for abduction by the FBI for 20 years, finally found on the Sunshi...
Part literary mystery, part an examination of what constitutes fiction versus reality, Ghostwriter is based on the true story of author Lawrence Wells, then 45, hired by the University of Mississippi in 1987 to ghostwrite a novel for a wealthy, eccentric donor (“Mrs. F,” then 75), who was convinced that Edward de Vere, 17th Earl of Oxford, was William Shakespeare. Believing herself to be the reincarnation of Queen Elizabeth I, Mrs. F treated ghostwriter Wells as a “captive” Edward de Vere. Their roller-coaster literary collaboration dramatized Elizabeth and de Vere’s romance, which according to legend produced a son (Henry Wriothesley) born in secret. Henry grew up to become the 3r...
Students and film scholars will appreciate this unique volume.
Francisco grew up at McCarroll Place, his familyb2ss ancestral home in Holly Springs, Mississippi, thirty miles north of Oxford. In the conversations with Wolff, he recalls that as a boy he would sit and listen as his father and Faulkner sat on the gallery and talked about whatever came to mind. Francisco frequently told stories to Faulkner, many of them oft-repeated, about his family and community, which dated to antebellum times. Some of these stories, Wolff shows, found their way into Faulknerb2ss fiction. Faulkner also displayed an absorbing interest in a seven-volume diary kept by Dr. Franciscob2ss great-great-grandfather Francis Terry Leak, who owned extensive plantation lands in northern Mississippi before the Civil War. Some parts of the diary recount incidents in Leakb2ss life, but most of the diary concerns business transactions, including the buying and selling of slaves and the building of a plantation home.
Provides an in-depth analysis of Talk to Her, including both the formal elements of the film (its narrative, genre, and auteur study) and the themes and issues it raises.