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Consuming Ancient Egypt examines the influence of Ancient Egypt on the everyday lives of contemporary people, of all ages, throughout the world. It looks at the Egypt tourist sees, Egypt in film and Egypt as the inspiration for opera. It asks why so many books are published each year on Egyptological subjects at all levels, from the austerely academic to the riotous celebrations of Egypt as a land of mystery, enchantment and fantasy. It then considers the ways in which Ancient Egypt interacts with the living world, in architecture, museum going, the acquisition of souvenirs and reproductions, design, and the perpetual appeal of the mummy. The significance of Egypt as an adjunct to (and frequently the subject of) marketing in the consumer society is examined. It reveals much about Egypt's immemorial appeal and the psychology of those who succumb to its magic.
The short story should enlighten, excite and above all, entertain the reader from an early stage. It is the skill of grasping interest from the outset and retaining such that remains the aim of any writer. THE LADY IN BLACK and Other City Tales collects fourteen short stories set in a different city at a time of particular interest in each chosen destinations history. When better to visit Venice than at the time of Casanova (BECKFORDS VENETIAN AFFAIR) or Vienna in the dying days of the belle epoch of Emperor Franz Josef ? In THE LADY IN BLACK , the mystery of Gustav Klimts last missing portrait is solved in a thrilling journey through the battlefields of the second world war to the present d...
Edges of Empire is a timely reassessment of the history and legacy of Orientalist art and visual culture through its focus on the intersection between modernization, modernism and Orientalism. Covers indigenous art and agency, contemporary practices of collection and display, and a survey of key Orientalist tropes Contains original essays on new perspectives for scholars and students of art history, architecture, museum studies and cultural and postcolonial studies Highlights contested identities and new definitions of self through topics such as 19th century monuments to Empire, cultural cross-dressing, performance and display at the international exhibitions, and contemporary museological practice.
It is the mid-1960s and 17-year-old Sally is living in leafy suburbia with her bourgeois mother, indulgent father and infuriating sister. Mrs Phillips, a strict Roman Catholic, worries constantly about what the neighbours think behind their twitching lace curtains and about Sally's tomboyish ways. Having finished her convent education, Sally is shy and naive, and totally unconscious of her budding beauty. Her only sex education has been an excruciating lesson on the procreation of rabbits from the nuns, and her mother's oblique warnings that 'men only want one thing'. Quick to blush and innocent of the world, she is nonetheless intelligent and shows no interest in callow youths eager to date...
In the wake of the Ottoman Empire’s nineteenth-century reforms, as guilds waned and new professions emerged, the scholarly ‘estate’ underwent social differentiation. Some found employment in the state’s new institutions as translators, teachers and editors, whilst others resisted civil servant status. Gradually, the scholar morphed into the public writer. Despite his fledgling status, he catered for the public interest all the more so since new professionals such as doctors, engineers and lawyers endorsed this latest social role as an integral part of their own self-image. This dual preoccupation with self-definition and all things public is the central concern of this book. Focusing...
Scrutinizing, in detail, the relationship between archaeology, heritage and the public, this much-needed volume explores public interest and participation in archaeology as a subject worthy of academic attention in its own right. Examining case studies from throughout the world; from North America, Britain, Egypt and Brazil to East Africa, China and beyond, Nick Merriman focuses on two key areas: communication and interpretation, and stakeholders. Constant reports of new discoveries, protests over the destruction of sites and debates over the return of artefacts such as the Elgin marbles or indigenous remains testify to an increasing public interest in archaeology. For students and scholars of this archaeology, and of its relationship with the public, this will prove essential reading.
First published in 2000. The kings of ancient Egypt’s first five dynasties were responsible for the creation of a unique and enduring civilisation, epitomised by its most impressive monuments, the pyramids. Yet what do we know about the reigns of these kings? Excavations have revealed much, but Egyptology has always been blessed with another rich source of information - the written texts and inscriptions composed by the ancient Egyptians themselves. For the history of the first five dynasties, one particular series of inscriptions has always been of prime importance. This is the collection of inscribed stone fragments known as the Royal An- nals. Now divided between museums in Palermo, Cai...
DIVCommunity policing, the author argues, does not necessarily empower the community but often increases the power of the police /div
How Andrew Thomas Taylor advanced the quality of architecture in Canada.
George Eliot's literary achievement is explored through essays on its historical, intellectual, political and social contexts.