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For the 500th anniversary of Leonardo da Vinci’s death comes an immersive journey through five centuries of history to define the Leonardo mystique and uncover how the elusive Renaissance artist became a global pop icon. Virtually everyone would agree that Leonardo da Vinci was the most important artist of the High Renaissance. It was Leonardo who singlehandedly created the defining features of Western art: a realism based on subtle shading; depth using atmospheric effects; and dramatic contrasts between light and dark. But how did Leonardo, a painter of very few works who died in obscurity in France, become the internationally renowned icon he is today, with the Mona Lisa and the Last Sup...
In Literature and Artistic Practice in the Sixteenth Century Angela Cerasuolo, art historian and restorer, tracks the technical processes of painting through the cross-analysis of literary texts and works of art. Having traced the critical fortunes of the texts of the authors—Leonardo, Vasari, Armenini, Borghini, Lomazzo—she compares the information on drawing and painting, analysing the specific terminology, and identifying the materials and methods. Central themes of the theoretical debate—‘disegno’, ‘invenzione’, the contrast between ‘prestezza’ and ‘diligenza’, the ‘paragone’—are examined in the light of their relationship with the techniques. On the basis of scientific studies on the technical execution of paintings, works from the Capodimonte Museum, Naples are analysed as case studies.
"An examination of the modern cultural mythology of Leonardo da Vinci that sheds light on the intersections of the academy, the commercial art world, and ideas about attribution and authorship"--
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This book tells the story of Leonardo Da Vinci's Mona Lisa, based on a pedagogical approach, in order to present information accessibly, even for those who do not have a background in History or History of Art. On the other hand, the book brings well-documented information, based on testimonials of some of the most renowned researchers who have studied the subject. Before addressing the subject of the book, the author presents the stories of the first three portraits painted by Leonardo Da Vinci: the portrait of Ginevra de’ Benci; the portrait known as The lady with an Ermine and the portrait of La Belle Ferronnière, aiming to use these three paintings to observe Leonardo’s evolving creative process in portrait painting (non-religious paintings), before painting his iconic Mona Lisa, which is thoroughly analyzed in many aspects.