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Risk management in the cultural heritage sector
“Risk Management in the Cultural Heritage Sector: Museums, Libraries, Archives” is the second volume in the Book Series “Education and Research in the Sector of Cultural and Environmental Heritage”. Its contents can be traced preliminarily to a historical overview of the regulatory situation regarding the safety of cultural heritage in Italy and internationally, with a consequent discussion of procedures for evaluation and prevention, guidelines and security systems, in particular, in confined environments. Attention then focuses on the various types of risk and relevant scientific methodologies, comparing methodological paths and monitoring standards established by Italian and International Organisations. A number of case studies carried out by the Diagnostic Laboratory for Cultural Heritage of the Department of Cultural Heritage at the Alma Mater Studiorum University of Bologna are examined.
Conservation Science in Cultural Heritage
It hosts experimental studies and research that are historical, technical, diagnostic-analytical, normative, managerial and economico-financial in nature, related to the problems of safeguarding and valorising cultural and environmental heritage within interdisciplinary and internationalist fields.
Conservation Science in Cultural Heritage
Conservation Science in Cultural Heritage is a historical-technical Journal. One of the main objectives of the Journal is to achieve an all-encompassing vision of interdisciplinarity and internationalisation which are essential in today's society and relevant cultural sectors. In this, the Journal responds to a natural demand for information and professional growth on issuees related to the cultural heritage sector.
Conservation 14: Conservation Science in Cultural Heritage
This historico-technical journal was founded in 2001. Published yearly, in the course of the years the journal has entered the international stage with the name "Conservation Science in Cultural Heritage", and it is now published in English and in Italian, both in electronic format and on print. It is featured on many websites and international databases, it has been granted the opportunity to apply the Creative Commons (CC) licence and the "seal" of SPARC (Scholarly Publishing and Academic Resource Coalition), and it has been officially requested by EBSCO Publishing and H.W. Wilson Company to be part of their platforms. Since 2011, it has been edited by Mimesis Edizioni (Milano-Udine). The ...
The da Vinci Legacy
For the 500th anniversary of Leonardo da Vinci’s death comes an immersive journey through five centuries of history to define the Leonardo mystique and uncover how the elusive Renaissance artist became a global pop icon. Virtually everyone would agree that Leonardo da Vinci was the most important artist of the High Renaissance. It was Leonardo who singlehandedly created the defining features of Western art: a realism based on subtle shading; depth using atmospheric effects; and dramatic contrasts between light and dark. But how did Leonardo, a painter of very few works who died in obscurity in France, become the internationally renowned icon he is today, with the Mona Lisa and the Last Sup...
A Second Mona Lisa?
The topic of attribution and authentication of art works is a well-known one and is currently the subject of heated debate. To arrive at a univocal scientific truth, however, it is necessary to integrate historical-humanistic and technical-experimental skills with a subjective and objective evaluation. The first part of the volume deals with experimentation relating to three valuable artifacts of different material composition: a painting, a sculpture, a codex. The second part of the research regards the emblematic case of the Mona Lisa and its uniqueness. The question connected to this study is: "Is there a second Mona Lisa?" Is the Isleworth Mona Lisa, also known as the Earlier Mona Lisa, ...
Literature and Artistic Practice in Sixteenth-Century Italy
In Literature and Artistic Practice in the Sixteenth Century Angela Cerasuolo, art historian and restorer, tracks the technical processes of painting through the cross-analysis of literary texts and works of art. Having traced the critical fortunes of the texts of the authors—Leonardo, Vasari, Armenini, Borghini, Lomazzo—she compares the information on drawing and painting, analysing the specific terminology, and identifying the materials and methods. Central themes of the theoretical debate—‘disegno’, ‘invenzione’, the contrast between ‘prestezza’ and ‘diligenza’, the ‘paragone’—are examined in the light of their relationship with the techniques. On the basis of scientific studies on the technical execution of paintings, works from the Capodimonte Museum, Naples are analysed as case studies.
The Resurrection of Jesus
The earliest traditions around the narrative of Jesus' resurrection are considered in this landmark work by Dale C. Allison, Jr, drawing together the fruits of his decades of research into this issue at the very core of Christian identity. Allison returns to the ancient sources and earliest traditions, charting them alongside the development of faith in the resurrection in the early church and throughout Christian history. Beginning with historical-critical methodology that examines the empty tomb narratives and early confessions, Allison moves on to consider the resurrection in parallel with other traditions and stories, including Tibetan accounts of saintly figures being assumed into the light, in the chapter “Rainbow Body”. Finally, Allison considers what might be said by way of results or conclusions on the topic of resurrection, offering perspectives from both apologetic and sceptical viewpoints. In his final section of “modest results” he considers scholarly approaches to the resurrection in light of human experience, adding fresh nuance to a debate that has often been characterised in overly simplistic terms of “it happened” or “it didn't”.
