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Literature and Artistic Practice in Sixteenth-Century Italy
In Literature and Artistic Practice in the Sixteenth Century Angela Cerasuolo, art historian and restorer, tracks the technical processes of painting through the cross-analysis of literary texts and works of art. Having traced the critical fortunes of the texts of the authors—Leonardo, Vasari, Armenini, Borghini, Lomazzo—she compares the information on drawing and painting, analysing the specific terminology, and identifying the materials and methods. Central themes of the theoretical debate—‘disegno’, ‘invenzione’, the contrast between ‘prestezza’ and ‘diligenza’, the ‘paragone’—are examined in the light of their relationship with the techniques. On the basis of scientific studies on the technical execution of paintings, works from the Capodimonte Museum, Naples are analysed as case studies.
Leonardo Da Vinci
"An examination of the modern cultural mythology of Leonardo da Vinci that sheds light on the intersections of the academy, the commercial art world, and ideas about attribution and authorship"--
Fiere in Cina 2003
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Mona Lisa and her mysteries
This book tells the story of Leonardo Da Vinci's Mona Lisa, based on a pedagogical approach, in order to present information accessibly, even for those who do not have a background in History or History of Art. On the other hand, the book brings well-documented information, based on testimonials of some of the most renowned researchers who have studied the subject. Before addressing the subject of the book, the author presents the stories of the first three portraits painted by Leonardo Da Vinci: the portrait of Ginevra de’ Benci; the portrait known as The lady with an Ermine and the portrait of La Belle Ferronnière, aiming to use these three paintings to observe Leonardo’s evolving creative process in portrait painting (non-religious paintings), before painting his iconic Mona Lisa, which is thoroughly analyzed in many aspects.
The Resurrection of Jesus
The earliest traditions around the narrative of Jesus' resurrection are considered in this landmark work by Dale C. Allison, Jr, drawing together the fruits of his decades of research into this issue at the very core of Christian identity. Allison returns to the ancient sources and earliest traditions, charting them alongside the development of faith in the resurrection in the early church and throughout Christian history. Beginning with historical-critical methodology that examines the empty tomb narratives and early confessions, Allison moves on to consider the resurrection in parallel with other traditions and stories, including Tibetan accounts of saintly figures being assumed into the light, in the chapter “Rainbow Body”. Finally, Allison considers what might be said by way of results or conclusions on the topic of resurrection, offering perspectives from both apologetic and sceptical viewpoints. In his final section of “modest results” he considers scholarly approaches to the resurrection in light of human experience, adding fresh nuance to a debate that has often been characterised in overly simplistic terms of “it happened” or “it didn't”.
