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This book sets out a framework for investigating audience responses to political discourse. It starts from the premise that audiences are active participants who bring their own background knowledge and political standpoint to the communicative event. To operationalise this perspective, the volume draws on concepts from classical rhetoric alongside contemporary research in cognitive stylistics and cognitive linguistics (including schema theory, Text World Theory, Cognitive Grammar, and mind-modelling, amongst others). It examines the role played by the speaker’s identity, the arguments they make, and the emotions of the audience in the – often critical – reception of political text and talk, using a diversity of examples to illustrate this three-dimensional approach – from political speeches, interviews and newspaper articles, to more creative text-types such as politicised rap music, television satire and filmic drama. The result of this wide-ranging application is a holistic and systematic account of the rhetorical and ideological effects of political discourse in reception.
Each spread of this beautifully illustrated nature book has an array of things for little children to spot. With topics including "In the garden", "All kinds of birds" and "By the pond", join Poppy and Sam to take your first steps in learning about the natural world around you. Detailed, charming illustrations of the different animals and plants. An ideal way to stimulate children's curiosity about the natural world. Part of our growing series of new Farmyard Tales Poppy and Sam books.
“Reluctant readers and fans of the Wimpy Kid series and its ilk will appreciate the book’s dynamic type, graphics galore, cartoonish illustrations, and ironic footnotes.”—Kirkus Don’t call him scaredy-cat Sam, because Sam Wu IS NOT AFRAID of ghosts! Except . . . he totally is. Can he conquer his fear by facing the ghost that lives in the walls of his house? After an unfortunate (and very embarrassing) incident in the Space Museum, Sam goes on a mission to prove to the school bully, and all his friends, that he’s not afraid of anything—just like the heroes on his favorite show, Space Blasters. And when it looks like his house is haunted, Sam gets the chance to prove how brave he can be. A funny, touching, and charming story of ghost hunting, escaped pet snakes, and cats with attitude!
Join Poppy and Sam as they have fun outdoors with this charming sticker book. From the farm to the beach, springtime to night-time, the book explores nature and wildlife found in different seasons and locations. Young children will love choosing from all kinds of animal, bird and plant stickers to finish the delightful scenes.
Shifty McGifty and Slippery Sam are the world's most useless burglars, and their new master plan for a robbery is going hopelessly wrong! Will their neighbours catch them red-handed? Shifty McGifty and Slippery Sam are two hapless robber dogs who can never seem to fill their swag bags. They've tried the bank, the bookshop, the bike shop . . . and even a plot to rob their neighbours is foiled! But when they decide on a career change and open up a café they realize that, although crime doesn't pay, cupcakes certainly do! Join the fun in this hilarious rhyming picture book adventure. Shifty McGifty and Slippery Sam is a hugely successful, action-packed series about two baker-dogs who used to b...
St. Louis was the capital and Muchnick the ruler of pro wrestling before Vince McMahon's World Wrestling Entertainment took over. Muchnick and St. Louis paved the way for the multi-billion-dollar sports entertainment industry broadcast worldwide from the stadia and showpiece venues of the States. The centre of this magical operation was a TV programme called Wrestling at the Chase', which ran from 1959 to 1983 from the majestic Chase Hotel. Matysik, Muchnick's protege and longtime ringside announcer, recalls with touching fondness the legends of his time.'
What is the literary absurd? What are its key textual features? How can it be analysed? How do different readers respond to absurdist literature?Taking the theories and methodologies of stylistics as its underlying analytical framework, Reading the Absurd tackles each of these questions. Selected key works in English literature are examined in depth to reveal significant aspects of absurd style. Its analytical approach combines stylistic inquiry with a cognitive perspective on language, literature and reading which sheds new light on the human experience of literary reading.By exploring the literary absurd as a linguistic and experiential phenomena, while at the same time reflecting upon its essential historical and cultural situation, Joanna Gavins brings a new perspective to the absurd aesthetic.
Reading Digital Fiction offers the first comprehensive and systematic theoretical, methodological, and analytical examination of digital fiction from a cognitive and empirical perspective. Proposing the new concept of “medial reading”, it argues for the centrality of an audience’s interest in, awareness of and/or attention to the medium in which a text is produced and received, and which we argue should be applied to reader data across media. The book analyses and theorises five generations of digital fiction and their reading including hypertext fiction, hypermedia fiction, narrative video games, app fiction, and virtual reality. It showcases medium- and platform-specific methods of q...
Children can learn how to draw lots of farm animals, plants and vehicles in this colourful book with simple step-by-step instructions and lots of space to draw in. Even little children will be able to follow the step-by-step instructions as they show exactly which shapes they need to add to their drawing. Illustrations: Full colour throughout.
This book takes an innovative view of language and politics, charting the terrain of political identities and discourses in New Zealand through detailed linguistic analysis of interactions with its voters. The author first sets out the geographical and sociopolitical context, examining how the constraints of a small and isolated country interact with widespread social values such as egalitarianism. He then delves into the multiple nature of identities and explores how Kiwis form their political selves through informal talk with others and in engagement with their physical and discursive surroundings. In doing so, the author provides an in-depth exploration of New Zealand political culture, identity and discourse, and sheds light on how we use language to become political people. This book will be of interest to linguists, political scientists and sociologists working with discourse analysis.