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Star Warriors of the Modern Raj
India is mutating – and its Science Fiction with it. Star Warriors of the Modern Raj is a critical catalogue of contemporary India’s anglophone SF, a path-breaking work that flits between texts, vantage points and frameworks. An alternative to a Eurocentric perspective of SF, this study avoids essentialising definitions and delves into how the world of SF (text) intersects with that of the writer/reader. Fusing paradigms of Science Fiction Studies, South Asian Studies and Postcolonial Studies, among others, the book explicates how India and its SF negotiate one another. It evolves a ‘transMIT thesis’ to analyse how mythology (M), ideology (I) and technology (T) contour Indian SF and ...
Red Jihad
The year is 2014. Pakistan is now a full-fledged democracy and beginning to reconcile with India. However, there are forces working against this fragile peace. A Pakistani jihadi leader, Yasser Basheer, travels to the Red Corridor and enlists the support of an Indian Naxalite commander. Their plan: to unleash Pralay, India's experimental intercontinental ballistic missile, on the subcontinent. As the missile changes course en route, it hits Pakistan and causes collateral damage. In response, Pakistan declares war on India. As the web of politics, deceit and treachery deepens, it turns out there are larger interests at stake and bigger players involved in a confrontation that threatens to destabilize the entire subcontinent. In this gripping thriller, Sami Ahmad Khan explores the consequences of an Indo-Pak war and its devastating effects on South Asia.
Sir Syed Ahmed Khan, the Saviour of Muslim India
Sir Syed Ahmad Khan, 1817-1898, an Urdu scholar, Indian Muslim social reformer and founder of Aligarh Muslim University.
Arab and Muslim Science Fiction
How is science fiction from the Arab and Muslim world different than mainstream science fiction from the West? What distinctive and original contributions can it make? Why is it so often neglected in critical considerations of the genre? While other books have explored these questions, all have been from foreign academic voices. Instead, this book examines the nature, genesis, and history of Arabic and Muslim science fiction, as well as the challenges faced by its authors, in the authors' own words. These authors share their stories and struggles with censors, recalcitrant publishers, critics, the book market, and the literary establishment. Their uphill efforts, with critical contributions from academics, translators, and literary activists, will enlighten the sci-fi enthusiast and fill a gap in the history of science fiction. Topics covered range from culture shock to conflicts between tradition and modernity, proactive roles for female heroines, blind imitation of storytelling techniques, and language games.
Who's Who in the Arab World 2007-2008
Who's Who in the Arab World 2007-2008 compiles information on the most notable individuals in the Arab world. Additionally, the title provides insight into the historical background and the present of this influential and often volatile region. Part I sets out precise biographical details on some 6,000 eminent individuals who influence every sphere of public life in politics, culture and society. Part II surveys the 19 Arab Countries, providing detailed information on the geography, history, constitution, economy and culture of the individual countries. Part III provides information on the historical background of the Arab world. Indexes by country and profession supplement the biographical section. A select bibliography of secondary literature on the Middle East is also included.
Allelopathy
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Indian Science Fiction
This study draws from postcolonial theory, science fiction criticism, utopian studies, genre theory, Western and Indian philosophy and history to propose that Indian science fiction functions at the intersection of Indian and Western cultures. The author deploys a diachronic and comparative approach in examining the multilingual science fiction traditions of India to trace the overarching generic evolutions, which he complements with an analysis of specific patterns of hybridity in the genre’s formal and thematic elements – time, space, characters and the epistemologies that build the worlds in Indian science fiction. The work explores the larger patterns and connections visible despite the linguistic and cultural diversities of Indian science fiction traditions.
