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The Power of Black Music
When Jimi Hendrix transfixed the crowds of Woodstock with his gripping version of "The Star Spangled Banner," he was building on a foundation reaching back, in part, to the revolutionary guitar playing of Howlin' Wolf and the other great Chicago bluesmen, and to the Delta blues tradition before him. But in its unforgettable introduction, followed by his unaccompanied "talking" guitar passage and inserted calls and responses at key points in the musical narrative, Hendrix's performance of the national anthem also hearkened back to a tradition even older than the blues, a tradition rooted in the rings of dance, drum, and song shared by peoples across Africa. Bold and original, The Power of Bla...
Black Music in the Harlem Renaissance
Paper edition of the 1990 Greenwood Press work which was initiated as a special issue of Black Music Research Journal but grew too big for that format. Ten essays address a variety of subjects connected with African-American music of the 1920s, e.g. vocal concert music, musical theater, Duke Ellington, and the relationship of the music to literature and art. Includes an extensive bibliography of works composed during the period. Annotation copyright by Book News, Inc., Portland, OR
The Transformation of Black Music
The Transformation of Black Music includes a full spectrum of black musics from four continents as it argues for a re-codification of black musics and performers. Framed by a call and response argument, the authors present not only a more holistic and historically accurate understanding of musics in the African Diaspora, but also an intellectually robust future for the field of black music research.
Ebony
EBONY is the flagship magazine of Johnson Publishing. Founded in 1945 by John H. Johnson, it still maintains the highest global circulation of any African American-focused magazine.
The Black Chicago Renaissance
"The "New Negro" consciousness with its roots in the generation born in the last and opening decades of the 19th and 20th centuries replenished and nurtured by migration, resulted in the Harlem Renaissance in the 1920s then reemerged transformed in the 1930s as the Black Chicago Renaissance. The authors in this volume argue that beginning in the 1930s and lasting into the 1950s, Black Chicago experienced a cultural renaissance that rivaled the cultural outpouring in Harlem. The Black Chicago Renaissance, however, has not received its full due. This book addresses that neglect. Like Harlem, Chicago had become a major destination for black southern migrants. Unlike Harlem, it was also an urban...
The Power of Black Music
Floyd maintains that while African Americans may not have direct knowledge of African traditions and myths, they can intuitively recognize links to an authentic African cultural memory.
Deep River
DIVA critical and historical study of the debate over early African-American music that draws on the views of W.E.B. Du Bois, Alain Locke, Langston Hughes, Zora Neal Hurston, and others to show competing notions of how this music relates to cultural inherita/div
African American Jazz and Rap
Music is an expressive voice of a culture, often more so than literature. While jazz and rap are musical genres popular among people of numerous racial and social backgrounds, they are truly important historically for their representation of and impact upon African American culture and traditions. Essays offer interdisciplinary study of jazz and rap as they relate to black culture in America. The essays are grouped under sections. One examines an Afrocentric approach to understanding jazz and rap; another, the history, culture, performers, instruments, and political role of jazz and rap. There are sections on the expressions of jazz in dance and literature; rap music as art, social commentary, and commodity; and the future. Each essay offers insight and thoughtful discourse on these popular musical styles and their roles within the black community and in American culture as a whole. References are included for each essay.
The Memoirs of Alton Augustus Adams, Sr.
"Adams's memoirs, here edited and placed in historical context by Mark Clague, with a foreword by Samuel Floyd, Jr., reveal an inspired cultural activist who believed that music could change the world, mitigate racism, and help bring lasting prosperity to his island home."--BOOK JACKET.
Church Administration in the Black Perspective
With over 60,000 copies in print, Church Administration in the Black Perspective, first published in 1976, has become a classic reference manual. African American pastors through the years have looked to this informational guide as a source for details on church structure, management, and organization. This resource addresses the particular needs of the pastor and church staff who have been charged with the responsibilities of administration in the black church context. Not only does this revised edition feature updated language, but it also includes fresh information in such areas as budgeting and the use of modern technology. The authors supply detailed information on creating a church bud...
