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Samuel A. Coale
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Quirks of the Quantum
Episodic and disconnected, much of postmodern fiction mirrors the world as quantum theorists describe it, according to Samuel Chase Coale. In Quirks of the Quantum, Coale shows how the doubts, misgivings, and ambiguities reflected in the postmodern American novel have been influenced by the metaphors and models of quantum theory. Coale explains the basic facets of quantum theory in lay terms and then applies them to a selection of texts, including Don DeLillo's Underworld, Joan Didion's Democracy, and Thomas Pynchon's Against the Day. Using a new approach to literature and culture, this book aims to bridge the gap between science and the humanities by suggesting the many areas where they connect.
Pursuing the Sublime in the Digital Age
Pursuing the Sublime in the Digital Age presents an historical and cultural overview of the sublime as personal experience and as described in fiction and culture. Samuel Coale offers insight into his interpretation of the sublime through analyses of philosophers and artists who have worked within romantic, modernist and postmodern traditions. His narrative is designed for use as a template through which readers can explore and examine their own sublime experiences, and will appeal to both the general public and cultural critics and scholars.
The New Romanticism
The New Romanticism is an overview of the romantic trend taken up by American novelists in the twentieth-century. Includes three classic essays by Saul bellow, Thomas Pyncheon, and Toni Morrison.
The Mystery of Mysteries
Four American mystery writers have contributed new dimensions to the mystery form. Tony Hillerman's Navajos and their customs, Amanda Cross's (Carolyn Heilbrun's) academics and their feminist credentials (or lack thereof), James Lee Burke's Southern Louisiana Cajuns and his own fiercely moral take on Southern gothic fiction, and Walter Mosley's urban blacks and their culture have challenged the conventional mystery's focus. Using feminist and black critical theory, mythic and historical patterns, and literary genre theory, Samuel Coale examines these writers' works and investigates the compromises that each is forced to make when working within a recognizably popular literary form.
In Hawthorne's Shadow
"The world is so sad and solemn," wrote Nathaniel Hawthorne, "that things meant in jest are liable, by an overwhelming influence, to become dreadful earnest; gaily dressed fantasies turning to ghostly and black-clad images of themselves." From the radical dualism of Hawthorne's vision, Samuel Coale argues, springs a continuing tradition in the American novel. In Hawthorne's Shadow is the first critical study to describe precisely the formal shape of Hawthorne's psychological romance and to explore his themes and images in relation to such contemporary writers as John Cheever, Norman Mailer, Joan Didion, John Gardner, Joyce Carol Oates, William Styron, and John Updike. When viewed from this p...
John Cheever
Modern literature monographs (er)
