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Michigan Reports
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The Cyborg Caribbean
The Cyborg Caribbean examines a wide range of twenty-first-century Cuban, Dominican, and Puerto Rican science fiction texts, arguing that authors from Pedro Cabiya, Alexandra Pagan-Velez, and Vagabond Beaumont to Yasmin Silvia Portales, Erick Mota, and Yoss, Haris Durrani, and Rita Indiana Hernandez, among others, negotiate rhetorical legacies of historical techno-colonialism and techno-authoritarianism. The authors span the Hispanic Caribbean and their respective diasporas, reflecting how science fiction as a genre has the ability to manipulate political borders. As both a literary and historical study, the book traces four different technologies—electroconvulsive therapy, nuclear weapons, space exploration, and digital avatars—that have transformed understandings of corporality and humanity in the Caribbean. By recognizing the ways that increased technology may amplify the marginalization of bodies based on race, gender, sexuality, and other factors, the science fiction texts studied in this book challenge oppressive narratives that link technological and sociopolitical progress. .
The Way Women Are
A collection of US Justice Ruth Bader Ginsburg’s legal writings spanning her career, featuring her arguments, opinions, and dissents. US Supreme Court Justice Ruth Bader Ginsburg spent her life defying notions about women. She garnered the status of a cultural icon, the “Notorious RBG.” Her life story is inspirational, and her work ethic is aspirational. Ginsburg’s dissents on behalf of liberal values have been lauded. She has been the subject of films and books, and her image has even been featured on everything from T-shirts to scented candles. But what is known about how her viewpoint shaped the development of law in the United States from the 1970s to 2020? The Way Women Are coll...
A Death in Washington
This is the first book to recover all original documents released by the British archives in 2002 and by the FBI, completing the author's ten-year study.
Posthumanism and Latin(x) American Science Fiction
This volume explores how Latin American and Latinx creators have engaged science fiction to explore posthumanist thought. Contributors reflect on how Latin American and Latinx speculative art conceptualizes the operations of other, non-human forms of agency, and engages in environmentalist theory in ways that are estranging and open to new forms of species companionship. Essays cover literature, film, TV shows, and music, grouped in three sections: “Posthumanist Subjects” examines Latin(x) American iterations of some of the most common figurations of the posthuman, such as the cyborg and virtual environments and selves; “Slow Violence and Environmental Threats” understands that posthumanist meditations in the hemisphere take place in a material and cultural context shaped by the catastrophic destruction of the environment; the chapters in “Posthumanist Others” shows how the reimagination of the self and the world that posthumanism offers may be an opportunity to break the hold that oppressive systems have over the ways in which societies are constructed and governed.
The Secret War Between the Wars
The methods developed by British intelligence in the early twentieth century continue to resonate today. Much like now, the intelligence activity of the British in the pre-Second World War era focused on immediate threats posed by subversive, clandestine networks against a backdrop of shifting great power politics. Even though the First World War had ended, the battle against Britain's enemies continued unabated during the period of the 1920s and 1930s. Buffeted by political interference and often fighting for their very survival, Britain's intelligence services turned to fight a new, clandestine war against rising powers Soviet Russia and Nazi Germany. Using recently declassified files of t...
