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Reforging Shakespeare
Supporters filled the house to ensure a positive reception, but as the curtain went up, no one could suspect the disaster that was to ensue.
The Artist as Original Genius
Examines the first generation of artists in Britain to define themselves as history painters, attempting what then was considered to be art's most exalted category. This book features more than 120 black-and-white illustrations.
Samuel Beckett and the 'State' of Ireland
Reflecting the rich critical debate at the ‘Beckett and the State of Ireland’ conferences held in Dublin between 2011 and 2013, this volume brings together a selection of essays which explore and respond to the Irish concerns which echo in the fiction, drama, and poetry of Samuel Beckett. From the portrayals of the haunting landscape of South County Dublin in Beckett’s work to its interrogation of the political and social pieties of the infant nation state in which the author came to maturity, Beckett and the ‘State’ of Ireland uncovers the enduring presence of Ireland in one of the most influential bodies of writing in modern literature. Examining the politics of cultural identity...
Deception and Detection in Eighteenth-century Britain
In the first extended treatment of the debates surrounding public deception in eighteenth-century Britain, Jack Lynch contends that forgery and fraud make explicit the usually unspoken grounds on which Britons made sense of their world. While taking up the critical philosophical questions surrounding fraud, Lynch shows that fakery takes us to the heart of eighteenth-century values as they relate to evidence, perception and memory, the relationship between art and life, historicism, and human motivation.
Catalogue of the Library
Reprint of the original, first published in 1871. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
Shakespearean Gothic
This book explores the paradox that the Gothic (today's werewolves, vampires, and horror movies) owe their origins (and their legitimacy) to eighteenth-century interpretations of Shakespeare. As Shakespeare was being established as the supreme British writer throughout the century, he was cited as justification for early Gothic writers' fascination with the supernatural, their abandoning of literary "decorum," and their fascination with otherness and extremes of every kind. This book addresses the gap for an up to date analysis of Shakespeare's relation to the Gothic. An authority on the Gothic, E.J. Clery, has stated that "It would be impossible to overestimate the importance of Shakespeare...
