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"Kinser proposes a very persuasive post-Bakhtinian approach to Rabelais's novel and its relation to the carnival. His new historical epistemology, emphasizing as it does the genetic function of an archival 'metatext, ' is compatible with a sophisticated semiotic analysis of the Rabelaisian text. This is a timely, erudite and subtle book which bases its theoretical arguments on solid documentary and textual evidence."--Michel Beaujour, New York University
This collection reprints key articles written within the past 30 years on the Annales school, their journal, their influence on history, historiography and other academic fields.
This study of the medieval rites of peace and reconciliaton highlights the role of ritual as a strategic device in the attempts of the medieval church and state to monopolize political sovereignty and order individual identities around an hegemonic value system.
What does it mean to live during wartime away from the battle zone? What is it like for citizens to go about daily routines while their country sends soldiers to kill and be killed across the globe? Timely and thought-provoking, War at a Distance considers how those left on the home front register wars and wartime in their everyday lives, particularly when military conflict remains removed from immediate perception, available only through media forms. Looking back over two centuries, Mary Favret locates the origins of modern wartime in the Napoleonic era and describes how global military operations affected the British populace, as the nation's army and navy waged battles far from home for d...
"The book examines the configurations of surveillance, sovereignty, and the accompanying forms of subjectivity and knowledge in the transition to modernity. The association of sovereignty with intelligence extended far beyond the identification of sovereignty with the personal power of the sovereign. In Montaigne's France, sovereignty appeared in a disseminated form. Montaigne's Essais exemplify the situation of the courtier self-fashioned to serve an absent sovereign; like Lacan's subject, he is looked at from all sides. Montaigne's description of the search for self-knowledge as self-spying reveals how deeply this quest was implicated in a culture of courtly surveillance. At Elizabeth's court, observation evolved into political espionage based on a system of courtly patronage and employed as a means of policing sexuality centered on the unmarried monarch. Sidney's Arcadia inscribes ways of coping, with the anxieties produced by this surveillance-fraught environment.".
This book, originally published in 1977, is a survey of European historiography from its origins in the historians of Greece and Rome, through the annalists and chroniclers of the middle ages, to the historians of the late eighteenth century. The author concentrates on those writers whose works fit into a specific category of writing, or who have inlfuence the course of later historical writing, though he does deal with some of the more specialist forms of medieval historiography such as the crusading writers, and chivalrous historians like Froissart. He maintains that ‘modern’ history did not develop until the 18th Century.
A comprehensive study of the ritual practices in traditional Christian Europe.
From the Fool to the Wildman, from the irate Reformer to the festive Masqueraders, this collection of articles offers a variety of topics, approaches, and agendas in the study of early modern European theatre. With samplings from Scandinavia, Germany, England, France, the Iberian peninsula, and even the New World, this collection also spans time, from the late fifteenth century to the present. In the process, Carnival and the carnivalesque are examined from archival, Bakhtinian, cultural, and even political points of view. The articles in this collection reveal the variety and inherent vitality of scholarship in early modern theatre. The thirteen essays have been selected from presentations made at the Eighth Triennial Congress of the Société Internationale pour l'Etude du Théâtre Médiéval held in Toronto (1995), under the auspices of the Records of Early English Drama project and Victoria University in the University of Toronto.
Many art historians regard poststructuralist theory with suspicion; some even see its focus on the political dimension of language as hostile to an authentic study of the past. Keith Moxey bridges the gap between historical and theoretical approaches with the provocative argument that we cannot have one without the other. "If art history is to take part in the processes of cultural transformation that characterize our society," he writes, "then its historical narratives must come to terms with the most powerful and influential theories that currently determine the way in which we conceive of ourselves." After exploring how the insights offered by deconstruction and semiotics change our under...
This 1995 book explores the acts of iconoclasm as the means to recover the participation of ordinary Christians in the Reformation.