Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Romance and Reason
Catalog of an exhibition held at the Institute for the Study of the Ancient World from February 14, 2018-May 13, 2018.
The Bundahisn
The Bundahisn, meaning primal or foundational creation, is the central Zoroastrian account of creation, cosmology, and eschatology. Redacted sometime in the ninth century CE, it is one of the most important of the surviving testaments to Middle Persian Zoroastrian literature and pre-Islamic Iranian culture. Well known in the field as an essential primary source for scholars of ancient Iran's history, religions, literatures, and languages, the Bundahisn is also a great work of literature itself, which ranks alongside the creation myths of other ancient traditions: Genesis, the Babylonian Emunah Elish, Hesiod's Theogony, and others.
Love at a Crux
Love at a Crux presents the emergence of versified love stories in the New Persian language as a crucial event in the history of romance. Using the tale of Vis & Rāmin (w. 1054) as its focal point, the book explores how Persian court poets in the eleventh century reconfigured "myths" and "fables" from the distant past in ways that transformed the love story from a form of evening entertainment to a method of ethical, political, and affective self-inquiry. This transformation both anticipates and helps to explain the efflorescence of romance in many medieval cultures across the western flank of Afro-Eurasia. Bringing together traditions that are often sundered by modern disciplinary boundaries, Love at a Crux unearths the interconnections between New Persian and comparable traditions in ancient and medieval Greek, Arabic, Georgian, Old French, and Middle High German, offering scholars in classics, medieval studies, Middle Eastern literatures, and premodern world literature a case study in literary history as connected history.
Imagined Israel(s): Representations of the Jewish State in the Arts
Imagined Israel(s) presents a nuanced image of Israel by considering multiple artistic representations of the Jewish state, stretching beyond stereotypical representations of war and conflict, while also encompassing the experience and perspective of the Jewish diaspora and other communities.
The Kushnameh
The first English translation of a strange and unusual Persian epic, this action-packed tale of an evil, monstrous king explores questions of nature and nurture and brings the global middle ages to life. The great Persian epic known as the Kushnameh follows the entangled lives of Kush the Tusked––a monstrous antihero with tusks and ears like an elephant, descended from the evil emperor Zahhak––and Abtin, the exiled grandson of the last true Persian emperor. Abandoned at birth in the forests of China and raised by Abtin, Kush grows into a powerful and devious warrior. Kush and his foes scheme and wage war across a global stage reaching from Spain and Africa to China and Korea. Between...
Jewish Materialism
A paradigm-shifting account of the modern Jewish experience, from one of the most creative young historians of his generation To understand the organizing framework of modern Judaism, Eliyahu Stern believes that we should look deeper and farther than the Holocaust, the establishment of the State of Israel, and the influence and affluence of American Jewry. Against the revolutionary backdrop of mid-nineteenth-century Europe, Stern unearths the path that led a group of rabbis, scientists, communal leaders, and political upstarts to reconstruct the core tenets of Judaism and join the vanguard of twentieth-century revolutionary politics. In the face of dire poverty and rampant anti-Semitism, the...
Lumen
Sumptuously illustrated with dazzling objects, this publication explores the ways art and science worked hand in hand in the Middle Ages and Renaissance. Through the manipulation of materials, such as gold, crystal, and glass, medieval artists created dazzling light-filled environments, evoking, in the everyday world, the layered realms of the divine. While contemporary society separates science and spirituality, the medieval world harnessed the science of light to better perceive and understand the sacred. From 800 to 1600, the study of astronomy, geometry, and optics emerged as a framework that was utilized by theologians and artists to comprehend both the sacred realm and the natural worl...
Shaman and Sage
The first volume of Michael Horton’s magisterial intellectual history of “spiritual but not religious” as a phenomenon in Western culture Discussions of the rapidly increasing number of people identifying as “spiritual but not religious” tend to focus on the past century. But the SBNR phenomenon and the values that underlie it may be older than Christianity itself. Michael Horton reveals that the hallmarks of modern spirituality—autonomy, individualism, utopianism, and more—have their foundations in Greek philosophical religion. Horton makes the case that the development of the shaman figure in the Axial Age—particularly its iteration among Orphists—represented a “divine ...
The Iranian Talmud
The Iranian Talmud reexamines the Babylonian Talmud—one of Judaism's most central texts—in the light of Persian literature and culture, providing an unprecedented and accessible overview to the vibrant world of pre-Islamic Iran that shaped the Bavli.
