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A Biographical Dictionary of Actors, Actresses, Musicians, Dancers, Managers & Other Stage Personnel in London, 1660-1800
The penultimate volume of the vast project begun some two decades ago, Volume 15, illustrated like its predecessors with bandw portraits and other artwork, provides information on theatre people including singer Catherine Tofts, comedian James Tokely, bearded lady and harpsichordist Barbara Van Beck, proprietor, playwright, and architect John Vanbrugh, theatrical families like the Vaughans and the husband- and-wife thespians John Baptista and Susanna Verbruggen and the dancing Vestres--Gaetan Appoline Balthazar and his illegitimate son Marie Jean Augustin, as well as a host of Wards (some related, some not). Annotation copyright by Book News, Inc., Portland, OR
The Harmonicon
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Roman Catholic Church Music in England, 1791–1914: A Handmaid of the Liturgy?
Roman Catholic church music in England served the needs of a vigorous, vibrant and multi-faceted community that grew from about 70,000 to 1.7 million people during the long nineteenth century. Contemporary literature of all kinds abounds, along with numerous collections of sheet music, some running to hundreds, occasionally even thousands, of separate pieces, many of which have since been forgotten. Apart from compositions in the latest Classical Viennese styles and their successors, much of the music performed constituted a revival or imitation of older musical genres, especially plainchant and Renaissance Polyphony. Furthermore, many pieces that had originally been intended to be performed...
Catalogue of Books, Pictures, Prints, etc.
Reprint of the original, first published in 1872. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
The Sound of the English Picturesque
Revealing the connections between the veneration of national landscape and eighteenth- century English vocal music, this study restores English music’s relationship with the picturesque. In the eighteenth century, the emerging taste for the picturesque was central to British aesthetics, as poets and painters gained popularity by glorifying the local landscape in works concurrent with the emergence of native countryside tourism. Yet English music was seldom discussed as a medium for conveying national scenic beauty. Stephen Groves explores this gap, and shows how secular song, the glee, and national theatre music expressed a uniquely English engagement with landscape. Using an interdiscipli...
